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| Poem | |
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| Letter | |
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| Lovers | |
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| Prayer for Messiah | |
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| When This American Woman | |
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| These Heroics | |
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| Warning | |
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| The Fly | |
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| As the Mist Leaves No Scar | |
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| Beneath My Hands | |
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| I Have Not Lingered in European Monasteries | |
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| I Long to Hold Some Lady | |
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| Owning Everything | |
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| Song | |
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| For Anne | |
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| You Have the Lovers | |
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| Song for Abraham Klein | |
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| Song to Make Me Still | |
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| Summer Haiku | |
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| My Lady Can Sleep | |
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| Gift | |
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| I Wonder How Many People in This City | |
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| Travel | |
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| I Have Two Bars of Soap | |
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| The Cuckold's Song | |
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| Morning Song | |
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| The Flowers That I Left in the Ground | |
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| A Kite Is a Victim | |
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| There Are Some Men | |
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| Isaiah | |
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| What I'm Doing Here | |
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| I Wanted to Be a Doctor | |
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| The Drawer's Condition on November 28, 1961 | |
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| The Invisible Trouble | |
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| Opium and Hitler | |
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| It Uses Us! | |
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| Heirloom | |
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| All There Is to Know about Adolph Eichmann | |
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| Sky | |
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| Hitler | |
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| The Failure of a Secular Life | |
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| Wheels, Fireclouds | |
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| The Music Crept by Us | |
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| Hydra 1960 | |
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| Queen Victoria and Me | |
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| I Had It for a Moment | |
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| The Way Back | |
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| On Hearing a Name Long Unspoken | |
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| Style | |
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| Disguises | |
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| Cherry Orchards | |
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| Streetcars | |
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| Nothing I Can Lose | |
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| Front Lawn | |
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| The Big World | |
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| The Lists | |
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| Promise | |
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| For E. J. P. | |
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| One Night I Burned | |
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| I See You on a Greek Mattress | |
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| Snow Is Falling | |
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| Fingerprints | |
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| A Cross Didn't Fall on Me | |
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| Suzanne | |
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| Teachers | |
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| Winter Lady | |
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| So Long, Marianne | |
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| One of Us Cannot Be Wrong | |
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| Hey, That's No Way to Say Goodbye | |
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| Master Song | |
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| Sisters of Mercy | |
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| The Stranger Song | |
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| A Person Who Eats Meat | |
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| Marita | |
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| This Is for You | |
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| The Reason I Write | |
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| You Do Not Have to Love Me | |
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| You Live Like a God | |
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| Be with Me | |
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| What Is a Saint | |
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| A Great Feast in Quebec | |
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| Magic Is Alive | |
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| All Right, Edith | |
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| Believe Me, Edith | |
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| Story of Isaac | |
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| Lady Midnight | |
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| You Know Who I Am | |
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| Seems So Long Ago, Nancy | |
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| Bird on the Wire | |
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| Joan of Arc | |
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| Avalanche | |
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| Diamonds in the Mine | |
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| Famous Blue Raincoat | |
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| Welcome to These Lines | |
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| The Only Poem | |
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| Portrait of a Girl | |
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| I Perceived the Outline of Your Breasts | |
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| The Escape | |
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| I Am Dying | |
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| 1967 | |
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| Ugly in My Own Eyes | |
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| There Are No Traitors | |
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| I Left a Woman | |
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| Invisible Tonight | |
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| Love Is a Fire | |
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| You Tore Your Shirt | |
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| Threat | |
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| Dark at Four O'Clock | |
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| Far from the Soil | |
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| My Room | |
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| The Road to Larissa | |
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| I Am Punished | |
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| Aquarian Age | |
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| The Killers | |
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| Purest of Occasions | |
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| You Went to Work | |
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| Any System | |
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| One of These Days | |
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| I Try to Keep in Touch | |
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| My Greed | |
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| Your Eyes | |
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| This Is War | |
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| I'd Like to Read | |
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| The Poems Don't Love Us Any More | |
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| Stay | |
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| Etiquette | |
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| A Veil | |
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| A Future Night | |
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| Morocco | |
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| Song for My Assassin | |
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| The Wrong Man | |
