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Ann Dils and Ann Cooper Albright: First Steps: Moving into the Study of Dance History | |
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Thinking About Dance History: Theory and Practices | |
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Some Twentieth-Century Models of Sense Perception | |
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Writing Beneath the Surface | |
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Imagining Dance | |
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Searching for Nijinsky's Sacre | |
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Five Premises for a Culturally Sensitive Approach to Dance | |
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An Anthropologist Looks at Ballet as a Form of Ethnic Dance | |
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The Trouble with the Male Dancer | |
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Strategic Abilities: Negotiating the Disabled Body in Dance | |
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Dancing in the Field: Notes from Memory | |
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World Dance Traditions | |
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Trance and Ecstatic Dance | |
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Bharatha Natyam What Are You? | |
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Medicine of the Brave | |
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The Belly Dance: Ancient Ritual to Cabaret Performance | |
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Changing Images and Shifting Identities: Female Performers in Egypt | |
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Commonalities in African Dance: An Aesthetic Foundation | |
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Invention and Re-invention in the Traditional Arts | |
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Headspin: Capoeira's Ironic Inversions | |
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Epitome of Korean Folk Dance | |
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The Many Faces of Korean Dance | |
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Writing Dancing | |
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Beyond La Danse Noble: Conventions in Choreography and Dance Performance at the Time of Rameau's Hippolyte et Aricie | |
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The Travesty Dancer in Nineteenth-Century Ballet | |
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Interrupted Continuities: Modern Dance in Germany | |
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America Dancing | |
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The Irresistible Other: Hopi Ritual Drama and Euro-American Audiences | |
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Juba and American Minstrelsy | |
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Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis's "Radha" of 1906 | |
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Two-Stepping to Glory | |
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The Natural Body | |
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Form as the Image of Human Perfectibility and Natural Order | |
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The Harsh and Splendid Heroines of Martha Graham | |
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The Dance is a Weapon | |
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In His Image: Diaghilev and Lincoln Kirstein | |
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Stripping the Emperor: The Africanist Presence in American Concert Dance | |
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Simmering Passivity: The Black Male Body in Concert Dance | |
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Choreographic Methods of the Judson Dance Theater | |
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Chance Heroes. Merce Cunningham | |
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Contemporary Dance: Global Contexts | |
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Looking at Movement as Culture: Contact Improvisation to Disco | |
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10,000 Jams Later: Contact Improvisation in Canada 1974-95 | |
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Butoh: "Twenty Years Ago We Were Crazy, Dirty and Mad" | |
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Improvisation Is a Word for Something That Can't Keep a Name | |
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Dancing on the Endangered List: Aesthetics and Politics of Indigenous Dance in the Philippines | |
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Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification | |
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Ananya and Chandralekha | |
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A Response to "Chandralekha: Negotiating the Female Body and Movement in Cultural/Political Signification" | |
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Embodying History: Epic Narrative and Cultural Identity in African-American Dance | |
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Simply (?) the Doing of it, Like Two Arms Going Round and Round | |
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A Little Technology Is a Dangerous Thing | |
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Technique/Technology/Technique | |
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Absent/Presence | |
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