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Preface | |
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Introduction: Reading Close Up, 1927-1933 | |
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Enthusiasms and Execrations | |
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Introduction | |
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As Is (July 1927) | |
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British Solecisms | |
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Emak Bakia | |
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An Interview: Anita Loos | |
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A New Cinema, Magic and the Avant Garde | |
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The French Cinema | |
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The Aframerican Cinema | |
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The Negro Actor and the American Movies | |
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From Silence to Sound | |
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Introduction | |
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The Sound Film: A Statement from U.S.S.R. | |
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The Sound Film: Salvation of Cinema | |
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Why 'Talkies' Are Unsound | |
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As Is (October 1929) | |
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The Contribution of H.D. | |
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Introduction | |
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The Cinema and the Classics | |
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Beauty | |
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Restraint | |
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The Mask and the Movietone | |
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Conrad Veidt: The Student of Prague | |
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Expiation | |
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Joan of Arc | |
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Russian Films | |
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An Appreciation | |
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Continuous Performance: Dorothy Richardson | |
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Introduction | |
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Continuous Performance [unnumbered and untitled] (July 1927) | |
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Musical Accompaniment | |
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Captions | |
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A Thousand Pities | |
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There's No Place Like Home | |
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The Increasing Congregation | |
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The Front Rows | |
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[Animal impudens ...] (March 1928) | |
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The Thoroughly Popular Film | |
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The Cinema in the Slums | |
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Slow Motion | |
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The Cinema in Arcady | |
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Pictures and Films | |
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Almost Persuaded | |
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Dialogue in Dixie | |
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A Tear for Lycidas | |
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Narcissus | |
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This Spoon-fed Generation? | |
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The Film Gone Male | |
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[untitled] (June 1933) | |
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Dawn's Left Hand, reviewed | |
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Borderline and the Pool Films | |
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Introduction | |
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Borderline: A POOL Film with Paul Robeson H.D. | |
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As Is (November 1930) | |
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Cinema and Psychoanalysis | |
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Introduction | |
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Mind-growth or Mind-mechanization? The Cinema in Education | |
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Film Psychology | |
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Freud on the Films | |
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The Film in Its Relation to the Unconscious | |
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Dreams and Films | |
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Kitsch | |
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Cinema Culture | |
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Introduction | |
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The Independent Cinema Congress | |
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Russian Cutting | |
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'This Montage Business' | |
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First Steps Towards a Workers' Film Movement | |
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Films for Children | |
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What Can I Do? | |
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How I Would Start a Film Club | |
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A Note on Household Economy | |
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Towards a Co-operative Cinema: The Work of the Academy, Oxford Street | |
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Modern Witch-trials | |
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Acts under the Acts | |
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Fade | |
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What Shall You Do in the War? | |
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The Contents of Close Up, 1927-1933 | |
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Notes on the Contributors and Correspondents | |
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Publishing History and POOL Books | |
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A Chronology of Close Up in Context | |
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Notes | |
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Index | |