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Acknowledgements | |
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Foreword | |
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Introduction: Border Crossings, or Close Encounters of the Textual Kind | |
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Structuralism | |
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Introduction: Never Standing Still, or Is Roland Barthes Structuralism? | |
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From Science to Literature | |
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From S/Z | |
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Feminism | |
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Introduction: Will the Real Feminist Theory Please Stand Up? | |
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Medusa's Voice: Male Hysteria in The Bostonians | |
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Sylvia Townsend Warner and the Counterplot of Lesbian Fiction | |
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Myself and M/others: Colette, Wilde and Duchamp | |
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Marxist Literary Theories | |
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Introduction: The Politics of Literature | |
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From Towards a Revolutionary Criticism | |
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Marxism and Literature | |
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Reader-Response Theories | |
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Introduction: There Is No Such Thing as Reader-Response Theory | |
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Describing Poetic Structures: Two Approaches to Baudelaire's 'Les Chats' | |
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The Poetic Text within the Change of Horizons of Reading: The Example of Baudelaire's 'Spleen II' | |
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The Imaginary | |
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Psychoanalytic Criticism | |
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Introduction: Screening the Other | |
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Difference | |
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Using Lacan: Reading To the Lighthouse | |
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Deconstruction | |
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Introduction: What Remains Unread | |
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Letter to a Japanese Friend | |
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Thomas Hardy, Jacques Derrida and the 'Dislocation of Souls' | |
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On Not Reading: Derrida and Beckett | |
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Poststructuralism | |
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Introduction: Criticism and Conceit | |
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Semiology and Rhetoric | |
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Scoring Literature | |
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Postmodernism | |
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Introduction: Postmodernism? Not Representing Postmodernism | |
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Answer to the Question, What Is the Postmodern? | |
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Simulacra and Simulations | |
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Nostalgia for the Present | |
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New Historicism | |
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Introduction: History, Power and Politics in the Literary Artifact | |
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Marxism and the New Historicism | |
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'Shaping Fantasies': Figurations of Gender and Power in Elizabethan Culture | |
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Postcolonial Theory | |
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Introduction: The Difficulty of Difference | |
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Of Mimicry and Man: The Ambivalence of Colonial Discourse | |
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Loafers and Story-Tellers | |
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Film as Ethnography; or, Translation between Cultures in the Postcolonial World | |
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Gay Studies/Queer Theory | |
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Introduction: Works on the Wild(e) Side - Performing, Transgressing, Queering | |
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Queer and Now | |
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Post/modern: On the Gay Sensibility, or the Pervert's Revenge on Authenticity - Wilde, Genet, Orton, and Others | |
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Critically Queer | |
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Cultural Studies | |
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Introduction: Theorising Culture, Reading Ourselves | |
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Cultural Studies and Reading | |
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Cities without Maps | |
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Art as Cultural Production | |
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Works Cited | |
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Notes on Contributors | |
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Acknowledgements | |
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Index of Proper Names | |