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Introduction Thomas Christensen | |
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Disciplining Music Theory | |
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Mapping the terrain Leslie Blasius | |
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Musica practica: music theory as pedagogy Robert W. Wason | |
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Epistemologies of music theory Nicholas Cook | |
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Speculative Traditions | |
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Greek music theory Thomas J. Mathiesen | |
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The transmission of ancient music theory into the Middle Ages Calvin Bower | |
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Medieval canonics Jan Herlinger | |
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Tuning and temperament Rudolf Rasch | |
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The role of harmonics in the scientific revolution Penelope Gouk | |
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From acoustics to tonpsychologie Burdette Green and David Butler | |
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Music theory and mathematics Catherine Nolan | |
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Regulative Traditions | |
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Notes, scales, and modes in Carolingian thought David Cohen | |
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Renaissance modal theory: theoretical, compositional and editorial perspectives Cristle Collins Judd | |
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Tonal organization in seventeenth-century music theory Gregory Barnett | |
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Dualist tonal space and transformation in the nineteenth century Henry Klumpenhouwer | |
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Organum, diaphonia, discantus, contrapunctus in the Middle Ages Sarah Fuller | |
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Counterpoint pedagogy in the Renaissance Peter Schubert | |
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Performance theory Albert Cohen | |
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Steps to Parnassus: contrapuntal theory in 1725: precursors and successors Ian Bent | |
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Twelve-tone theory John Covach | |
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The evolution of rhythmic notation Anna Maria Busse Berger | |
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Theories of musical rhythm in the eighteenth and nineteenth centuries William Caplin | |
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Rhythm in twentieth-century theory Justin London | |
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Tonality Brian Hyer | |
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Rameau and eighteenth-century harmonic theory Joel Lester | |
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Nineteenth-century harmonic theory: the Austro-German legacy David W. Bernstein | |
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Heinrich Schenker William Drabkin | |
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Descriptive Traditions | |
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Music and rhetoric Patrick McCreless | |
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Form Scott Burnham | |
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Thematic and motivic analysis Jonathan Dunsby | |
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Energetics Lee Rothfarb | |
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The psychology of music Robert Gjerdingen | |