Giuseppe Verdi Falstaff
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This book is a compact, up-to-date guide to the history and construction of Verdi's last - and possibly greatest - opera. Incorporating the findings of the most recent research, it provides performers, opera enthusiasts, students and scholars alike with a reliable summary of what is currently known about the work. The book gives a full synopsis of the plot and a detailed account both of Verdi's aims in composing the opera and of how he actually composed it: which portions were difficult for him, which he considered crucial, which were afterthoughts, etc. Special attention is given to separating the three versions of Falstaff that Verdi approved - versions that are still confused in almost all performances today. Professor Hepokoski also supplies extensive discussions of Boito's derivation of the plot and text from Shakespeare (and others); of the musical technique and structure of Falstaff; and of Verdi's own guidelines for interpretation, staging and singing. A guide to critical assessments of the opera illustrates the widely differing receptions the opera has had in the twentieth century, and a concluding essay by Graham Bradshaw discusses Shakespearean aspects of both Otello and Falstaff. The book contains a bibliography, a discography (by Malcolm Walker), illustrations of the original stage designs and costumes, and extensive musical examples.
List price: $49.99
Copyright year: 1983
Publisher: Cambridge University Press
Publication date: 11/10/1983
Size: 5.51" wide x 8.50" long x 0.43" tall
|The forging of the libretto|
|The composition of the opera|
|Milan, Rome and Paris: three versions of Falstaff|
|Musical technique and structure|
|The interpretation of Falstaff: Verdi's guidelines|
|A brief stage history|
|A guide to critical assessments and interpretations|
|Epilogue Graham Bradshaw|
|Discography Malcolm Walker|