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Fundamentals of Three-Dimensional Design | |
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Experiencing Three-Dimensionality | |
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Photographs of Three-Dimensional Work | |
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Set Point of View | |
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Flattening Out | |
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Scale | |
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The Photographer's Interpretation | |
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The Photograph as the Work of Art | |
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Degrees of Three-Dimensionality | |
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Frontal Works | |
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The Full Round | |
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Walk-Through Works | |
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Involving the Viewer | |
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Tactile/Visual Appeal | |
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Engaging Curiosity | |
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Representation | |
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Abstraction and Stylization | |
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Scale | |
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Content | |
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Personal Interaction | |
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The Unexpected | |
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Verbal Statements and Titles | |
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Working in-the-Round | |
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Gravity | |
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The Setting | |
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Size | |
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Materials | |
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Planning Three-Dimensional Work | |
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Form Versus Function | |
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Cost and Audience | |
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Organizing Principles of Design | |
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Repetition | |
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Variety | |
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Rhythm | |
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Balance | |
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Emphasis and Economy | |
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Proportion | |
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Elements of Three-Dimensional Design | |
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Form | |
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Exterior Versus Interior Forms | |
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Primary and Secondary Contours | |
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Positive and Negative Forms | |
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Static and Dynamic Forms | |
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Representational, Abstract, and Nonobjective Forms | |
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Space | |
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Delineated Forms in Space | |
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Activated Surrounding Space | |
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Confined Space | |
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Spatial Relationships | |
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Scale | |
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Spatial Illusions | |
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Line | |
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Linear Works | |
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Lines Within Forms | |
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Implied and Directional Lines | |
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Qualities of Lines | |
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Texture | |
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Natural Texture | |
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Worked Texture | |
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Visual Texture | |
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Light | |
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Value | |
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Natural Lighting | |
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Artificial Lighting | |
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Reflected Light | |
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Light As a Medium | |
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Color | |
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Color Vocabulary | |
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Natural Color | |
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Applied Color | |
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Effects of Color: Physiological and Psychological | |
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Color Combinations | |
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Time and Movement | |
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Illusion of Movement | |
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Viewing Time | |
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Controlled Time | |
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Free Time | |
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Timelessness | |
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Construction Methods | |
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Found Objects | |
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Individual Found Objects | |
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Assemblages | |
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Junk Sculpture | |
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Installations | |
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Addition and Manipulation | |
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Manipulating Malleable Materials | |
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Clay | |
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Wax | |
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Plaster and Cement | |
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Malleable Metals | |
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Fiber Arts | |
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Glass | |
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Fabrication with Rigid Materials | |
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Wood Fabrication | |
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Metal Fabrication | |
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Plastic Fabrication | |
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Stonemasonry | |
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Mixed Media | |
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Subtraction | |
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Qualities of the Materials | |
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Revealing the Form | |
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Textures and Values | |
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Casting | |
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Solid Casts | |
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Hollow Casts | |
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Foundries and Editions | |
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The Outsides and Insides of Casts | |
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Studio Projects | |
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From Three-Dimensionality to Two-Dimensionality | |
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From Two-Dimensionality to Three-Dimensionality | |
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Modular Low Relief | |
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The Wrapped Object | |
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Walk-Through Work | |
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Good and Bad Design | |
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Form and Function | |
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Working with the Setting | |
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Defying Gravity | |
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Working on a Large Scale | |
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Repetition | |
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Variety | |
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Visual Rhythm | |
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Visual Balance | |
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Emphasis | |
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From Flat Material to Volume | |
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Curvilinear Form | |
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Exterior and Interior Forms | |
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Metamorphosis | |
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Fill-a-Bag | |
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Negative Forms in Space | |
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Activated Surrounding Space | |
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Confined Space | |
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Scale Change | |
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Illusionary Space | |
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Wire Sculpture | |
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Directional Line | |
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Line and Form | |
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Texture Switch | |
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Three Textures Together | |
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Visual Textures | |
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Soft Sculpture | |
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Contradicting a Form | |
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Natural versus Artificial Lighting | |
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Shadows | |
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Light as a Medium | |
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Natural Colors | |
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Applied Color | |
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Psychological Effects of Color | |
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Removal of Color | |
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Color Combinations | |
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Growth or Decay | |
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Kinetic Sculpture | |
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Controlling the Viewer's Movements | |
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Changes by the Viewer | |
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Ready-Made | |
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Assemblage | |
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Clay or Wax Sculpture | |
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Addition with Malleable Materials | |
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Fabrication with Rigid Materials | |
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Skin and Structure | |
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Wood, Burlap, and Plaster Construction | |
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Joinery | |
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Wood Carving | |
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Plaster Carving | |
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"Stone" Carving | |
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Paper Casting | |
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Plaster Casting in Clay | |
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Cast Hands | |
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Glossary | |
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Index | |
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Photographic Credits | |