Peter Armour and Andrew Shachat both live and work in California.
Born Dante Alighieri in the spring of 1265 in Florence, Italy, he was known familiarly as Dante. His family was noble, but not wealthy, and Dante received the education accorded to gentlemen, studying poetry, philosophy, and theology. His first major work was Il Vita Nuova, The New Life. This brief collection of 31 poems, held together by a narrative sequence, celebrates the virtue and honor of Beatrice, Dante's ideal of beauty and purity. Beatrice was modeled after Bice di Folco Portinari, a beautiful woman Dante had met when he was nine years old and had worshipped from afar in spite of his own arranged marriage to Gemma Donati. Il Vita Nuova has a secure place in literary history: its vernacular language and mix of poetry with prose were new; and it serves as an introduction to Dante's masterpiece, The Divine Comedy, in which Beatrice figures prominently. The Divine Comedy is Dante's vision of the afterlife, broken into a trilogy of the Inferno, Purgatory, and Paradise. Dante is given a guided tour of hell and purgatory by Virgil, the pagan Roman poet whom Dante greatly admired and imitated, and of heaven by Beatrice. The Inferno shows the souls who have been condemned to eternal torment, and included here are not only mythical and historical evil-doers, but Dante's enemies. The Purgatory reveals how souls who are not irreversibly sinful learn to be good through a spiritual purification. And The Paradise depicts further development of the just as they approach God. The Divine Comedy has been influential from Dante's day into modern times. The poem has endured not just because of its beauty and significance, but also because of its richness and piety as well as its occasionally humorous and vulgar treatment of the afterlife. In addition to his writing, Dante was active in politics. In 1302, after two years as a priore, or governor of Florence, he was exiled because of his support for the white guelfi, a moderate political party of which he was a member. After extensive travels, he stayed in Ravenna in 1319, completing The Divine Comedy there, until his death in 1321.
Eugenio Montale (1896 - 1981) produced five volumes of poetry in his first fifty years as a writer, when the Swedish Academy awarded the Italian poet and critic the 1975 Nobel Prize for Literature they called him "one of the most important poets of the contemporary West," according to a Publishers Weekly report. He had a career as a free-lance poet and man of arts and letters, who also painting throughout his life. He began his career as a critic in Genoa, Italy, 1922-26; a member of editorial staff of Bemporad (publishing house), Florence, Italy, 1927-28; a curator for Gabinetto Vieusseux Library, Florence, 1928-38; a free-lance writer in Milan, Italy, 1938-48; a literary editor for Corriere della Sera, Milan, 1948-73, and finally music critic, 1955-81. The Times [London] observed that both poets Montale and Elliot possessed similar styles and "a common predilection for dry, desolate, cruel landscapes." One of Montale's English translators, Jonathan Galassi, echoed the enthusiastic terms of the Swedish Academy Award in his introduction to The Second Life of Art: Selected Essays of Eugenio Montale in which he referred to Montale as "one of the great artistic sensibilities of our time."