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| Folk And Ethnic Musics | |
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| The English-Celtic Tradition | |
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| Imported Ballads | |
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| Listening Cue: "Barbara Allen" | |
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| Features Common to Most Ballads | |
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| Naturalized Ballads | |
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| Listening Cue: "Gypsy Davy" | |
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| Native Ballads | |
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| Listening Cue: "John Hardy" (The Carter Family) | |
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| Print and the Ballad | |
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| Fiddle Tunes | |
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| Listening Cue: "Soldier's Joy" | |
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| Print and the Fiddle Tune | |
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| Play-Party Songs | |
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| 14 Listening Cue: "Old Man at the Mill" | |
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| Key Terms | |
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| The African American Tradition | |
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| African Music and Its Relation to Black Music in America | |
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| Listening Cue: "Music in Praise of a Yoruba Chief" (Nigeria) | |
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| Religious Folk Music: The Spiritual | |
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| Listening Cue: "Sheep, Sheep, Don't You Know the Road" | |
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| Listening Cue: "Jacob's Ladder" | |
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| Secular Folk Music | |
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| Listening Cue: "Quittin' Time Song" | |
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| Listening Cue: "John Henry" | |
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| Key Terms | |
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| The American Indian Tradition | |
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| Music in Indian Life | |
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| Types of Songs According to Purpose | |
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| Listening Cue: "Pigeon's Dream Song" | |
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| Listening Cue: "Cherokee/Creek Stomp Dance" | |
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| Listening Cue: "Butterfly Dance" | |
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| Characteristics of Indian Music | |
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| Indian Music and Acculturation | |
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| Listening Cue: "Ghost Dance Song" | |
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| Listening Cue: "Rabbit Dance" (Los Angeles Northern Singers) | |
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| 41 Key Terms | |
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| Latino Traditions | |
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| The Legacy of the Spanish ConqueSt. Sacred Music from Mexico | |
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| Listening Cue: "Al Pie de Este Santo Altar" | |
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| Listening Cue: "Los Posadas" | |
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| Secular Music from Mexico | |
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| Listening Cue: "Las Abaje?as" | |
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| Listening Cue: "El Corrido de Gregorio Cort?z" | |
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| Listening Cue: "Mal Hombre" | |
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| The Caribbean and South America - Listening Cue: "Para los Rumberos" | |
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| Key Terms | |
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| Diverse Traditions: French, Scandinavian, Arab, and Asian | |
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| The French Influence in Louisiana | |
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| Listening Cue: "Midland Two-Step" | |
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| Listening Cue: "Zydeco sont pas sal?" | |
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| The Scandinavian Influence in the Upper Midwest - Listening Cue: "Banjo, Old Time" | |
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| Arab American Traditions | |
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| Listening Cue: "Zaffat al-Hilu" | |
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| The Asian Influence | |
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| Listening Cue: "Tampopo" | |
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| Key Terms | |
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| Folk Music as an Instrument of Advocacy | |
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| Listening Cue: "The Farmer Is the Man That Feeds Them All" | |
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| The Urban Folk Song Movement of the 1930s and 1940s | |
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| Listening Cue "I Am a Union Woman" | |
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| Protest and Folk Song in the 1960s | |
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| Listening Cue: "Masters of War" | |
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| Freedom Songs and the Civil Rights Movement in the South | |
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| Listening Cue: "We Shall Overcome" (SNCC) | |
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| Key Terms | |
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| Three Offspring Of The Rural South | |
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| Country Music | |
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| Enduring Themes | |
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| The "Country Sound" | |
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| Commercial Beginnings: Early Recordings, Radio, and the First Stars | |
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| Jimmy Rodgers: The Father of Country Music | |
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| Listening Cue: "Muleskinner Blues" | |
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| The West: Cowboys, Honky-Tonks, and Western Swing | |
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| Listening Cue: "Cotton-Eyed Joe" | |
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| Postwar Dissemination and Full-Scale Commercialization | |
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| Listening Cue: "I'm So Lonesome I Could Cry" | |
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| Listening Cue: "I'm Blue Again" | |
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| Listening Cue: "Blue Eyes Crying in the Rain" | |
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| The Persistence and Revival of Traditional Styles | |
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| Listening Cue: "Muleskinner Blues" (Bill Monroe and His Blue Grass Boys) | |
