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| Introduction | |
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| 1918-1982 Frank Wedekind | |
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| A Reckoning Emphasis on Sport Three Cheers for Shaw Conversation with Bert Brecht | |
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| A Radio Speech Shouldn't we Abolish Aesthetics? | |
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| The Epic Theatre and its Difficulties Last Stage: Oedipus | |
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| A Dialogue about Acting On Form and Subject-Matter | |
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| An Example of Paedagogics | |
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| The Modem Theatre is the Epic Theatre | |
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| The Literarization of the Theatre | |
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| The Film, the Novel and Epic Theatre | |
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| The Radio as an Apparatus of Communication | |
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| The Question of Criteria for Judging | |
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| Acting Indirect Impact of the Epic Theatre | |
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| 1988-1947 Interview with an Exile Theatre for Pleasure or Theatre for Instruction | |
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| The German Drama: pre-Hitler Criticism of the New York Production of Die Mutter | |
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| On the Use of Music in an Epic Theatre | |
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| Alienation Effects in Chinese Acting | |
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| Notes to Die Rundkopfe und die Spitzkopfe On Gestic Music | |
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| The Popular and the Realistic | |
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| Contents | |
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| On Rhymeless Verse with Irregular Rhythms | |
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| The Street Scene On Experimental Theatre | |
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| New Technique of Acting | |
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| Two Essays on Unprofessional Acting | |
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| Notes on the Folk Play Alienation Effects in the Narrative Pictures of the Elder Brueghel | |
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| A Little Private Tuition for my Friend Max Gorelik | |
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| Building up a Part: Laughton's Galileo 'Der Messingkauf': an editorial note | |
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| 1947-1948 A Short Organum for the Theatre | |
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| 1948-1966 Masterful Treatment of a Model From the Mother Courage | |
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| Model Does Use of the Model Restrict the Artist's Freedom? | |
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| Formal Problems Arising from the Theatre's | |
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| New Content Stage Design for the Epic Theatre | |
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| From a Letter to an Actor Some of the Things that can be Learnt from Stanislavsky | |
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| Theaterarbeit: an editorial note | |
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| Notes on Erwin Strittmatter's Play | |
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| Katzgraben Study of the First Scene of Shakespeare's | |
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| Coriolanus Cultural Policy and Academy of Arts | |
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| Conversation about being Forced into Empathy | |
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| Classical Status as an Inhibiting Factor Can the Present-day | |
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| World be Reproduced by Means of Theatre? | |
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| Appendices to the 'Short Organum' 'Dialectics in the Theatre': an editorial note | |
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| Our London Season | |
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| Other English Translations | |
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| Index | |