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Author's Guide to the Panorama of American Music | |
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Folk and Ethnic Musics | |
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The Anglo-Celtic-American Tradition | |
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Imported Ballads | |
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"Barbara Allen" | |
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Features Common to Most Ballads | |
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Naturalized Ballads | |
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"Gypsy Davy" | |
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Native Ballads | |
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"John Hardy" | |
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Print and the Ballad | |
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Fiddle Tunes | |
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"Soldier's Joy" | |
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Print and the Fiddle Tune | |
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Play-Party Songs | |
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"Old Man at the Mill" | |
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Projects | |
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Additional Listening | |
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The African American Tradition | |
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African Music and Its Relation to Black Music in America | |
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"Music in Praise of a Yoruba Chief" | |
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Religious Folk Music: The Spiritual | |
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"Sheep, Sheep, Don't You Know the Road" | |
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"Jacob's Ladder" | |
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Secular Folk Music | |
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"Quittin' Time Song" | |
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"John Henry" | |
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Projects | |
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Additional Listening | |
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The American Indian Tradition | |
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Music in Indian Life | |
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The Existential Quality of Songs | |
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Types of Songs According to Purpose | |
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"Pigeon's Dream Song" | |
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"Cherokee/Creek Stomp Dance" | |
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"Butterfly Dance" | |
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"Sioux Love Song" | |
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Characteristics of Indian Music | |
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Indian Music and Acculturation | |
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"Ghost Dance Song" | |
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"Rabbit Dance" | |
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Projects | |
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Additional Listening | |
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Latino Traditions | |
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The Legacy of the Spanish Conquest | |
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Sacred Music from Mexico | |
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"Al Pie de Este Santo Altar" | |
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"Los Pastores" from Las Posadas | |
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Secular Music from Mexico | |
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"Las Abajenas" | |
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"El Corrido de Gregorio Cortez" | |
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"Mal Hombre" | |
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The Caribbean and South America | |
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"Para los Rumberos" | |
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Projects | |
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Additional Listening | |
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Diverse Traditions: French, Scandinavian, Arab, and Asian | |
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The French Influence in Louisiana | |
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"Midland Two-Step" | |
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"Zydeco sont pas sale" | |
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The Scandinavian Influence in the Upper Midwest | |
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"Banjo, Old Time" | |
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Arab American Traditions | |
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"Zaffat al-Hilu" | |
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The Asian Influence | |
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"Tampopo" | |
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Projects | |
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Additional Listening | |
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Folk Music as an Instrument of Advocacy | |
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"The Farmer Is the Man That Feeds Them All" | |
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The Urban Folk Song Movement of the 1930s and 1940s | |
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"I Am a Union Woman" | |
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Protest and Folk Song in the 1960s | |
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"Masters of War" | |
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Freedom Songs and the Civil Rights Movement in the South | |
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"We Shall Overcome" | |
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Projects | |
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Additional Listening | |
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Three Offspring of the Rural South | |
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Country Music | |
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Enduring Themes | |
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The "Country Sound" | |
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Commercial Beginnings: Early Recordings, Radio, and the First Stars | |
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Jimmy Rodgers: The Father of Country Music | |
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"Muleskinner Blues" | |
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The West: Cowboys, Honky-Tonks, and Western Swing | |
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"Cotton-Eyed Joe" | |
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Postwar Dissemination and Full-Scale Commercialization | |
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"I'm So Lonesome I Could Cry" | |
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"I'm Blue Again" | |
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"Blue Eyes Crying in the Rain" | |
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The Persistence and Revival of Traditional Styles | |
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"Muleskinner Blues" | |
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"John Henry" | |
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Projects | |
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Additional Listening | |
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The Blues | |
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Characteristics of the Blues | |
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"Countin' the Blues" | |
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"Prison Cell Blues" | |
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"Preachin' Blues (Up Jumped the Devil)" | |
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Early Published Blues | |
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Classic Blues | |
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Blues and Jazz | |
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Boogie-Woogie | |
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"Mr. Freddie Blues" | |
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Selling the Country Blues | |
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Urban Blues | |
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Blues at the Turn of the Century | |
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"Texas Flood" | |
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Projects | |
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Additional Listening | |
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Rock Music | |
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Rock's Ties to Rhythm and Blues | |
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"Good Rockin' Tonight" | |
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"Rock Around the Clock" | |
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Reaching White Audiences | |
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The Influence of Country Music | |
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"That's All Right" | |
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Trends from the 1960s to the Present | |
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"Good Vibrations" | |
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"The Star-Spangled Banner (Live at Woodstock)" | |
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"Eruption" | |
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"Sheena Is a Punk Rocker" | |
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Projects | |
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Additional Listening | |
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Popular Sacred Music | |
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From Psalm Tune to Rural Revivalism | |
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Psalmody in America | |
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"Amazing Grace" | |
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The Singing-School Tradition | |
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"Chester" | |
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"Amity" | |
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The Frontier and Rural America in the Nineteenth Century | |
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"Wondrous Love" | |
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Music Among Smaller Independent American Sects | |
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"'Tis the Gift to Be Simple" | |
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Projects | |
