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| Introduction | |
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| Tamar 1917-23 | |
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| To His Father | |
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| Suicide's Stone | |
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| Divinely Superfluous Beauty | |
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| The Excesses of God | |
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| To the Stone-Cutters | |
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| To the House | |
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| Salmon Fishing | |
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| Natural Music | |
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| Wise Men in Their Bad Hours | |
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| To the Rock That Will Be a Cornerstone of the House | |
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| The Cycle | |
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| Shine, Perishing Republic | |
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| Continent's End | |
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| Tamar | |
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| Point Joe | |
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| Gale in April | |
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| The Treasure | |
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| Roan Stallion 1924-25 | |
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| Birds | |
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| Fog | |
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| Boats in a Fog | |
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| People and a Heron | |
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| Night | |
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| Autumn Evening | |
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| Joy | |
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| Phenomena | |
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| from The Tower Beyond Tragedy (final scene) | |
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| Roan Stallion | |
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| The Women at Point Sur 1925-26 | |
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| Post Mortem | |
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| Clouds at Evening | |
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| Pelicans | |
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| Apology for Bad Dreams | |
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| Love-Children | |
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| Credo | |
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| Prelude | |
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| Cawdor 1926-28 | |
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| Birth-Dues | |
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| The Broken Balance | |
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| Hurt Hawks | |
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| Bixby's Landing | |
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| An Artist | |
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| The Machine | |
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| Meditation on Saviors | |
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| A Redeemer | |
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| Tor House | |
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| Cawdor | |
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| Dear Judas 1928-29 | |
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| Hooded Night | |
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| Evening Ebb | |
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| Hands | |
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| The Loving Shepherdess | |
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| from Descent to the Dead | |
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| Shane O'Neill's Cairn | |
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| Ossian's Grave | |
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| The Broadstone | |
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| In the Hill at Newgrange | |
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| Ghosts in England | |
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| Inscription for a Gravestone | |
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| Subjected Earth | |
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| Notes to "Descent to the Dead" | |
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| The Bed by the Window | |
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| Winged Rock | |
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| Thurso's Landing 1930-31 | |
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| The Place for No Story | |
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| New Mexican Mountain | |
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| November Surf | |
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| Margrave | |
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| Fire on the Hills | |
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| Give Your Heart to the Hawks 1931-33 | |
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| A Little Scraping | |
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| Triad | |
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| Still the Mind Smiles | |
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| Give Your Heart to the Hawks | |
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| Solstice 1933-35 | |
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| Return | |
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| Love the Wild Swan | |
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| The Cruel Falcon | |
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| Distant Rainfall | |
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| Rock and Hawk | |
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| Shine, Republic | |
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| Sign-Post | |
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| Flight of Swans | |
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| from At the Birth of an Age (vision of the self-hanged God) | |
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| Gray Weather | |
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| Red Mountain | |
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| Such Counsels You Gave to me 1935-38 | |
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| Rearmament | |
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| The Purse-Seine | |
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| The Wind-Struck Music | |
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| Memoir | |
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| Nova | |
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| The Answer | |
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| The Beaks of Eagles | |
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| All the Little Hoof-Prints | |
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| Contemplation of the Sword | |
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| Oh Lovely Rock | |
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| October Week-End | |
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| Steelhead, Wild Pig, The Fungus | |
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| Night without Sleep | |
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| Self-Criticism in February | |
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| Shiva | |
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| Now Returned Home | |
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| Theory of Truth | |
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| Be Angry at the Sun 1938-41 | |
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| Faith | |
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| Come Little Birds | |
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| The House-Dog's Grave | |
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| Prescription of Painful Ends | |
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| The Day Is a Poem | |
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| The Bloody Sire | |
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| The Stars Go over the Lonely Ocean | |
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| For Una | |
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| Drunken Charlie | |
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| The Double Axe 1942-47 | |
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| Pearl Harbor | |
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| Advice to Pilgrims | |
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| Cassandra | |
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| Historical Choice | |
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| Calm and Full the Ocean | |
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| The Blood-Guilt | |
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| Invasion | |
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| Original Sin | |
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| Orca | |
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| The Inquisitors | |
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| Quia Absurdum | |
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| The Inhumanist (Part II of The Double Axe) | |
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| Hungerfield 1948-53 | |
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| Animals | |
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| The Beauty of Things | |
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| Hungerfield | |
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| Carmel Point | |
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| De Rerum Virtute | |
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| The Deer Lay Down Their Bones | |
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| Last Poems 1953-62 | |
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| The Shears | |
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| Patronymic | |
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| Birds and Fishes | |
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| Let Them Alone | |
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| "The unformed volcanic earth" | |
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| The Ocean's Tribute | |
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| On an Anthology of Chinese Poems | |
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| "The mathematicians and physics men" | |
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| Vulture | |
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| Granddaughter | |
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| The Epic Stars | |
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| "Goethe, they say, was a great poet" | |
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| Hand | |
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| Oysters | |
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| "It nearly cancels my fear of death" | |
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| Prose | |
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| Preface, Tamar (1923) | |
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| Introduction, Roan Stallion, Tamar and Other Poems (1935) | |
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| Foreword, The Selected Poetry of Robinson Jeffers (1938) | |
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| Preface, The Double Axe and Other Poems (original version, 1947) | |
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| Poetry, Gongorism, and a Thousand Years (1948) | |
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| Unpublished Poems | |
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| Aesthetics (1910) | |
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| The Palace (1914) | |
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| May 5, 1915 (1915) | |
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| Oblation/Testament (1918) | |
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| The Shore of Dreams (1919?) | |
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| The Hills Beyond the River (1919) | |
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| Doors to Peace (mid-1920s) | |
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| Forecast (1925) | |
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| Not a Laurel on the Place (1926) | |
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| Ninth Anniversary (1928) | |
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| Oct. 27 Lunar Eclipse--98% (On the Calendar) (1939) | |
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| Tragedy Has Obligations (1943) | |
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| Rhythm and Rhyme (1949) | |
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| Index of Titles | |
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| Index of First Lines | |