Skip to content

Aesthetic Theory

ISBN-10: 0816618003

ISBN-13: 9780816618002

Edition: N/A

Authors: Theodor W. Adorno, Robert Hullot-Kentor, Robert Hullot-Kentor, Robert Hullot-Kentor

List price: $27.50
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Customers also bought

Book details

List price: $27.50
Publisher: University of Minnesota Press
Publication date: 8/12/1998
Binding: Paperback
Pages: 416
Size: 6.00" wide x 9.00" long x 0.75" tall
Weight: 1.452
Language: English

Theodor W. Adorno is the progenitor of critical theory, a central figure in aesthetics, and the century's foremost philosopher of music. He was born and educated in Frankfurt, Germany. After completing his Ph.D. in philosophy, he went to Vienna, where he studied composition with Alban Berg. He soon was bitterly disappointed with his own lack of talent and turned to musicology. In 1928 Adorno returned to Frankfurt to join the Institute for Social Research, commonly known as The Frankfurt School. At first a privately endowed center for Marxist studies, the school was merged with Frankfort's university under Adorno's directorship in the 1950s. As a refugee from Nazi Germany during World War II, Adorno lived for several years in Los Angeles before returning to Frankfurt. Much of his most significant work was produced at that time. Critics find Adorno's aesthetics to be rich in insight, even when they disagree with its broad conclusions. Although Adorno was hostile to jazz and popular music, he advanced the cause of contemporary music by writing seminal studies of many key composers. To the distress of some of his admirers, he remained pessimistic about the prospects for art in mass society. Adorno was a neo-Marxist who believed that the only hope for democracy was to be found in an interpretation of Marxism opposed to both positivism and dogmatic materialism. His opposition to positivisim and advocacy of a method of dialectics grounded in critical rationalism propelled him into intellectual conflict with Georg Hegel, Martin Heidegger, and Heideggerian hermeneutics.

Robert Hullot-Kentor has taught philosophy, literature, and the arts at Harvard, Boston University, Stanford, and Long Island University. He has translated several of Adorno's major works, including Aesthetic Theory, and has recently published Current of Music, a reconstruction of Adorno's unfinished study of radio broadcast music.

Translator's Acknowledgments
Translator's Introduction
Art, Society, Aesthetics
Situation
On the Categories of the Ugly, the Beautiful, and Technique
Natural Beauty
Art Beauty; Apparition, Spiritualization, Intuitability
Semblance and Expression
Enigmaticalness, Truth Content, Metaphysics
Coherence and Meaning
Subject-Object
Toward a Theory of the Artwork
Universal and Particular
Society
Paralipomena
Theories on the Origin of Art
Draft Introduction
Editors' Afterword
Notes
Index