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Additional Listening | |
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Urban Revivalism and Gospel Music | |
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Urban Revivalism After the Civil War: The Moody-Sankey Era of Gospel Hymns | |
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"In the Sweet By-and-By" | |
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The Billy Sunday-Homer Rodeheaver Era: Further Popularization | |
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"Brighten the Corner Where You Are" | |
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Gospel Music After the Advent of Radio and Recordings | |
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"Give the World a Smile" | |
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"He Got Better Things for You" | |
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"Swing Down, Chariot" | |
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Projects | |
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Additional Listening | |
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Popular Secular Music | |
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Secular Music in the Cities from Colonial Times to the Age of Andrew Jackson | |
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Concerts and Dances | |
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"The College Hornpipe" | |
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Bands and Military Music | |
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"Lady Hope's Reel" | |
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"Washington's March" | |
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Musical Theater | |
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"Chorus of Adventurers" from The Indian Princess | |
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Popular Song | |
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"Junto Song" | |
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Projects | |
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Additional Listening | |
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Popular Musical Theater and Opera from the Jacksonian Era to the Present | |
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Minstrelsy and Musical entertainment Before the Civil War | |
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"De Boatman's Dance" | |
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From the Civil War Through the Turn of the Century | |
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"The Yankee Doodle Boy" | |
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The First Half of the Twentieth Century | |
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The Musical in Its Maturity: Show Boat to West Side Story | |
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"Cool" West Side Story | |
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The Musical Since West Side Story | |
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Opera in America | |
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"It Ain't Necessarily So" | |
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Projects | |
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Additional Listening | |
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Popular Song, Dance, and March Music from the Jacksonian Era to the Advent of Rock | |
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Popular Song from the 1830s Through the Civil War | |
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"Get Off the Track" | |
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"Hard Times Come Again No More" | |
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"The Battle Cry of Freedom" | |
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Popular Song from the Civil War Through the Ragtime Era | |
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The Band in America After the Jacksonian Era | |
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"The Washington Post March" | |
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Popular Song from Ragtime to Rock | |
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"Brother, Can You Spare a Dime?" | |
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Tin Pan Alley and Its Relation to Jazz and Black Vernacular Music | |
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The Decline of Tin Pan Alley and the Dispersion of the Popular Music Industry | |
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Projects | |
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Additional Listening | |
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Jazz and Its Forerunners | |
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Ragtime and Precursors of Jazz | |
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The Context of Ragtime from Its Origins to Its Zenith | |
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"Hello! My Baby" | |
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The Musical Characteristics of Ragtime | |
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"Maple Leaf Rag" | |
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The Decline and Dispersion of Ragtime | |
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"If Dreams Come True" | |
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The Ragtime Revival | |
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Precursors of Jazz | |
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"Eternity" | |
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"Just a Little While to Stay Here" | |
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Projects | |
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Additional Listening | |
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Jazz | |
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The New Orleans Style: The Traditional Jazz of the Early Recordings | |
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"Dippermouth Blues" | |
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"Hotter Than That" | |
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Dissemination and Change: Before the Swing Era | |
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The Swing Era and the Big Bands | |
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"Ko-ko" | |
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The Emergence of Modern Jazz: Bop as a Turning Point | |
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"KoKo" | |
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"Out of This World" | |
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The Pluralism of the Last Quarter-Century | |
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"Bitches Brew" | |
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Projects | |
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Additional Listening | |
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Classical Music | |
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The Search for an American Identity | |
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Music Education Before the Civil War | |
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Music Education and Culture After the Mid-Nineteenth Century | |
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"Pawnee Horses," Arthur Farwell | |
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American Music and American Life | |
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Rhapsody in Blue, George Gershwin | |
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Afro-American Symphony, William Grant Still | |
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Appalachian Spring, Aaron Copland | |
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America's Virtuoso Cult | |
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"The Banjo," Louis Gottschalk | |
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"The Battle of Manassas," Thomas Wiggins | |
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Projects | |
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Additional Listening | |
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Twentieth-Century Innovation and the Contemporary World | |
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Charles Ives: American Innovator in Music | |
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Four New England Holidays, Charles Ives | |
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New York and Europe-Related "Modernism" | |
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Hyperprism, Edgard Varese | |
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Midcentury Modernism | |
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The West Coast: Cowell, Harrison, and Partch | |
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"The Banshee" | |
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New Technology and the New Music | |
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Minimalism | |
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Piano Phase | |
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Multimedia Art and Concept Music | |
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Classical Music and the Contemporary World | |
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The Bushy Wushy Rag, Philip Bimstein | |
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Projects | |
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Additional Listening | |
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Film Music | |
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A Realistic Film of the American West | |
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Two Films About the Small Town and the Big City | |
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Three Career Film Composers | |
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"The Murder" Psycho, Bernard Herrmann | |
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"The Imperial March" Star Wars, John Williams | |
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Epilogue | |
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Projects | |
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Additional Listening | |
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Music in Your Own Backyard | |
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Tales of Two Cities: Austin, Texas, and Sacramento, California | |
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Classical Music in Austin, Texas: Aspects from the 1930s to World War I | |
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The Sacramento Valley: A Rich Mix of Cultures | |
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Projects | |
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References | |
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Glossary | |
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Photo Credits | |
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Index | |