Anthology for Music in Western Civilization Romanticism to the Present

ISBN-10: 049500894X

ISBN-13: 9780495008941

Edition: 2006

Authors: Craig Wright, Timothy J. Roden, Bryan R. Simms

List price: $62.95
30 day, 100% satisfaction guarantee

If an item you ordered from TextbookRush does not meet your expectations due to an error on our part, simply fill out a return request and then return it by mail within 30 days of ordering it for a full refund of item cost.

Learn more about our returns policy


All volumes of ANTHOLOGY FOR MUSIC IN WESTERN CIVILIZATION by Wright, Simms, and Roden contain scores representing all the major European styles, genres, and composers. The anthologies include an introduction to, a score for, and (where applicable) lyrics and translation for each piece discussed in the text MUSIC IN WESTERN CIVILIZATION and included in its CD set. It is available in a two- and a three-volume set to provide instructors with maximum flexibility. It can also be customized through TextChoice.
what's this?
Rush Rewards U
Members Receive:
You have reached 400 XP and carrot coins. That is the daily max!
Study Briefs

Limited time offer: Get the first one free! (?)

All the information you need in one place! Each Study Brief is a summary of one specific subject; facts, figures, and explanations to help you learn faster.

Add to cart
Study Briefs
Periodic Table Online content $4.95 $1.99
Add to cart
Study Briefs
Medical Terminology Online content $4.95 $1.99
Add to cart
Study Briefs
Medical Math Online content $4.95 $1.99
Customers also bought

Book details

List price: $62.95
Copyright year: 2006
Publisher: Wadsworth
Publication date: 7/28/2005
Binding: Paperback
Pages: 780
Size: 8.25" wide x 10.50" long x 0.75" tall
Weight: 3.344
Language: English

Timothy J. Roden (Bachelor of Music, Houghton College, 1980; Ph.D., Northwestern University, 1992) teaches music history, world music, survey of music literature, and music appreciation at Ohio Wesleyan University. He received grants from Northwestern University and the Deutscher Akademischer Austauschdienst that allowed him to complete research in Berlin, Germany, on German orchestral lieder. He has contributed an article on Schumann's lieder to the NATS Journal, is preparing an edition of orchestral lieder for a scholarly press, and has prepared ancillaries to accompany Wright's LISTENING TO MUSIC (Thomson-Schirmer).

Bryan R. Simms (Bachelor of Arts, Yale University, 1966; Ph.D., Yale University, 1971) has taught since 1976 at the University of Southern California, where he has been director of graduate studies and is currently chair of the department of musicology. He is the recipient of fellowships from the National Endowment for the Humanities and the Fulbright Foundation. He is the author of books and articles on topics in twentieth-century music and music theory, including MUSIC OF THE TWENTIETH CENTURY (Schirmer 1996) and, most recently, THE ATONAL MUSIC OF ARNOLD SCHOENBERG, 1908-1923 (Oxford University Press).

