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| Preface | |
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| He Kept on Burning | |
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| The Gilded Man | |
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| "How Can You Look at the Neva ..." | |
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| Pushkin | |
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| "I Am Not One of Those Who Left the Land ..." | |
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| "This Cruel Age Has Deflected Me ..." | |
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| from Metamorphosis of the Carnation | |
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| Charlie's Sad Date | |
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| Terminations | |
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| American Landscape with Clouds and a Zoo | |
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| The Time Machine | |
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| Winter Light | |
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| Looking for Poetry | |
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| Crazy Weather | |
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| Robin Hood's Barn | |
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| Bird's-Eye View of the Tool and Die Co. | |
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| No Way of Knowing | |
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| Lyrics for Man of La Mancha | |
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| Trinket | |
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| That Time in Tangier | |
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| Late Naps | |
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| Healing | |
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| First Night at Sea | |
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| Transit | |
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| Nowhere | |
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| Apollo 8 | |
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| Memorial for a Fisherman | |
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| The Wood House over the Wilia | |
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| The Mask of Evil | |
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| A New House | |
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| A Film of the Comedian Chaplin | |
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| Letter to the Actor Charles Laughton ... | |
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| Sonnet | |
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| Spring Season of Muddy Roads | |
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| Einem alten Architekten in Rom | |
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| Eleanor | |
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| Twilight Comes | |
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| Myris: Alexandria, A.D. 340 | |
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| Their Beginning | |
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| In the Evening | |
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| In the Tavernas | |
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| On Board Ship | |
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| Dareios | |
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| By Day | |
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| Memory of France | |
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| Your Hair Over the Sea | |
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| Burial in Cypress Hills | |
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| Agreeable Monsters | |
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| Ten Poems | |
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| The Gun | |
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| Seeing Off a Friend | |
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| Farmyard at Chassy | |
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| To Michael | |
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| The Duchess' Red Shoes | |
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| What a Circus | |
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| Untitled Poem (The Monarchs ...) | |
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| Untitled Poem (When the window ...) | |
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| The Decimation Before Phraata | |
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| Toward the Verrazano | |
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| Looking for a Rest Area | |
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| Choosing to Think of It | |
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| The Having to Love Something Else | |
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| The Rat's Tight Schedule | |
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| The Bachelor's Hand | |
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| The Hourglass | |
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| The Manure Book | |
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| Muskrat | |
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| Sestina for My Dead in the First Snow | |
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| Terribilis est locus iste | |
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| After Brecht | |
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| Of Growing Old | |
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| How Many Devils Can Dance on the Point ... | |
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| Departure | |
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| Taking Off My Clothes | |
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| Kalaloch | |
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| Barbarians | |
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| Amor Vacui | |
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| It Is a Lie | |
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| Autobiography | |
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| I've Slept | |
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| It's Useless | |
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| The Schizophrenics | |
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| Of Kings and Dukes | |
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| Hedge-Sparrows and House-Sparrows | |
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| The horse in the drugstore | |
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| Kidnapper | |
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| Into the Known | |
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| Old Men on the Courthouse Lawn, Murray, Kentucky | |
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| Cache la Poudre | |
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| The Last Man's Club | |
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| Dialog | |
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| Horse | |
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| Messengers | |
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| Aubade | |
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| Palais des Arts | |
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| Descending Figure | |
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| Dedication to Hunger | |
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| San Sepolcro | |
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| Masaccio's Expulsion | |
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| A Note to the Difficult One | |
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| Language Ah Now You Have Mc | |
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| The Girl I Call Alma | |
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| The Chorus Speaks Her Words As She Dances | |
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| Three Songs | |
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| The Fair in the Woods | |
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| The Whale in the Blue Washing Machine | |
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| The Ghost Hunter | |
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| The Whistle Column | |
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| Josh Gibson's Bat | |
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| My Students Who Stand in Snow | |
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| Lecturing on the Theme of Motherhood | |
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| Meditation at Lagunitas | |
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| Novella | |
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| Vintage | |
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| Monticello | |
