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Introduction, or How I Got into the Music Business and Why I Wrote This Book | |
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The Music Business | |
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Getting Started | |
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Records | |
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The Recording Process | |
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The Record Industry: A Brief History | |
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Record Companies | |
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The Record Producer | |
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Record Company Contracts | |
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How Records Are Sold and Distributed | |
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Agents and Personal Managers | |
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Music Publishing | |
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Performing Rights Societies | |
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Commercials | |
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Music Trade Papers | |
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The American Federation of Musicians | |
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Radio | |
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Music Video and Cable Television | |
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Careers in Music | |
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Studio Work and Engineering | |
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Careers in Records and Radio | |
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Composing, Arranging, and Film Music | |
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Concert Promotion and Careers in Publicity | |
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Careers in Music Performance | |
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Songwriting as a Career | |
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College: Getting the Education You Need | |
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Careers in Music Education and Private Teaching | |
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Careers Related to Music in Print: The Writing, Publication, and Sale of Written Music | |
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Music Criticism | |
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Music Library Careers | |
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Musical Instrument Manufacturing | |
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Music Retailing and Wholesaling | |
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Music Therapy | |
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Piano Tuning, Instrument Repair, Music in the Armed Forces, Church Music, and Careers in Law | |
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Arts Management | |
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Grants | |
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Minorities in the Music Business | |
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Power in the Arts and Alternative Media | |
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Entrepreneurship: Taking Care of Business | |
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Assisting the Musician's Business: Computer and Information Retrieval Systems | |
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The International Music Business | |
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Music, the Internet, Napster, and New Media | |
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Afterword: The Music Business in the Twenty-first Century | |
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Appendix | |
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Glossary of Music Business Terms | |
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Annotated Bibliography | |
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Acknowledgments | |
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Index | |