| |
| |
Acknowledgments | |
| |
| |
Introduction | |
| |
| |
| |
1900-1920 | |
| |
| |
| |
The Symbolism of Poetry (1900) | |
| |
| |
| |
| |
Three Letters (1903, 1907, 1925) | |
| |
| |
| |
| |
Creative Writers and Day-dreaming (1908) | |
| |
| |
| |
| |
Romanticism and Classicism (1911) | |
| |
| |
| |
| |
Technical Manifesto of Futurist Literature (1912) | |
| |
| |
| |
| |
Poet Yeats (1912) | |
| |
| |
| |
| |
Robert Frost (1914) | |
| |
| |
| |
| |
Poetry as a Spoken Art (1917) | |
| |
| |
| |
| |
The New Spirit and the Poets (1917) | |
| |
| |
| |
| |
A Retrospect (1918) | |
| |
| |
| |
| |
Note on Poetry (1919) | |
| |
| |
| |
| |
On Poetry and On Contemporary Poetry (1919, 1920) | |
| |
| |
| |
| |
Tradition and the Individual Talent and Reflections on Contemporary Poetry (1919) | |
| |
| |
| |
| |
Preface to New Poems (1920) | |
| |
| |
| |
| |
Prologue to Kora in Hell (1920) | |
| |
| |
| |
| |
The Chinese Written Character as the Medium for Poetry (1920) | |
| |
| |
| |
| |
1920-1940 | |
| |
| |
| |
Modern Poetry (1925) | |
| |
| |
| |
| |
General Aims and Theories (1925) | |
| |
| |
| |
| |
The Negro Artist and the Racial Mountain (1926) | |
| |
| |
| |
| |
How Are Verses Made? (1926) | |
| |
| |
| |
| |
Science and Poetry (1926) | |
| |
| |
| |
| |
A Survey of Modernist Poetry (1927) | |
| |
| |
| |
| |
Seven Types of Ambiguity (1930) | |
| |
| |
| |
| |
The Poetic Process (1931) | |
| |
| |
| |
| |
Poetry's Evidence and The Automatic Message (1932, 1933) | |
| |
| |
| |
| |
New Bearings in English Poetry (1932) | |
| |
| |
| |
| |
Play and Theory of the Duende (1933) | |
| |
| |
| |
| |
Poetry and Grammar (1935) | |
| |
| |
| |
| |
Poets with History and Poets without History (1935) | |
| |
| |
| |
| |
Modernism (1938) | |
| |
| |
| |
| |
The Figure a Poem Makes (1939) | |
| |
| |
| |
| |
Poetry and Abstract Thought (1939) | |
| |
| |
| |
| |
1940-1960 | |
| |
| |
| |
Three Lectures on Poetry (1941, 1944, 1946) | |
| |
| |
| |
| |
The Noble Rider and the Sound of Words (1942) | |
| |
| |
| |
| |
The End of the Line (1942) | |
| |
| |
| |
| |
Poetry and Knowledge (1945) | |
| |
| |
| |
| |
Projective Verse (1950) | |
| |
| |
| |
| |
A Statement for Poetry (1950) | |
| |
| |
| |
| |
Is There Any Poetic Writing? (1953) | |
| |
| |
| |
| |
The Concrete Universal (1954) | |
| |
| |
| |
| |
Excerpts from Seminars and Papers (1954, 1955, 1957) | |
| |
| |
| |
| |
What is Modern Poetry and The Reek of the Human (1955)? | |
| |
| |
| |
| |
Mallarme's Experience (1955) | |
| |
| |
| |
| |
The Pleasure Principle and Writing Poems (1957, 1964) | |
| |
| |
| |
| |
On Lyric Poetry and Society (1957) | |
| |
| |
| |
| |
Closing Statement: Linguistics and Poetics (1960) | |
| |
| |
| |
| |
1960-1980 | |
| |
| |
| |
What I See in The Maximus Poems (1961) | |
| |
| |
| |
| |
Personism: A Manifesto (1961) | |
| |
| |
| |
| |
When the Mode of the Music Changes and Abstraction in Poetry (1961, 1962) | |
| |
| |
| |
| |
The Poet and the City (1962) | |
| |
| |
| |
| |
Hunting Is Not Those Heads on the Wall and State/Meant (1964, 1965) | |
| |
| |
| |
| |
A Sense of Measure (1964) | |
| |
| |
| |
| |
The Invisible Avant-Garde (1968) | |
| |
| |
| |
| |
Closure and Anti-closure in Modern Poetry (1968) | |
| |
| |
| |
| |
Poetic Language, Poetics of Language (1969) | |
| |
| |
| |
| |
Intentional Structure of the Romantic Image (1970) | |
| |
| |
| |
| |
The Muse of History (1974) | |
| |
| |
| |
| |
The Ethics of Linguistics (1974) | |
| |
| |
| |
| |
A Modest Proposal (1976) | |
| |
| |
| |
| |
Continuity in Language (1978) | |
| |
| |
| |
| |
Poetry as "Menace" and "Atonement" (1978) | |
| |
| |
| |
| |
1980-2000 | |
| |
| |
| |
The Poe-etic Effect (1980) | |
| |
| |
| |
| |
The Dollar Value of Poetry (1983) | |
| |
| |
| |
| |
On Hope (1983) | |
| |
| |
| |
| |
Blood, Bread, and Poetry (1984) | |
| |
| |
| |
| |
Prologue: The Deed of Writing (1987) | |
| |
| |
| |
| |
"Even under the Rine of Terror..." (1988) | |
| |
| |
| |
| |
Che cos'e la poesia? (1988) | |
| |
| |
| |
| |
The Homosexual Lyric (1990) | |
| |
| |
| |
| |
Avant-Garde or Endgame? (1991) | |
| |
| |
| |
| |
The Woman Poet: Her Dilemma (1995) | |
| |
| |
| |
| |
The Redress of Poetry (1995) | |
| |
| |
| |
| |
Introduction, Soul Says (1995) | |
| |
| |
| |
Chronology | |
| |
| |
Select Bibliography | |
| |
| |
Thematic Index | |
| |
| |
Index | |