Although Djuna Barnes was a New Yorker who spent much of her long life in Greenwich Village, where she died a virtual recluse in 1982, she resided for extended periods of time in France and England. Her writings are representative modernist works in that they seem to transcend all national boundaries to take place in a land peculiarly her own. Deeply influenced by the French symbolists of the late nineteenth century and by the surrealists of the 1930s, she also wrote as a liberated woman, whose unconventional way of life is reflected in the uncompromising individuality of her literary style. Barnes's dreamlike and haunted writings have never found a wide popular audience, but they have… strongly influenced such writers as Rebecca West, Nelson Algren, Dahlberg, Lowry, Miller, and especially Nin, in whose works a semifictional character named Djuna sometimes appears. In 1915 Barnes anonymously published The Book of Repulsive Women. Not long after she moved to Paris and became associated with the colony of writers and artists who made that city the international center of culture during the 1920s and early 1930s. Her Ladies Almanack was privately printed in Paris in 1928, the same year that Liveright in the United States published Ryder, her first novel. The book on which Barnes's fame largely rests is Nightwood (1936), a surrealistic story set in Paris and the United States, dealing with the complex relationships among a group of strangely obsessed characters, most of them homosexuals and lesbians. Barnes wrote little after Nightwood. In 1952, she professed to Malcolm Lowry that the experience of writing that searing work so frightened her that she was unable to write anything after it. Fortunately, her literary talents revived with The Antiphon, a verse-drama originally published in 1958, which is now available in Selected Works (1962).
Zadie Smith is a novelist, essayist and short story writer. As of 2012, she has published four novels, White Teeth (2000), The Autograph Man (2002), On Beauty (2005), and NW (2012), all of which have received critical praise. In 2003, she was included on Granta's list of 20 best young authors and Smith won the Orange Prize for Fiction in 2006. Her novel White Teeth was included in Time magazines TIME 100 Best English-language. Smith joined NYU's Creative Writing Program as a tenured professor in 2010. Smith attended Hampstead Comprehensive School, and King's College, Cambridge University where she studied English literature.Jeanette Winterson was born in Manchester, England in 1959 and… graduated from St. Catherine's College, Oxford. Her book, Oranges Are Not the Only Fruit, is a semi-autobiographical account of her life as a child preacher (she wrote and gave sermons by the time she was eight years old). The book was the winner of the Whitbread Prize for best first fiction and was made into an award-winning TV movie. The Passion won the John Llewelyn Rhys Memorial Prize for best writer under thirty-five, and Sexing the Cherry won the American Academy of Arts and Letters' E. M. Forster Award.
T. S. Eliot is considered by many to be a literary genius and one of the most influential men of letters during the half-century after World War I. He was born on September 26, 1888, in St. Louis, Missouri. Eliot attended Harvard University, with time abroad pursuing graduate studies at the Sorbonne, Marburg, and Oxford. The outbreak of World War I prevented his return to the United States, and, persuaded by Ezra Pound to remain in England, he decided to settle there permanently. He published his influential early criticism, much of it written as occasional pieces for literary periodicals. He developed such doctrines as the "dissociation of sensibility" and the "objective correlative" and… elaborated his views on wit and on the relation of tradition to the individual talent. Eliot by this time had left his early, derivative verse far behind and had begun to publish avant-garde poetry (including "The Love Song of J. Alfred Prufrock" (1915), which exploited fresh rhythms, abrupt juxtapositions, contemporary subject matter, and witty allusion. This period of creativity also resulted in another collection of verse (including "Gerontian") and culminated in The Waste Land, a masterpiece published in 1922 and produced partly during a period of psychological breakdown while married to his wife, Vivienne Haigh-Wood Eliot. In 1922, Eliot became a director of the Faber & Faber publishing house, and in 1927 he became a British citizen and joined the Church of England. Thereafter, his career underwent a change. With the publication of Ash Wednesday in 1930, his poetry became more overtly Christian. As editor of the influential literary magazine The Criterion, he turned his hand to social as well as literary criticism, with an increasingly conservative orientation. His religious poetry culminated in Four Quartets, published individually from 1936 onward and collectively in 1943. This work is often considered to be his greatest poetic achievement. Eliot also wrote poetry in a much lighter vein, such as Old Possum's Book of Practical Cats (1939), a collection that was used during the early 1980s as the basis for the musical, Cats. In addition to his contributions in poetry and criticism, Eliot is the pivotal verse dramatist of this century. He followed the lead of William Butler Yeats in attempting to revive metrical language in the theater. But, unlike Yeats, Eliot wanted a dramatic verse that would be self-effacing, capable of expressing the most prosaic passages in a play, and an insistent, undetected presence capable of elevating itself at a moment's notice. His progression from the pageant The Rock (1934) and Murder in the Cathedral (1935), written for the Canterbury Festival, through The Family Reunion (1939) and The Cocktail Party (1949), a West End hit, was thus a matter of neutralizing obvious poetic effects and bringing prose passages into the flow of verse. Recent critics have seen Eliot as a divided figure, covertly attracted to the very elements (romanticism, personality, heresy) he overtly condemned. His early attacks on romantic poets, for example, often reveal him as a romantic against the grain. The same divisions carry over into his verse, where violence struggles against restraint, emotion against order, and imagination against ironic detachment. This Eliot is more human and more attractive to contemporary taste. During his lifetime, Eliot received many honors and awards, including the Nobel Prize for literature in 1948.