| |
| |
Preface | |
| |
| |
| |
Introduction: Writing in the Late Age of Print | |
| |
| |
The late age of print | |
| |
| |
The future of print | |
| |
| |
The old and the new in digital writing | |
| |
| |
Refashioning the voice of the text | |
| |
| |
Refashioning the writing space | |
| |
| |
| |
Writing as Technology | |
| |
| |
Writing technologies and material culture | |
| |
| |
Economies of writing | |
| |
| |
| |
Hypertext and the Remediation of Print | |
| |
| |
Word processing and topical writing | |
| |
| |
Hypertext | |
| |
| |
Writing as construction | |
| |
| |
Global hypertext | |
| |
| |
Hypertext as remediation | |
| |
| |
The old and the new in hypertext | |
| |
| |
| |
The Breakout of the Visual | |
| |
| |
The image and the printed page | |
| |
| |
Visual metaphors | |
| |
| |
Ekphrasis | |
| |
| |
Picture writing | |
| |
| |
Electronic picture writing | |
| |
| |
The electronic page | |
| |
| |
| |
The Electronic Book | |
| |
| |
The changing idea of the book | |
| |
| |
Great books | |
| |
| |
Encyclopedic order | |
| |
| |
The electronic encyclopedia | |
| |
| |
The library as a writing space | |
| |
| |
| |
Refashioned Dialogues | |
| |
| |
The reading path | |
| |
| |
From dialogue to essay to Web page | |
| |
| |
The end of the line? | |
| |
| |
The hypertextual essay? | |
| |
| |
Educational dialogue | |
| |
| |
Multiple dialogues | |
| |
| |
| |
Interactive Fiction | |
| |
| |
"afternoon" | |
| |
| |
The rhetoric of the multilinear | |
| |
| |
Displacement and repetition in "Victory Garden" | |
| |
| |
Disrupting the linear | |
| |
| |
The tradition of experiment | |
| |
| |
Sterne and the novel as conversation | |
| |
| |
James Joyce as hypertext | |
| |
| |
Borges and exhaustion in print | |
| |
| |
Composition No. 1 | |
| |
| |
Multiple reading and writing | |
| |
| |
Digital poetry and performative texts | |
| |
| |
Hypermedia: popular and avant-garde | |
| |
| |
| |
Critical Theory in a New Writing Space | |
| |
| |
Writing technologies and the literary critical tradition | |
| |
| |
The end of authority | |
| |
| |
Hypertext and poststructuralism | |
| |
| |
Reader response and the architecture of hypertext | |
| |
| |
Electronic signs | |
| |
| |
Deconstruction and electronic writing | |
| |
| |
New convergences and popular forms | |
| |
| |
Looking at and looking through | |
| |
| |
The practice of theory | |
| |
| |
| |
Writing the Self | |
| |
| |
Writing as analysis | |
| |
| |
Writing the Cartesian mind | |
| |
| |
Hypertext and the Cartesian ego | |
| |
| |
Electronic writing and the postmodern self | |
| |
| |
The materiality of the electronic self | |
| |
| |
| |
Writing Culture | |
| |
| |
The network culture | |
| |
| |
Cultural unity | |
| |
| |
The remediation of culture | |
| |
| |
| |
The Web Site | |
| |
| |
References | |
| |
| |
Index | |