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| Acknowledgements | |
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| A Note on the Presentation and Editing of Texts | |
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| General Introduction | |
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| Establishing the Place of Art | |
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| Introduction | |
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| Ancients and Moderns | |
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| From The Painting of the Ancients 1637 | |
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| Letter to Junius 1637 | |
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| From The Art of Painting, its Antiquity and Greatness 1649 | |
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| Dedication to Constantijn Huygens from Icones I 1660 | |
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| From Painting Illustrated in Three Dialogues 1685 | |
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| 'A Digression on the Ancients and the Moderns' 1688 | |
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| Preface and 'Second Dialogue' from Parallel of the Ancients and Moderns 1688 | |
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| From Reflections upon Ancient and Modern Learning 1694 | |
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| The Academy: Systems and Principles | |
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| Letters to Chantelou and to Chambray 1647/1665 | |
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| Observations on Painting c. 1660-5 | |
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| Recollections of Poussin 1662-1685 | |
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| Petition to the King and to the Lords of his Council 1648 | |
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| Statutes and Regulations of the Acadeacute;mie Royale de Peinture et de Sculpture 1648 | |
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| From An Idea of the Perfection of Painting 1662 | |
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| Letter to Poussin c. 1665 | |
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| 'The Idea of the Painter, Sculptor and Architect' 1664 | |
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| From Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666 | |
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| Preface to Seven Conferences 1667 | |
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| 'First Conference' 1667 | |
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| 'Second Conference' 1667 | |
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| 'Sixth Conference' 1667 | |
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| 'Conference on Expression' 1668 | |
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| Table of Precepts: Expression 1680 | |
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| Form and Colour | |
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| 'De Imitatione Statuorum', before 1640 | |
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| From The Microcosm of Painting 1657 | |
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| From 'Diary of the Cavaliere Bernini's Visit to France' 1665 | |
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| From De Arte Graphica 1667 | |
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| 'Remarks on De Arte Graphica' 1668 | |
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| From The Rich Mines of Venetian Painting 1676 | |
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| 'Conference on Titian's Virgin and Child with St John' 1671 | |
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| 'Conference on the Merits of Colour' 1671 | |
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| 'Thoughts on M. Blanchard's Discourse on the Merits of Colour' 1672 | |
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| From Dialogue upon Colouring 1673 | |
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| From Practical Discourse on the Most Noble Art of Painting c. 1675 | |
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| From The Antiquity of the Art of Painting c. 1690 | |
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| The 'je ne sais quoi':.36. From The Hero 1637 | |
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| From The Art of Worldly Wisdom 1647 | |
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| 'Answer to Davenant's Preface to Gondibert' 1650 | |
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| From Fire in the Bush and The Law of Freedom in a Platform 1650/2 | |
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| From Penseacute;es c.1654-1662 | |
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| On Grace and Beauty from Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666 | |
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| From The Conversations of Aristo and Eugene 1671 | |
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| From A Compleat Body of Divinity 1689/1701 | |
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| On Art and Beauty, Before 1716 | |
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| Practical Resources | |
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| From Miniatura; or The Art of Limning, Revised 1648 | |
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| On Rembrandt and Jan Lievens c.1630 | |
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| Letters to Constantijn Huygens 1636-9 | |
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