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Realism, Representation, and the Arts in Nineteenth-Century Literature

ISBN-10: 0521025346

ISBN-13: 9780521025348

Edition: 1997

Authors: Alison Byerly, Gillian Beer

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Description:

In this volume, Alison Byerly combines close textual analysis with discussion of relevant ancillary topics to examine the place of different arts within 19th century British culture.
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Book details

Copyright year: 1997
Publisher: Cambridge University Press
Publication date: 3/30/2006
Binding: Paperback
Pages: 244
Size: 6.00" wide x 9.00" long x 0.75" tall
Weight: 0.836

Jane Austen's life is striking for the contrast between the great works she wrote in secret and the outward appearance of being quite dull and ordinary. Austen was born in the small English town of Steventon in Hampshire, and educated at home by her clergyman father. She was deeply devoted to her family. For a short time, the Austens lived in the resort city of Bath, but when her father died, they returned to Steventon, where Austen lived until her death at the age of 41. Austen was drawn to literature early, she began writing novels that satirized both the writers and the manners of the 1790's. Her sharp sense of humor and keen eye for the ridiculous in human behavior gave her works lasting appeal. She is at her best in such books as Pride and Prejudice (1813), Mansfield Park (1814), and Emma (1816), in which she examines and often ridicules the behavior of small groups of middle-class characters. Austen relies heavily on conversations among her characters to reveal their personalities, and at times her novels read almost like plays. Several of them have, in fact, been made into films. She is considered to be one of the most beloved British authors.Gillian Beer is King Edward VII professor emerita of English at the University of Cambridge, England.

Acknowledgments
Introduction
The picturesque aesthetic and the natural art of song
Masterpiece theatres: art as spectacle in William Thackeray and Charlotte Bront
George Eliot's hierarchy of representation
Art works: Thomas Hardy and the labor of creation
Coda: aestheticism: the erasure of the real
Notes
Bibliography
Index