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| Preface: Source in the Cause of New Music | |
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| Introduction: Larry Austin on Source, from an interview | |
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| ISSUE NO. 1 | |
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| The Editors Preface | |
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| Giuseppe Chiari Quel che volete | |
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| Robert Ashley | |
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| • in memoriam...Esteban G�mez (quartet) | |
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| • in memoriam...John Smith (concerto) | |
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| • in memoriam...Crazy Horse (symphony) | |
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| • in memoriam...Kit Carson (opera) | |
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| plus Letter to the Editor | |
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| Earle Brown Form in New Music | |
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| Harry Partch Lecture | |
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| Harry Partch And on the Seventh Day Petals Fell in Petaluma | |
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| Robert Ashley, Larry Austin, and Karlheinz Stockhausen Conversation | |
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| ISSUE NO. 2 | |
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| The Editors Is the Composer Anonymous? | |
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| Toshi Ichiyanagi Appearance, for 3 Instruments, 2 Oscillators, 2 Ring Modulators | |
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| Morton Feldman Conversations Without Stravinsky | |
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| John Cage 4'33" | |
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| plus correspondence and telephone conversation with the Editor | |
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| Gordon Mumma Alvin Lucier's Music for Solo Performer 1965 | |
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| Jerry Hunt Sur (Doctor) John Dee and Tabulatura Soyga | |
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| ISSUE NO. 3 | |
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| Larry Austin, Stanley Lunetta, John Mizelle, and Arthur Woodbury Groups Section | |
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| • Gordon Mumma and Larry Austin Sonic Arts Group | |
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| • Robert Ashley The ONCE Group | |
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| • Musica Elettronica Viva WORDS . . . | |
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| David Behrman Wave Train | |
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| Will Johnson First Festival of Live-Electronic Music 1967 | |
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| John Mizelle Radial Energy I | |
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| Frederic Rzewski Plan for Spacecraft | |
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| Pauline Oliveros Some Sound Observations | |
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| Robert Moran Titus Number 1 for Amplified Automobile | |
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| The Editors Comment | |
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| ISSUE NO. 4 | |
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| Robert Ashley The Wolfman | |
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| John Cage and Lejaren Hiller HPSCHD, interview by Larry Austin | |
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| Larry Austin Accidents | |
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| ISSUE NO. 5 | |
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| Anna [Annea] Lockwood Glass Concert 2 | |
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| Christian Wolff Edges | |
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| Dick Higgins Boredom and Danger | |
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| Stanley Lunetta Spider-Song | |
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| Max Neuhaus A Max Sampler: Six sound oriented pieces for situations other than that of the concert hall | |
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| Larry Austin Events/Comments | |
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| ISSUE NO. 6 | |
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| Dick Higgins The Thousand Symphonies | |
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| Philip Corner Anti-personnel Bomb | |
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| Editors and Respondents Events/Comments: Is new music being used for political or social ends? | |
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| Jani Christou Enantiodromia | |
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| Frederic Rzewski Street Music and Symphony | |
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| ISSUE NO. 7 | |
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| John Cage and Calvin Sumsion Plexigram IV: Not Wanting to Say Anything about Marcel | |
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| • Barbara Rose Not Wanting to Say Anything about Marcel | |
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| John Dinwiddie MEWANTEMOOSEICDAY: John Cage in Davis, 1969 | |
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| Dick Higgins Towards the '70s | |
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| Arthur Woodbury Velox | |
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| Pauline Oliveros The Indefinite Integral of Psi Star Psi d Tau Equals One | |
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| Mark Riener Phlegethon | |
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| Alvin Lucier I Am Sitting In A Room and Vespers | |
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| Ben Johnston How to Cook an Albatross | |
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| Jocy de Oliveira Polintera��es | |
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| ISSUE NO. 8 | |
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| Sven Hansell and Harvey Matusow Fylkingen 1970 | |
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| • �ke Hodell, Mr. Smith in Rhodesia | |
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| • Bob Cobbing, Chamber Music | |
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| • Ferdinand Kriwet, Rundscheibe XIII | |
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| Lowell Cross Audio/Video/Laser | |
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| Morton Feldman Boola Boola | |
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| Larry Austin Caritas and Transmission One | |
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| Stanley Lunetta Moosack Machine | |
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| Peter Garland "Sea Fever" | |
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| Larry Austin Editorial | |
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| ISSUE NO. 9 | |
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| David Rosenboom Noise Abatement Resolution | |
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| Anna [Annea] Lockwood Piano Burning and Tiger Balm | |
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| Nelson Howe Fur Music | |
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| Nicolas Slonimsky, M�bius Strip-Tease | |
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| Stanley Lunetta Events/Comments | |
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| • Donald Buchla On the Desirability of Distinguishing between Sound and Structure | |
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| The Editors International Carnival of Experimental Sound | |
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| ISSUE NO. 10 | |
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| Alvin Lucier Gentle Fire and Queen of the South | |
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| "Naked Software" | |
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| • Harvey Matusow Naked Software: 12-Cassette Spatial Sound System | |
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| • Anna [Annea] Lockwood: River Archive | |
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| • John Lifton Project: International Concert of Public Noise | |
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| • John Lifton Interface 3A | |
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| Stuart Marshall "Exhibition on 3 Hills" | |
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| Steve Reich "Music as a Gradual Process" and Pendulum Music | |
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| Anthony Braxton 8KN- (J-6) | |
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| 1 | |
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| R10 | |
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| Cornelius Cardew The Great Learning | |
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| Cornelius Cardew The Scratch Orchestra: Draft Constitution | |
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| George Brecht Land Mass Translocation | |
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| Christopher Hobbs The Friesian Cow | |
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| a.d.r. Portsmouth Sinfonia | |
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| Gavin Bryars Verbal Pieces | |
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| Pauline Oliveros Sonic Meditations | |
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| ISSUE NO. 11 | |
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| Ken Friedman and Stanley Lunetta Editorial | |
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| • Ken Friedman International Sources: Notes on the Exhibition | |
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| Ken Friedman NYCS Weekly Breeder | |
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| Max Neuhaus Water Whistle | |
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| Robert Filliou Telepathic Music | |
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| Image Bank New York Corres-Sponge Dance School of Vancouver | |
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| Nam June Paik "My Symphonies" and "Postmusic" | |
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| Charles Amirkhanian "xvurt" and "bcuhla" | |
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| John Paul Rhinehart and Stanley Marsh 3 Chromatic Tree Harp | |
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| Appendix: Complete Contents of Source | |
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| Credits | |