Franz Schubert
Schubert, Erlk?Nig
Schubert, Ganymed
Schubert, N?He Des Geliebten
Music in Paris Under Louis Philippe: Berlioz and Chopin
Berlioz, Symphonie Fantastique, 4th mvt
Berlioz, "Absence" From Les Nuits D'?T?
Chopin, Nocturne in D-flat major
Leipzig and the Gewandhaus: Mendelssohn and the Schumanns
Mendelssohn, Piano Trio in D minor, 1st mvt
Robert Schumann, Symphony No. 1, 2nd mvt
Clara Schumann, Liebst Du Um Sch?Nheit
German Opera in the Nineteenth Century: Weber and Wagner
Weber, Der Freisch?Tz, Wolf's Glen Scene
Wagner, Das Rheingold, Entrance of the Gods into Valhalla
Opera in Italy: Rossini and Verdi
Rossini, The Barber Of Seville, Act 1, No. 1 Verdi, Otello, Act IV, Sc. 3
Nationalism and Virtuosity: Franz Liszt
Liszt, Hungarian Rhapsody No. 15 (R?K?Czy March)
Vienna in the Late Nineteenth Century: Brahms and Bruckner
Brahms, Symphony No. 3, 1st mvt
Brahms, Feldeinsamkeit
Bruckner, Christus Factus Est
Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky
Mussorgsky, Sunless, "Within Four Walls." Tchaikovsky, Nutcracker, Act 1, No. 8
Vienna at the Turn of the Twentieth Century
Symphony No. 5, 4th mvt
"Um Mittnernacht." Alma Mahler, "Die stille Stadt."
England at the End of the Romantic Period
Enigma Variations, theme and 9th variation ("Nimrod")
Opera in Milan After Verdi: Puccini, Toscanini, and Verismo
Puccini, Madama Butterfly, "Dovunque al mondo."
Paris of the Belle ?poque: Debussy, Faur?, and Lili Boulanger
Debussy, F?Tes Galantes I, "En sourdine." Debussy, Images I, "Reflets dans l'eau." Debussy, Nocturnes, "Nuages." Faur?, Dans la for?t de septembre
Boulanger, Clairi?Res Dans Le Ciel, "Elle est gravement gaie."
The Early Twentieth Century
Richard Strauss in Berlin
Strauss, Salome, concluding scene
Music in Russia During the Silver Age: Igor Stravinsky
Stravinsky, The Rite of Spring, "Procession of the Sage," "The Sage," "Dance of the Earth."
Atonality: Schoenberg and Scriabin
Schoenberg, Piano Piece, Op. 11, No. 1 Schoenberg, Pierrot Lunaire, "Nacht." Scriabin, Piano Prelude, Op. 74, No. 5
French Music at the Time of World War I: Ravel and Satie
Ravel, Le Tombeau De Couperin, "Rigaudon." Satie, Sarabande No. 2
Music in Paris After World War I: Stravinsky and the Six
Stravinsky, Octet, 1st mvt
Milhaud, Saudades De Brazil, "Botofago."
Vienna in the Aftermath of War: Twelve-Tone Methods
Schoenberg, String Quartet No. 4, 1st mvt
Webern, Symphony, 2nd mvt
Musical Theater in Germany in the 1920s: Berg and Weill
Berg, Wozzeck, Act 3, Sc. 2 Weill, The Threepenny Opera, "Ballad of Mack the Knife."
B?la Bart?k and Hungarian Folk Music
Bart?k, Eight Hungarian Folk Songs, "Fekete f?d." Bart?k, Concerto for Orchestra, 1st mvt
Early Jazz
Joplin, "Maple Leaf Rag."
Paul Hindemith and Music in Nazi Germany
Hindemith, Mathis Der Maler, Sc. 6, Entrance 3
Music in Soviet Russia: Prokofiev and Shostakovich
Prokofiev, Piano Sonata No. 7, 3rd mvt
Shostakovich, Piano Concerto No. 1, 1st mvt
Self-Reliance in American Music: Ives, Seeger, Nancarrow
Ives, "Feldeinsamkeit." Ives, "Charlie Rutlage." Ives, The Unanswered Question
Seeger, String Quartet, 2nd mvt
American Composers Return from Europe: Copland and Barber
Copland, Piano Variations
Copland, Appalacian Spring, "Variations on a Shaker Hymn." Barber, Hermit Songs, "Sea-Snatch."
Tin Pan Alley and the Broadway Musical
Gershwin, "The Man I Love." Rodgers and Hammerstein, Oklahoma! "I Cain't Say No." Bernstein, West Side Story, "Cool."
Contemporary Music
Reflections on War: Britten, Penderecki, and Others
Britten, War Requiem, Agnus Dei
Penderecki, Threnody for the Victims of Hiroshima
Twelve-Tone Music and Serialism After World War II
Babbitt, Composition for Piano No
Stravinsky, Agon, Bransle Double
Boulez, Le Marteau Sans Ma?tre, "L'artisanat furieux."
Alternatives to Serialism: Chance, Electronics, Textures
Cage, Music Of Changes,
Var?se, Po?Me ?Lectronique
Messiaen, "Mode de valeurs et d'intensit?s."
Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations
Berio, Circles, "Stinging Gold Swarms." Crumb, Ancient Voices of Children, "?De donde vienes?" Carter, String Quartet No. 2, Introduction and 1st mvt
Reich, Clapping Music
Returning to the Known: Music of the Recent Past
Ligeti, Hungarian Rock
Adams, Nixon In China, "News." Tower, Fanfare for the Uncommon Woman
P?rt, Berlin Mass, Credo.
Free shipping on orders over $35*

*A minimum purchase of $35 is required. Shipping is provided via FedEx SmartPost® and FedEx Express Saver®. Average delivery time is 1 – 5 business days, but is not guaranteed in that timeframe. Also allow 1 - 2 days for processing. Free shipping is eligible only in the continental United States and excludes Hawaii, Alaska and Puerto Rico. FedEx service marks used by permission."Marketplace" orders are not eligible for free or discounted shipping.

Learn more about the TextbookRush Marketplace.