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| The Return of Robinson Jeffers | |
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| Rusia en 1931 | |
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| Sigil VIII-XIX | |
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| Bog Queen | |
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| The Strand at Lough Beg | |
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| Field Work | |
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| Ugolino | |
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| A Voice at a Seance | |
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| Still Life | |
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| Beethoven | |
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| Mr. Cogito--the Return | |
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| The Murderers of Kings | |
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| The Power of Taste | |
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| Report from the Besieged City | |
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| The Flears | |
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| Disagreements | |
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| Refrains | |
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| The Comedy of Art | |
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| Nadar | |
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| Monkey Difference | |
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| At Mrs. Alefounder's | |
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| Cockcrow | |
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| Tractor | |
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| Birth of Rainbow | |
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| Teaching a Dumb Calf | |
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| Bridestones | |
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| from Prometheus on His Crag | |
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| A Night with Cindy at Heitman's | |
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| Note to R.H. from Strongsville | |
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| Death in the Aquarium | |
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| Druid Stones at Kensaleyre | |
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| Retired Lion by the Clothesline in the Cold Attic | |
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| Sleep in the Heat | |
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| Probably the Farmer | |
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| Mule Team and Poster | |
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| Childhood | |
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| The Summer Anniversaries | |
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| Unflushed Urinals | |
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| The Furies | |
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| Driftwood from a Ship | |
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| The Man Splitting Wood in the Daybreak | |
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| December Day in Honolulu | |
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| Exodus | |
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| The Snakes of September | |
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| Three Small Parables for My Poet Friends | |
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| Quinnapoxet | |
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| The Trees | |
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| To the Sea | |
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| Harvest | |
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| You Can Have It | |
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| Paraguay | |
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| 7 Years from Somewhere | |
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| Montjuich | |
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| Garcia Lorca: A Photograph of the Granada Cemetery, 1966 | |
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| Lost Fan, Hotel Californian, Fresno, 1923 | |
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| Believe It | |
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| Man Asleep in a Child's Bed | |
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| Graveyard by the Sea | |
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| Elegy for Frank Stanford | |
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| A Disused Shed in Co. Wexford | |
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| The Age (#135) | |
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| #375 ("On a board of raspberry ...") | |
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| Feodosia (#111) | |
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| Stanzas (#312) | |
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| Waking at Dusk from a Nap | |
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| The Psychopathology of Everyday Life | |
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| An Airline Breakfast | |
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| Nabokov's Death | |
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| Spring Snow | |
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| Animal Song | |
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| Double Agent | |
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| The Firefly | |
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| Sisters | |
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| Children | |
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| 7,22,66 | |
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| The Compound Eye | |
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| If the Cardinals Were Like Us | |
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| A Look Askance | |
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| Chimes for Yahya | |
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| Beggars and Kings | |
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| The Cliff Dance | |
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| Old Flag | |
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| Late Spring | |
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| Companion | |
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| Sand | |
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| On Prayer (R.H.) | |
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| Ars Poetica? (L.V.) | |
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| A Magic Mountain (L.V.) | |
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| Into the Tree (R.H.) | |
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| Consciousness (R.H.) | |
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| Poet at Seventy (C.M.) | |
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| Dowager | |
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| Mother Cat | |
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| The Eel | |
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| Little Testament | |
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| Two in Twilight | |
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| Visit to Fadin | |
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| Hitler Spring | |
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| Old Tiger | |
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| Storm Warning | |
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| Stars | |
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| After a Death | |
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| Song of the Invisible Corpse in the Field | |
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| Concerning the Stone | |
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| "Transients Welcome" | |
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| Notes for an Elegy: for John Gardner | |
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| Weather Forecast | |
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| The Goat God | |
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| South Seas | |
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| October Cycle | |
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| The Bracelet | |
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| The Ringers | |
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| The Superb Lily | |
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| The Volume | |
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| Song of Reasons | |
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| Three on Luck | |
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| Stings | |
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| Words Heard, By Accident, Over the Phone | |
