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Sometimes I Can Be Anything Power, Gender, and Identity in a Primary Classroom

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ISBN-10: 0807736953

ISBN-13: 9780807736951

Edition: 1998

Authors: Karen Gallas, Susan L. Lytle, Marilyn Cochran-Smith, Susan L. Lytle

List price: $27.95
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Book details

List price: $27.95
Copyright year: 1998
Publisher: Teachers College Press
Publication date: 11/13/1997
Binding: Paperback
Pages: 168
Size: 6.15" wide x 9.00" long x 0.47" tall
Weight: 0.484

Melody Beattie is the author of numerous best-selling books, including "Playing It by Heart," "Stop Being Mean to Yourself," "Codependent No More," "Beyond Codependency," "The Language of Letting Go," "Codependents' Guide to the Twelve Steps," & "The Lessons of Love." Beattie's writing draws on the wisdom of Twelve Step healing, Christianity, & Eastern religions. Her loyal readers continue to find her books accessible, practical, & filled with universal truths. She lives in Malibu, California.

Marilyn Cochran-Smith holds the John E. Cawthorne Chair in Teacher Education for Urban Schools and directs the Doctoral Program in Curriculum and Instruction at Boston College's Lynch School of Education. Susan L. Lytle is Associate Professor of Education and Chair of the Language and Literacy in Education Program at the Division Graduate School of Education, University of Pennsylvania.

Marilyn Cochran-Smith holds the John E. Cawthorne Endowed Chair in Teacher Education for Urban Schools at Boston College's Lynch School of Education, where she directs the Doctoral Program in Curriculum and Instruction.nbsp;Dr. Cochran-Smith earned her Ph.D. in Language and Education from the University of Pennsylvania in 1982 where she was a tenured faculty member at the Graduate School of Education until going to Boston College in 1996. An active participant in the national and international teacher education communities, Dr. Cochran-Smith has long been a member of AACTE committees and groups. From 2000-2006, she was the editor of AACTE's journal, The Journal of Teacher Education , along…    

Acknowledgments
Introduction: Gender as Performance
Teacher Research: Texts and Subtexts
The Gender Circus
Bad Boys and Their Stories
Silence as a Fortress and a Prison
Posing
The Saturday Game
Your Mother Squeezes Your Brains Out Your Ears
Sing a Song to Your Friends to Make Them Feel Better
"What Does That Mean, the 'N' Word?"
Girls in Public
Dreamin' of How it Could Be
Afterword
References
Index
About the Author