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Preface: Against Utopia | |
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Et in Arcadia Ego; or, I Didn't Know I Was Such a Pessimist until I Wrote This Thing (a talk) | |
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From the New York Times, mostly | |
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Only Time Will Cover the Taint | |
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"Nationalism": Colonialism in Disguise? | |
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Why Do They All Hate Horowitz? | |
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Optimism amid the Rubble | |
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A Survivor from the Teutonic Train Wreck | |
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Does Nature Call the Tune? | |
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Two Stabs at the Universe | |
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Away with the Ives Myth: The "Universe" Is Here at Last | |
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Out of Hibernation: Ives's Mythical Beast | |
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In Search of the "Good" Hindemith Legacy | |
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Six Times Six: A Bach Suite Selection | |
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A Beethoven Season? | |
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Dispelling the Contagious Wagnerian Mist | |
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How Talented Composers Become Useless | |
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Making a Stand against Sterility | |
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A Sturdy Musical Bridge to the Twenty-first Century | |
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Calling All Pundits: No More Predictions! | |
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In The Rake's Progress, Love Conquers (Almost) All | |
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Markevitch as Icarus | |
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Let's Rescue Poor Schumann from His Rescuers | |
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Early Music: Truly Old-Fashioned at Last? | |
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Bart�k and Stravinsky: Odd Couple Reunited? | |
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Wagner's Antichrist Crashes a Pagan Party | |
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A Surrealist Composer Comes to the Rescue of Modernism | |
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Corraling a Herd of Musical Mavericks | |
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Can We Give Poor Orff a Pass at Last? | |
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The Danger of Music and the Case for Control | |
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Ezra Pound: A Slim Sound Claim to Musical Immortality | |
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Underneath the Dissonance Beat a Brahmsian Heart | |
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Enter Boris Goudenow, Just 295 Years Late | |
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For the New Republic, mostly | |
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The First Modernist | |
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The Dark Side of the Moon | |
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Of Kings and Divas | |
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The Golden Age of Kitsch | |
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No Ear for Music: The Scary Purity of John Cage | |
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Sacred Entertainments | |
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The Poietic Fallacy | |
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The Musical Mystique: Defending Classical Music against Its Devotees | |
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From the scholarly press | |
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Revising Revision | |
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Back to Whom? Neoclassicism as Ideology | |
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She Do the Ring in Different Voices | |
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Stravinsky and Us | |
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Envoi | |
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Setting Limits (a talk) | |
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Index | |