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| Preface and Acknowledgements | |
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| A Note on the Presentation and Editing of Texts.General Introduction. | |
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| The Legacy of Symbolism:Introduction | |
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| Classicism and Originality:Paul Signac: from Eug�ne Delacroix to Neo-Impressionism 1899. | |
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| Paul Gauguin: letter to Fontainas 1899. | |
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| Sigmund Freud: from `On Dreams' 1901. | |
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| Otto Weininger: from Sex and Character 1903. | |
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| Max Liebermann: 'Imagination in Painting' 1904. | |
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| Paul C�zanne: letters to Emile Bernard 1904-06. | |
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| Rainer Maria Rilke: from Letters on C�zanne 1907. | |
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| Maurice Denis (intro. Roger Fry): 'C�zanne' 1907. | |
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| Maurice Denis: 'From Gauguin and Van Gogh to Neo-Classicism' 1909. | |
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| Julius Meier-Graefe: `The Mediums of Art, Past and Present' 1904. | |
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| Giorgio de Chirico: `Mystery and Creation' 1913 | |
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| Expression and the Primitive:August Endell: 'The Beauty of Form and Decorative Art' 1897-98. | |
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| Albert Pinkham Ryder: 'Paragraphs from the Studio of a Recluse' 1905. | |
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| Andr� Derain: letters to Vlaminck c.1905-1909. | |
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| Ernst Ludwig Kirchner: programme of Die Br�cke 1906. | |
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| Wilhelm Worringer: from Abstraction and Empathy 1908. | |
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| Henri Matisse: 'Notes of a Painter' 1908. | |
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| Roger Fry: 'An Essay in Aesthetics' 1909. | |
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| Wassily Kandinsky: from Concerning the Spiritual in Art 1911. | |
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| Wassily Kandinsky: The Cologne Lecture 1914. | |
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| Franz Marc: 'The "Savages" of Germany' and 'Two Pictures' 1912. | |
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| August Macke: 'Masks' 1912. | |
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| Emil Nolde: 'On Primitive Art' 1912. | |
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| Oscar Kokoschka: 'On the Nature of Visions' 1912. | |
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| Alexander Shevchenko: 'Neo-Primitivism' 1913. | |
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| Benedetto Croce: 'What is Art?' 1913. | |
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| Clive Bell: 'The Aesthetic Hypothesis' 1914. | |
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| Carl Einstein: 'Negro Sculpture' 1915. | |
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| Hermann Bahr: from Expressionism 1916. | |
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| Hans Prinzhorn: from Artistry of the Mentally Ill 1922. | |
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| The Idea of the Modern World:Introduction | |
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| Modernity:Georg Simmel: 'Metropolis and Mental Life' 1902-3. | |
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| Max Weber: 'Asceticism and the Spirit of Capitalism' 1904-05. | |
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| Vladimir Ilyich Lenin: 'Party Organization and Party Literature' 1905. | |
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| Henri Bergson: from Creative Evolution 1907. | |
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| Alexander Blok: 'Nature and Culture' 1908. | |
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| Filippo Tommaso Marinetti: 'The Foundation and Manifesto of Futurism' 1909. | |
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| Umberto Boccioni et al: 'Futurist Painting: Technical Manifesto' 1910. | |
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| Robert Delaunay: 'On the Construction of Reality in Pure Painting' 1912. | |
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| Georgy Valentinovich Plekhanov: from Art and Social Life 1912. | |
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| Franz Marc: 'Foreword' 1914. | |
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| Fernand L�ger: 'Contemporary Achievements in Painting' 1914. | |
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| Percy Wyndham Lewis: 'Our Vortex' 1914. | |
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| Henri Gaudier-Brzeska: 'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska' 1915. | |
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| Ludwig Meidner: 'Instructions for Painting Pictures of the Metropolis' 1914. | |
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| Karl Kraus: from 'In These Great Times' 1914. | |
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| Kasimir Malevich: From Cubism and Futurism to Suprematism: The New Realism in Painting 1915-16 | |
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| Cubism:Jean Metzinger: 'Note on Painting' 1910. | |
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| Guillaume Apollinaire: 'The Cubists' 1911. | |
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| Guillaume Apollinaire: 'On the Subject in Modern Painting' 1912. | |
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| Guillaume Apollinaire: 'The New Painting: Art Notes' 1912. | |
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| Guillaume Apollinaire: from The Cubist Painters 1912. | |
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| Jacques Rivi�re: 'Present Tendencies in Painting' 1912. | |
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| Albert Gleizes | |
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| Fernand L�ger: 'The Origins of Painting and its Representational Value' 1913. | |
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| Olga Rozanova: 'The Bases of the New Creation' 1913. | |
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| Daniel-Henry Kahnweiler: from The Rise of Cubism 1916-20. | |
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| Georges Braque: 'Thoughts on Painting' 1917. | |
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| Pablo Picasso: 'Picasso Speaks' 1923. | |
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| Rationalization and Transformation:Introduction | |
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| Neo-Classicism and the Call to Order:Am�d�e Ozenfant: 'Notes on Cubism' 1916. | |
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| Guillaume Apollinaire: 'The New Spirit and the Poets' 1918. | |
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| Oswald Spengler: from The Decline of the West 1918. | |
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| Carlo Carr�: 'Our Antiquity' 1916-18. | |
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| L�once Rosenberg: 'Tradition and Cubism' 1 | |