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| 108 Listening Cue: "John Henry" (The Lilly Brothers) | |
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| Key Terms | |
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| The Blues | |
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| Characteristics of the Blues | |
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| Listening Cue: "Countin' the Blues" (Ma Rainey and Her Georgia Jazz Band) | |
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| Listening Cue: "Prison Cell Blues" (Blind Lemon Jefferson) | |
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| Listening Cue: "Preachin' Blues (Up Jumped the Devil)" (Robert Johnson) | |
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| Early Published Blues | |
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| Classic Blues | |
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| Blues and Jazz | |
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| Boogie-Woogie | |
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| Listening Cue: "Mr. Freddie Blues" (Meade "Lux" Lewis) | |
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| Selling the Country Blues | |
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| Urban Blues | |
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| Blues at the Turn of the Century | |
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| Listening Cue: "Texas Flood" (Stevie Ray Vaughan) | |
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| Key Terms | |
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| Rock Music | |
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| Rock's Ties to Rhythm and Blues | |
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| Listening Cue: "Good Rockin' Tonight" (Wynonie Harris) | |
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| Listening Cue: "Rock Around the Clock" (Bill Haley and His Comets) | |
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| Reaching White Audiences | |
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| The Influence of Country Music | |
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| Listening Cue: "That's All Right" (Elvis Presley) | |
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| Trends from the 1960s to the Present | |
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| Listening Cue: "Good Vibrations" (The Beach Boys) | |
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| Listening Cue: "The Star-Spangled Banner (Live at Woodstock)" (Jimi Hendrix) | |
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| Listening Cue: "Eruption" (Van Halen) | |
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| Listening Cue: "Sheena Is a Punk Rocker" (The Ramones) | |
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| Hip Hop | |
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| Listening Cue: "Walk this Way" (Run-DMC) | |
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| Key Terms | |
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| Popular Sacred Music | |
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| From Psalm Tune to Rural Revivalism | |
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| Psalmody in America | |
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| Listening Cue: "Amazing Grace" (Congregation of the Old Regular Baptist Church) | |
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| The Singing-School Movement | |
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| Listening Cue: "Chester" (The Old Sturbridge Singers) | |
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| Listening Cue: "Amity" (The Old Sturbridge Singers) | |
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| The Frontier and Rural America in the Nineteenth Century | |
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| Listening Cue: "Wondrous Love" (Anonymous 4) | |
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| Music Among Smaller Independent American Sects | |
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| Listening Cue: " 'Tis the Gift to Be Simple" (The United Society of Shakers) | |
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| Key Terms | |
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| Urban Revivalism and Gospel Music | |
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| Urban Revivalism After the Civil War: The Moody-Sankey Era of Gospel Hymns | |
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| Listening Cue: "In the Sweet By-and-By" (The Harmoneion Singers) | |
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| The Billy Sunday --Homer Rodeheaver Era: Further Popularization | |
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| Listening Cue: "Brighten the Corner Where You Are" | |
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| Gospel Music After the Advent of Radio and Recordings | |
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| 173 Listening Cue: "Give the World a Smile" (The Stamps Quartet) | |
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| Listening Cue: "He Got Better Things for You" (Memphis Sanctified Singers) | |
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| "Swing Down, Chariot" (Golden Gate Quartet) | |
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| Key Terms | |
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| Popular Secular Music | |
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| Secular Music in the Cities | |
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| From Colonial Times to the Age of Andrew Jackson | |
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| Concerts and Dances | |
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| Listening Cue: "The College Hornpipe" | |
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| Bands and Military Music | |
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| Listening Cue: "Lady Hope's Reel" (American Fife Ensemble) | |
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| Listening Cue: "Washington's March" (The Liberty Tree Wind Players) | |
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| Musical Theater | |
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| Listening Cue: "Chorus of Adventurers" from The Indian Princess (Federal Music Society Opera) | |
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| Popular Song | |
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| "Junto Song" | |
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| Key Terms | |
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| Popular Musical Theater and Opera | |
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| From the Age of Andrew Jackson To the Present | |
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| Minstrelsy and Musical Entertainment Before the Civil War | |
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| Listening Cue: "De Boatman's Dance" (Ensemble) | |
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| From the Civil War Through the Turn of the Century | |
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| Listening Cue: "The Yankee Doodle Boy" | |
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| The First Half of the Twentieth Century | |
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| The Musical in Its Maturity: Show Boat to West Side Story | |
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| Listening Cue: "Cool" West Side Story (Original Broadway Cast) | |
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| The Musical Since West Side Story | |