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| One | |
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| This Is My Voice | |
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| Chelsea Hotel | |
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| Take This Longing | |
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| Field Commander Cohen | |
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| There Is a War | |
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| Is This What You Wanted | |
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| Why Don't You Try | |
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| I Tried to Leave You | |
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| Who by Fire? | |
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| A Singer Must Die | |
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| Memories | |
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| Paper-Thin Hotel | |
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| True Love Leaves No Traces | |
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| I Left a Woman Waiting | |
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| Don't Go Home with Your Hard-On | |
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| I Knelt Beside a Stream | |
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| The Cafe | |
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| Commentary - The Cafe | |
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| The Change | |
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| Commentary - The Change | |
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| Death to This Book | |
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| Commentary - Death to This Book | |
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| Another Room | |
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| Commentary - Another Room | |
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| Death of a Lady's Man | |
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| My Wife and I | |
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| Commentary - My Wife and I | |
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| The News You Really Hate | |
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| Commentary - The News You Really Hate | |
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| I Decided | |
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| The Beetle | |
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| Commentary - The Beetle | |
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| The Altar | |
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| Commentary - The Altar | |
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| This Marriage | |
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| Commentary - This Marriage | |
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| Commentary II - This Marriage | |
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| The Photograph | |
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| It's Probably Spring | |
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| |
| Commentary - It's Probably Spring | |
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| Another Family | |
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| The Asthmatic | |
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| Commentary - The Asthmatic | |
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| A Woman's Decision | |
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| |
| I Bury My Girlfriend | |
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| A Different Drum | |
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| |
| A Working Man | |
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| |
| Commentary - A Working Man | |
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| The Unclean Start | |
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| Angelica | |
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| The Next One | |
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| A Marvellous Woman | |
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| The Event | |
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| |
| You Have No Form | |
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| The Dream | |
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| |
| I Like the Way You Opposed Me | |
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| |
| Beside My Son | |
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| |
| Commentary - Beside My Son | |
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| |
| She Has Given Me the Bullet | |
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| |
| Commentary - She Has Given Me the Bullet | |
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| The Good Fight | |
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| The Dove | |
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| The Rose | |
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| Not Going Back | |
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| Montreal | |
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| |
| French and English | |
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| |
| O Wife Unmasked | |
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| The Window | |
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| |
| Your Death | |
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| Petitions | |
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| The Rebellion | |
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| The Price of This Book | |
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| |
| Roshi | |
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| |
| This Wretch | |
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| |
| Hurry to Your Dinner | |
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| |
| Commentary - Hurry to Your Dinner | |
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| |
| Slowly I Married Her | |
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| The Transmission | |
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| |
| End of My Life in Art | |
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| |
| Roshi Again | |
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| How to Speak Poetry | |
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| Commentary - How to Speak Poetry | |
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| The Politics of This Book | |
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| |
| You're Not Supposed to Be Here | |
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| Final Examination | |
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| |
| Commentary - Final Examination | |
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| Came So Far for Beauty | |
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| The Window | |
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| |
| Our Lady of Solitude | |
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| |
| The Gypsy Wife | |
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| The Traitor | |
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| The Guests | |
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| |
| Ballad of the Absent Mare | |
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| |
| I Stopped to Listen | |
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| |
| When I Left the King | |
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| |
| I Heard My Soul Singing | |
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| |
| Sit Down, Master | |
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| |
| In the Eyes of Men | |
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| |
| Blessed Are You | |
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| |
| You Have Sweetened Your Word | |
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| |
| I Draw Aside the Curtain | |
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| |
| Friend, When You Speak | |
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| |
| My Teacher | |
| |
| |
| Israel | |
| |
| |
| You Who Pour Mercy into Hell | |
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| |
| When I Have Not Rage | |
| |
| |
| We Cry Out | |
| |
| |
| You Who Question Souls | |
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| |
| It Is All Around Me | |
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| |
| It Is to You I Turn | |
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| |
| Holy Is Your Name | |
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| |
| Not Knowing Where to Go | |
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| |
| All My Life | |
| |
| |
| I Lost My Way | |
| |
| |
| Dance Me to the End of Love | |
| |
| |
| Coming Back to You | |
| |
| |
| The Captain | |
| |
| |
| If It Be Your Will | |
| |
| |
| The Night Comes On | |
| |
| |
| Hallelujah | |
| |
| |
| First We Take Manhattan | |
| |
| |
| Take This Waltz | |
| |
| |
| Ain't No Cure for Love | |
| |
| |
| I'm Your Man | |
| |
| |
| I Can't Forget | |
| |
| |
| Everybody Knows | |
| |
| |
| The Tower of Song | |
| |
| |
| Democracy | |
| |
| |
| The Future | |
| |
| |
| Anthem | |
| |
| |
| Light as the Breeze | |
| |
| |
| Closing Time | |
| |
| |
| Waiting for the Miracle | |
| |
| |
| To a Fellow Student | |
| |
| |
| Fragment from a Journal | |
| |
| |
| When Even The | |
| |
| |
| Paris Models | |
| |
| |
| On Seeing Kabir's Poems on Her Dressing Table | |
| |
| |
| My Honour | |
| |
| |
| Peace | |
| |
| |
| The Embrace | |
| |
| |
| A Deep Happiness | |
| |
| |
| Every Pebble | |
| |
| |
| Days of Kindness | |
| |
| |
| Index of Titles | |
| |
| |
| Index of First Lines | |