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| Another November | |
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| After Whistler | |
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| Wildflower | |
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| Lapsed Meadow | |
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| Cows | |
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| Linoleum: Breaking Down | |
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| Retrieval System | |
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| Baroque Quatrains | |
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| Sub Rosa | |
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| Passion | |
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| A Candystore in Washington Heights | |
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| Whitman at a Grain Depot | |
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| From a Survivor | |
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| Living in the Cave | |
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| For the Dead | |
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| Women | |
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| Disfigurement | |
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| Penelope's Despair | |
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| Philomela | |
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| Marpessa's Choice | |
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| Augmentation of the Unknown | |
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| Our Land | |
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| Despisals | |
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| Double Ode | |
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| Terra Incognita | |
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| Winter Landscape with a Girl in Brown Shoes | |
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| Madame Orchidee | |
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| Instructions for Fishing the Eel | |
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| Planting Trout in the Chicago River | |
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| Navel | |
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| Arbeit Macht Frei | |
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| Paper Cities | |
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| Birds on a Blighted Tree | |
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| The Messenger | |
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| Summer Solstice | |
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| When the Ashes | |
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| Burning Ship | |
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| Mortar Salvos | |
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| To Like, To Love | |
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| The Twelve-Thousand-Day Honeymoon | |
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| The Death King | |
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| Hornet | |
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| Lobster | |
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| A Theory | |
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| Bedtime Story | |
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| The Soup | |
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| The Healer | |
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| Apocrypha | |
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| Great Infirmities | |
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| Snow Owl | |
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| Ducking: After Maupassant | |
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| Cooking Eggs | |
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| Drag Race | |
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| A Skull Changed to Glass | |
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| Late Stravinsky Listening to Late Beethoven | |
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| Auden's Funeral | |
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| For a Daughter Gone Away | |
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| Report to Crazy Horse | |
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| Ice, Ice | |
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| Fritz | |
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| Pick and Poke | |
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| Ground Hog Lock | |
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| Slow Dance | |
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| For Lerida | |
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| The Day of the Sentry | |
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| She | |
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| Poor North | |
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| The Story | |
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| Poem After Leopardi | |
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| First Walk on the Moon | |
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| Under the Baby Blanket | |
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| Summer Night | |
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| Sloops in the Bay | |
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| The Powder of Sympathy | |
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| On to the Source | |
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| Mackinnon's Boat | |
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| At Night | |
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| Sleep | |
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| En Route | |
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| Gogol | |
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| For Mats and Laila | |
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| The Winter's Glance | |
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| Molokai | |
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| The Gallery | |
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| "And don't bother ..." | |
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| "One pillar holding ..." | |
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| Pagan Woman | |
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| Sweet Everlasting | |
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| Letter from Vermont | |
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| Blue Ridge | |
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| A Police Manual | |
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| Salmon Boy | |
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| The Boy Who Became Sky | |
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| Names | |
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| Egypt, Tobago | |
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| Greece | |
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| Roman Outposts | |
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| Europa | |
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| Marina Tsvetayeva | |
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| Boyhood in Tobacco Country | |
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| Summer Rain in Mountains | |
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| Function of Blizzard | |
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| Rumor Verified | |
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| Off to Patagonia | |
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| An Everlasting Once | |
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| Combat | |
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| Eight Improvisations | |
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| Ars Poetica | |
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| Virginia Reel | |
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| Holy Thursday | |
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| Four Poems for the New Year | |
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| Dawn Near an Old Battlefield, in a Time of Peace | |
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| Taranto | |
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| Names in Monterchi: to Rachel | |
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| Jerome in Solitude | |
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| Regret for a Spider Web | |
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| The Turtle Overnight | |
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| Simon and the Tarantula | |
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| The Great American Poem | |
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| Biographical Notes | |