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| Acknowledgments | |
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| Introduction | |
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| A Note on the Selection, Texts, and Order of Presentation | |
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| Continental Interlude I: Futurism (1909-14) | |
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| The Founding and the Manifesto of Futurism (Feb. 1909) | |
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| Futurist Speech to the English (Dec. 1910) | |
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| Contempt for Woman (from Le Futurisme, 1911) | |
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| The Exhibitors to the Public (Feb. 1912) | |
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| Technical Manifesto of Futurist Literature (May 1912) | |
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| A Response to Objections (Aug. 1912) | |
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| The Art of Noises: A Futurist Manifesto (Mar. 1913) | |
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| Destruction of Syntax-Wireless | |
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| Imagination-Words-in-Freedom (May 1913) | |
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| The Variety Theater (Sept. 1913) | |
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| Ezra Pound | |
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| Poems | |
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| The Seafarer (1911) | |
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| Portrait d'une Femme (1912) | |
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| The Return (1912) | |
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| In a Station of the Metro (1913) | |
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| Salutation the Third (1914) | |
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| Meditatio (1914) | |
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| Song of the Bowmen of Shu (1915) | |
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| The River-Merchant's Wife: A Letter (1915) | |
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| Poem by the Bridge at Ten-Shin (1915) | |
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| The Jewel Stairs' Grievance (1915) | |
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| The Coming of War: Actaeon (1915) | |
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| Shop Girl (1915) | |
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| O Atthis (1916) | |
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| The Lake Isle (1916) | |
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| Hugh Selwyn Mauberley (1920) | |
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| From The Cantos | |
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| Canto I (1917/1925) | |
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| The Malatesta Cantos, VIII to XI (1923) | |
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| Canto LXXXI (1948) | |
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| From Canto CXV (1969) | |
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| Essays | |
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| Imagisme (1912) | |
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| A Few Don'ts by an Imagiste (1912) | |
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| Vortex | |
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| Pound (1914) | |
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| The Chinese Written Character as Medium for Poetry (1918) | |
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| Poems | |
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| The Love Song | |
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| La Figlia che piange (1916) | |
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| Sweeney Among the Nightingales (1918) | |
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| Sweeney Erect (1919) | |
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| Gerontion (1920) | |
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| The Waste Land (1922) | |
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| Drama | |
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| Sweeney Agonistes (1932) | |
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| Essays | |
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| Tradition and the Individual Talent (1919) | |
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| The Lesson of Baudelaire (1921) | |
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| London Letter: May 1921 | |
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| London Letter: November 1922 (Marie Lloyd) | |
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| Ulysses, Order, and Myth (1923) | |
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| (Introduction to Journaux intimes) (1930) | |
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| Wyndham Lewis | |
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| Fiction | |
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| Enemy of the Stars (1914) | |
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| Bestre (1922) | |
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| The Death of the Ankou (1927) | |
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| Essays | |
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| Manifesto (1914) | |
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| Inferior Religions (1917) | |
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| Foreword to Tyros and Portraits (1921) | |
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| The Children of the New Epoch (1921) | |
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| James Joyce | |
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| Araby (1914), from Dubliners | |
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| A Little Cloud (1914), from Dubliners | |
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| Aeolus (1922), from Ulysses | |
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| Nausicaa (1922), from Ulysses | |
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| Anna Livia Plurabelle (1939), from Finnegans Wake | |
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| Poems | |
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| A Coat (1914) | |
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| The Wild Swans at Coole (1917) | |
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| In Memory of Major Robert Gregory (1918) | |
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| Easter, 1916 (1920) | |
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| The Second Coming (1920) | |
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| The Tower (1928) | |
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| Sailing to Byzantium (1927) | |
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| The Tower (1927) | |
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| Meditations in Time of Civil War (1923) | |
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| Nineteen Hundred and Nineteen (1921) | |
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| The Wheel (1922) | |
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| Youth and Age (1924) | |
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| The New Faces (1922) | |
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| A Prayer for my Son (1922) | |
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| Two Songs from a Play (1927) | |
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| Wisdom (1927) | |
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| Leda and the Swan (1924) | |
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| On a Picture of a Black Centaur | |
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| Among School Children (1927) | |
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| Colonus' Praise (1928) | |
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| The Hero, the Girl, and the Fool (1922) | |
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| Owen Ahern and his Dancers (1924) | |
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| A Man Young and Old (1927) | |
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| The Three Monuments (1927) | |
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| From 'Oedipus at Colonus' (1927) | |
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| The Gift of Harun Al-Rashid (1924) | |
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| All Souls' Night (1921) | |
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| Poems after The Tower | |
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| Crazy Jane and the Bishop (1930) | |
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| Byzantium (1932) | |
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| Coole and Ballylee, 1931 (1932) | |
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| Come Gather Round Me Parnellites (1937) | |
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| The Statues (1939) | |
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| The Spur (1939) | |
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| The Circus Animals' Desertion (1939) | |
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| Drama | |
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| At the Hawk's Well (1916) | |
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| Essays | |
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| Note on the First Performance of ''At the Hawk's Well'' (1917) | |
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| ''Introduction'' to Certain Noble Plays of Japan (1916) | |
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| Rapallo (1929) | |
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| Gertrud | |