Responding to Art Form, Content, and Context

ISBN-10: 069725819X

ISBN-13: 9780697258199

Edition: 1st 2004

Authors: Robert Bersson

List price: $83.44
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This work is specifically designed to excite and interest students with minimal knowledge of art and limited confidence in responding to it. The book starts at the students' introductory level and sets out to stimulate their interest and active participation.
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Book details

List price: $83.44
Edition: 1st
Copyright year: 2004
Publisher: McGraw-Hill Higher Education
Publication date: 5/5/2003
Binding: Paperback
Pages: 704
Size: 8.40" wide x 10.80" long x 1.33" tall
Weight: 5.280
Language: English

The Process of Appreciation
Art and Appreciation What is Art? Experiencing Art
Tim Paul, Wolf The Power of Art
Hale Woodruff, Interchange and Dissipation from The Art of the Negro mural series Content: A Bridge Connecting Form, Subject, and Context
Ways of Seeing: Formalism and Contextualism Toward a Comprehensive
Experience of Art Van Gogh's
Night Cafe: An Appreciation
The Language of Form: The Visual Elements The Visual Elements Line Shape
Bill Reid, The Spirit of the Haida Gwaii
Henri Matisse, The Flowing Hair Space Texture Light and Color
Two Works of Art: Focus on Visual Elements
Interaction Box: Learning the Visual Elements
The Language of Form: Composition to Style
The Importance of Good Composition
The Principles of Composition Unity Variety
Balance Emphasis Rhythm, Repetition, and Pattern Proportion and Scale
The Art of Album Cover Design
Form and Content: An Inseparable Pair From Form and Content to Style
Style and Meaning in the Everyday World
Interaction Box: Form, Content, and Style in Popular
Art Fashion: Case Studies in Style
The French Revolution in Fashion
The Influence of Context: Different Ways of Seeing
Ways of Seeing
Ways of Seeing Nature Across Time: The Middle Ages and the Renaissance
Interaction Box: Responding
Contextually: Art as Social and Cultural
Creation Viewing Nature Across
Social Strata: The Picturesque as an Upper-Class Way of Seeing Seeing Nature
Across Cultures: Far Eastern and Western Ways of Seeing
Hokusai's View from Kajikazawa in Kai Province
Ansel Adams: Photographer of the Landscape Seeing Nature in the Twenty-First
Century: Sublimity and Technology
The Two-Dimensional Arts: Form and Context
Drawing and Painting: Foundations of the Two-Dimensional Arts
The Two-Dimensional Arts: A Definition Drawing and Painting: Fundamental Media
Dry and Wet Media Interaction Box: Appreciating Different Media
Media and Artistic Intent Drawing: Focus on Line, Shape, and Value
Appreciating Drawings: Form and Context
Painting: Focus on Color and Texture
In the Tradition of the Chinese
Masters: I-Hsiung Ju Paints a Picture
Two Paintings: Form and Context Drawing and Painting: Different Functions and Status
An Interview with Peter Ratner on Computer-Generated Art
Graphic Art and Design: From Print Media to Mass Media
Graphic Art and Design: Differences and Commonalities
The Graphic Art of Printmaking: A Brief History Technique Boxes 6-A and 6-B: Woodblock Printing and Engraving
Technique Box 6-C: Etching
Technique Box 6-D: Aquatint
Karyn Young's
The Making of a Print
The Modern Period: The Rise of the Mass Media
Technique Box 6-E: Lithography
Kauml;the Kollwitz: Hamm
Technique Box 6-F: Screenprinting
The Evolution of Modern Advertising Toward a Critical
Appreciation of Advertising Design Society's Mirror
Interaction Box: How Are Men and Women Represented in Graphic Art and Design?
Photography and Moving Pictures: From Prehistory to Present Photography's Historical
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