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| Preface | |
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| Acknowledgments | |
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| The Judicial Opinion and the Poem: Ways of Reading, Ways of Life | |
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| How Law Is Like Literature | |
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| Working on the Chain Gang: Interpretation in Law and Literature | |
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| Law and Literature: A Relation Reargued | |
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| Convergences: Law, Literature, and Feminism | |
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| Economic Man and Literary Woman: One Contrast | |
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| "To Edwin V. McKenzie: On His Defense of David Lamson"; "To a Woman on Her Defense of Her Brother Unjustly Convicted of Murder: Written after an Initial Study of the Evidence"; "To David Lamson: Awaiting Retrial, in the Jail at San Jose" | |
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| "The Defence of Guenevere" | |
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| Trifles | |
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| Chapter 6, Anatomy of a Murder | |
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| Chapter 1, Diary of a Yuppie | |
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| "The Law," The Floating Opera | |
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| "On the Duty of Civil Disobedience" | |
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| "Apology" | |
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| "Law Like Love" | |
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| "Hamilton Greene," Spoon River Anthology | |
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| Act I, Scene VI, Saint Joan | |
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| Chapter I, "In Chancery," Bleak House | |
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| "Before the Law," The Trial | |
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| "Bartleby the Scrivener" | |
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| "Address to the Prisoners in the Cook County Jail" | |
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| "On Teaching the Legality of Televising Capital Punishments" | |
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| "Porphyria's Lover" | |
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| Act 4, Scene 1, The Merchant of Venice | |
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| Part II, Chapters 3 and 4; A Clockwork Orange | |
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| Chapter 43, "The Verdict," Adam Bede | |
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| "Panopticism, Discipline and Punish" | |
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| "Hard Rock Returns to Prison from the Hospital for the Criminal Insane" | |
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| Act I, Scenes 9-11; Zoot Suit | |
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| Act I, Scenes 5 and 6; Bent | |
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| "Jim's Capture," Huckleberry Finn | |
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| Chapter 19, To Kill a Mockingbird | |
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| "Lemorne versus Huell" | |
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| Excerpt from "English Laws for Women in the Nineteenth Century" | |
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| "Big Man's Rules and Laws" | |
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| Chapter XL, "The Fugitive Slave Law," and Chapter XLI, "Free at Last," Incidents in the Life of a Slave Girl | |
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| "Men Made Out of Words" | |
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| Excerpt from Act Two, A Man for All Seasons | |
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| "Wandering Willie's Tale," Redgauntlet | |
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| Chapter XI, "Who Stole the Tarts?" and Chapter XII, "Alice's Evidence," Alice's Adventures in Wonderland | |
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| "Realism and the Novel Form," The Rise of the Novel | |
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| "Poor Richard's Opinion" | |
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| Trial By Jury | |
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| Chapter 6, "Expectations," The Associates | |
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| Chapter 4, The Shortest Way to Hades | |
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| "The Mythos of Spring: Comedy," Anatomy of Criticism | |
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