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| Opera in America | |
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| Listening Cue: "It Ain't Necessarily So" | |
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| Key Terms | |
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| Popular Music from the Jacksonian Era | |
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| To the Advent of Rock | |
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| Popular Song from the 1830s Through the Civil War | |
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| Listening Cue: "Get Off the Track" (The Hutchinson Family Singers) | |
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| Listening Cue: "Hard Times Come Again No More" (The Hutchinson Family Singers) | |
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| Listening Cue: "The Battle Cry of Freedom" | |
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| Bands and Band Music from the Civil War to John Philip Sousa | |
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| Listening Cue: "The Washington Post March" (Advocate Brass Band) | |
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| Popular Song in the Gilded Age | |
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| Tin Pan Alley: Popular Music Publishing Becomes and Industry | |
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| Listening Cue: "Brother, Can You Spare a Dime?" | |
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| Key Terms | |
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| Jazz And Its Forerunners | |
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| Ragtime and Precursors of Jazz | |
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| The Context of Ragtime from Its Origins to Its Zenith | |
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| Listening Cue: "Hello! Ma Baby" | |
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| The Musical Characteristics of Ragtime | |
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| Listening Cue: "Maple Leaf Rag" | |
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| The Decline and Dispersion of Ragtime | |
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| Listening Cue: "If Dreams Come True" | |
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| Precursors of Jazz | |
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| Listening Cue: "Eternity" | |
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| Listening Cue: "Just a Little While to Stay Here" (Eureka Brass Band) | |
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| Key Terms | |
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| Jazz | |
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| The New Orleans Style: The Traditional Jazz of the Early Recordings | |
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| Listening Cue: "Dippermouth Blues" (King Oliver's Creole Jazz Band) | |
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| Listening Cue: "Hotter Than That" (Louis Armstrong and His Hot Five) | |
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| Chicago's Jazz Scene in the 1920s | |
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| The Swing Era and the Big Bands | |
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| Listening Cue: "Ko-ko" (Duke Ellington and His Orchestra) | |
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| The Emergence of Modern Jazz: Bop as a Turning Point | |
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| Listening Cue: "KoKo" | |
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| Listening Cue: "Out of This World" | |
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| Jazz Since the 1970s | |
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| Listening Cue: "Bitches Brew" | |
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| Key Terms | |
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| C Lassical M Usic | |
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| The Search for an American Identity | |
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| Music Education Before the Civil War | |
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| Music Education and Culture After the Mid-Nineteenth Century | |
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| Listening Cue: "Pawnee Horses," Arthur Farwell | |
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| American Music and American Life | |
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| Listening Cue: Rhapsody in Blue, George Gershwin | |
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| Listening Cue: Afro-American Symphony, William Grant Still (Fort Smith Symphony) | |
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| Listening Cue: Appalachian Spring, Aaron Copland (New York Philharmonic) | |
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| America's Virtuoso Cult | |
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| "The Banjo," Louis Gottschalk (Eugene List) | |
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| "The Battle of Manassas," Thomas Wiggins | |
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| Key Terms | |
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| Twentieth -Century Innovation and the Contemporary World | |
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| Charles Ives: American Innovator | |
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| Listening Cue: Four New England Holidays, Charles Ives (Chicago Symphony Orchestra) | |
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| New York "Modernism" | |
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| Listening Cue: Hyperprism, Edgard Var?se (Columbia Symphony Orchestra) | |
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| Midcentury Modernism | |
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| The West Coast: Cowell and Partch | |
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| Listening Cue: "The Banshee" | |
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| New Technology and the New Music | |
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| Minimalism | |
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| Listening Cue: Piano Phase | |
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| Multimedia Art and Concept Music | |
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| Classical Music and the Contemporary World | |
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| Listening Cue: The Bushy Wushy Rag, Philip Bimstein | |
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| Key Terms | |
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| Film Music | |
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| A Realistic Film of the American WeSt. Two Films About the Small Town and the Big City | |
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| Three Career Film Composers | |
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| Listening Cue: "The Murder" Psycho, Bernard Herrmann (Los Angeles Philharmonic) | |
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| Listening Cue: "The Imperial March" Star Wars, John Williams (London Symphony Orchestra) | |
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| The American Panorama on Film | |
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| Key Terms | |
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| References | |
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| Glossary | |
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| Index | |