Skip to content

Subjects of Art History Historical Objects in Contemporary Perspective

Spend $50 to get a free movie!

ISBN-10: 0521455723

ISBN-13: 9780521455725

Edition: 1998

Authors: Mark A. Cheetham, Michael Ann Holly, Keith Moxey, Mieke Bal, Patricia Mathews

List price: $52.99
Blue ribbon 30 day, 100% satisfaction guarantee!
Out of stock
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

This work offers an introduction to the historiography and theory of the history of art. Examining a variety of theoretical approaches, it offers interpretations of the history and contemporary relevance of a range of art-related disciplines.
Customers also bought

Book details

List price: $52.99
Copyright year: 1998
Publisher: Cambridge University Press
Publication date: 12/13/1998
Binding: Paperback
Pages: 352
Size: 7.00" wide x 10.00" long x 0.75" tall
Weight: 1.584
Language: English

Mark A. Cheetham is a professor of art history at the University of Toronto. His book Artwriting, Nation, and Cosmopolitanism in Britain: The "Englishness" of English Art Theory since the Eighteenth Century is forthcoming from Ashgate. He recently co-curated the exhibition JACK CHAMBERS: the light from the darkness, silver paintings and film work for Museum London (2011).

Mieke Bal is Academy Professor at the Royal Netherlands Academy of Arts and Sciences and a cofounder of the Amsterdam School for Cultural Analysis at the University of Amsterdam. Her many books include Loving Yusuf: Conceptual Travels from Present to Past, also published by the University of Chicago Press.

Introduction
Immanuel Kant and the bo(a)rders of art history
Art history+s hegelian unconscious: naturalism as nationalism in the otherlandish painting
Spirits and ghosts in the historiography of art
Seeing signs: the use of semiotics for the understanding of visual art
The politics of feminist art history
Homesexualism, gay and lesbian studies and queer theory in art history
Phenomenology and the limits of hermeneutics
Deconstruction and photography
The work of art and its beholder: the methodology and aesthetic of reception
Between art history and psychoanalysis: the methodology of the aesthetic of reception
Passing between art history and post-colonial theory
Art history and museums
Museums and galleries as sites for artistic intervention
Art history+s significant other ... film studies
Interpreting the void: architecture and spatial anxiety
Computer applications for art history