| |
| |
| Introduction Thomas Christensen | |
| |
| |
| |
| Disciplining Music Theory | |
| |
| |
| |
| Mapping the terrain Leslie Blasius | |
| |
| |
| |
| Musica practica: music theory as pedagogy Robert W. Wason | |
| |
| |
| |
| Epistemologies of music theory Nicholas Cook | |
| |
| |
| |
| Speculative Traditions | |
| |
| |
| |
| Greek music theory Thomas J. Mathiesen | |
| |
| |
| |
| The transmission of ancient music theory into the Middle Ages Calvin Bower | |
| |
| |
| |
| Medieval canonics Jan Herlinger | |
| |
| |
| |
| Tuning and temperament Rudolf Rasch | |
| |
| |
| |
| The role of harmonics in the scientific revolution Penelope Gouk | |
| |
| |
| |
| From acoustics to tonpsychologie Burdette Green and David Butler | |
| |
| |
| |
| Music theory and mathematics Catherine Nolan | |
| |
| |
| |
| Regulative Traditions | |
| |
| |
| |
| Notes, scales, and modes in Carolingian thought David Cohen | |
| |
| |
| |
| Renaissance modal theory: theoretical, compositional and editorial perspectives Cristle Collins Judd | |
| |
| |
| |
| Tonal organization in seventeenth-century music theory Gregory Barnett | |
| |
| |
| |
| Dualist tonal space and transformation in the nineteenth century Henry Klumpenhouwer | |
| |
| |
| |
| Organum, diaphonia, discantus, contrapunctus in the Middle Ages Sarah Fuller | |
| |
| |
| |
| Counterpoint pedagogy in the Renaissance Peter Schubert | |
| |
| |
| |
| Performance theory Albert Cohen | |
| |
| |
| |
| Steps to Parnassus: contrapuntal theory in 1725: precursors and successors Ian Bent | |
| |
| |
| |
| Twelve-tone theory John Covach | |
| |
| |
| |
| The evolution of rhythmic notation Anna Maria Busse Berger | |
| |
| |
| |
| Theories of musical rhythm in the eighteenth and nineteenth centuries William Caplin | |
| |
| |
| |
| Rhythm in twentieth-century theory Justin London | |
| |
| |
| |
| Tonality Brian Hyer | |
| |
| |
| |
| Rameau and eighteenth-century harmonic theory Joel Lester | |
| |
| |
| |
| Nineteenth-century harmonic theory: the Austro-German legacy David W. Bernstein | |
| |
| |
| |
| Heinrich Schenker William Drabkin | |
| |
| |
| |
| Descriptive Traditions | |
| |
| |
| |
| Music and rhetoric Patrick McCreless | |
| |
| |
| |
| Form Scott Burnham | |
| |
| |
| |
| Thematic and motivic analysis Jonathan Dunsby | |
| |
| |
| |
| Energetics Lee Rothfarb | |
| |
| |
| |
| The psychology of music Robert Gjerdingen | |