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Ranci�re and Film

ISBN-10: 074864735X

ISBN-13: 9780748647354

Edition: 2013

Authors: Paul Bowman

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Description:

Jacques Rancière rose to prominence as a radical egalitarian philosopher, political theorist, and historian. Recently, he has intervened in discourses on film theory and film studies. This collection boasts an impressive range of responses to and assessments of Rancière's controversial and challenging contributions to film studies, featuring an original essay by the philosopher himself. Contributors include Nico Baumbach (Columbia University); (Rey Chow, Duke University); Bram Ieven (Utrecht University); Mónica Lopez Lerma (Helsinki University); Patricia MacCormack (University of East Anglia); Richard Stamp (Bath Spa University); and James Steintrager (University of California, Irvine).
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Book details

Copyright year: 2013
Publisher: Edinburgh University Press
Publication date: 7/31/2013
Binding: Paperback
Pages: 240
Size: 6.00" wide x 9.00" long x 0.50" tall
Weight: 0.880
Language: English

Acknowledgements
Ranci�re and the Disciplines: An Introduction to Ranci�re before Film Studies
What Does It Mean to Call Film an Art?
After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications
The Spectator without Qualities
Memories of Modernism: Jacques Ranci�re, Chris Marker and the Image of Modernism
Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad
Inhuman Spectatorship
Cinemarxis: Ranci�re and Godard
Jacques Ranci�re's Animated Vertigo; or, How to be Specific about Medium
The Medium Is Not the Message: Ranci�re, Eschatology and the End of Cinema
Remarks by Way of a Postface
Contributors
Bibliography
Index