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Preface | |
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Acknowledgments | |
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Framing the "Black" in Black Diasporic Cinemas | |
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Culture and National Identity | |
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A No-Theory Theory Of Contemporary Black Cinema | |
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Dialogic Modes of Representing Africa(s): Womanist Film | |
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Towards a Critical Theory of Third World Films | |
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The Artist as the Leader of the Revolution: The History of the Federation Panafricaine des Cineastes | |
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A Cinema Fighting for Its Liberation | |
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Sembene, A Griot of Modern Times | |
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[South Africa] Independent Cinema | |
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A Mirage in the Desert?: African Women Directors at FESPACO | |
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Black African Cinema in the Eighties | |
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Toward an African Cinema | |
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Portuguese African Cinema: Historical and Contemporary Perspectives, 1969 to 1993 | |
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New Developments in Black African Cinema | |
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Shape and Shaping of Caribbean Cinema | |
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On Adapting a West Indian Classic to the Cinema: The Implications of Success | |
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Sergio Giral on Filmmaking in Cuba: An Interview | |
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Samba, Candomble, Quilombo: Black Performance and Brazilian Cinema | |
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Black Filmmaking in Britain's Workshop Section | |
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The Films of Isaac Julien: Look Back and Talk Black | |
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The Cinema of Exile | |
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Producing African Cinema in Paris: An Interview with Andree Daventure | |
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[Black Film as Genre] Definitions | |
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Images of Blacks in Black Independent Films: A Brief Survey | |
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Making Daughters of the Dust | |
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William Greaves, Documentary Filmmaking, and the African-American Experience | |
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Black American Cinema: The New Realism | |
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The Paradox of Black Independent Cinema | |
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Which Way the Black Film Movement? | |
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The Future of Black Film: The Debate Continues | |
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The Future of Black Film: The Debate Continues | |
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Resolutions of the Third World Film-makers Meeting, Algiers, December 5-14, 1973 | |
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Seminar on "The Role of the African Film-Maker in Rousing an Awareness of Black Civilization," Ouagadougou, April 8-13, 1974 | |
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Niamey Manifesto of African Film Makers, March 1-4, 1982 | |
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FeCAViP Manifesto (1990) | |
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Select Bibliography | |
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Contributors | |
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Index | |