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Romanticism | |
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Franz Schubert | |
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Schubert, Erlk?Nig | |
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Schubert, Ganymed | |
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Schubert, N?He Des Geliebten | |
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Music in Paris Under Louis Philippe: Berlioz and Chopin | |
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Berlioz, Symphonie Fantastique, 4th mvt | |
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Berlioz, "Absence" From Les Nuits D'?T? | |
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Chopin, Nocturne in D-flat major | |
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Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
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Mendelssohn, Piano Trio in D minor, 1st mvt | |
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Robert Schumann, Symphony No. 1, 2nd mvt | |
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Clara Schumann, Liebst Du Um Sch?Nheit | |
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German Opera in the Nineteenth Century: Weber and Wagner | |
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Weber, Der Freisch?Tz, Wolf's Glen Scene | |
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Wagner, Das Rheingold, Entrance of the Gods into Valhalla | |
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Opera in Italy: Rossini and Verdi | |
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Rossini, The Barber Of Seville, Act 1, No. 1 Verdi, Otello, Act IV, Sc. 3 | |
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Nationalism and Virtuosity: Franz Liszt | |
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Liszt, Hungarian Rhapsody No. 15 (R?K?Czy March) | |
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Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
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Brahms, Symphony No. 3, 1st mvt | |
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Brahms, Feldeinsamkeit | |
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Bruckner, Christus Factus Est | |
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Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
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Mussorgsky, Sunless, "Within Four Walls." Tchaikovsky, Nutcracker, Act 1, No. 8 | |
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Vienna at the Turn of the Twentieth Century | |
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Symphony No. 5, 4th mvt | |
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"Um Mittnernacht." Alma Mahler, "Die stille Stadt." | |
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England at the End of the Romantic Period | |
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Enigma Variations, theme and 9th variation ("Nimrod") | |
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Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
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Puccini, Madama Butterfly, "Dovunque al mondo." | |
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Paris of the Belle ?poque: Debussy, Faur?, and Lili Boulanger | |
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Debussy, F?Tes Galantes I, "En sourdine." Debussy, Images I, "Reflets dans l'eau." Debussy, Nocturnes, "Nuages." Faur?, Dans la for?t de septembre | |
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Boulanger, Clairi?Res Dans Le Ciel, "Elle est gravement gaie." | |
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The Early Twentieth Century | |
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Richard Strauss in Berlin | |
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Strauss, Salome, concluding scene | |
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Music in Russia During the Silver Age: Igor Stravinsky | |
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Stravinsky, The Rite of Spring, "Procession of the Sage," "The Sage," "Dance of the Earth." | |
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Atonality: Schoenberg and Scriabin | |
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Schoenberg, Piano Piece, Op. 11, No. 1 Schoenberg, Pierrot Lunaire, "Nacht." Scriabin, Piano Prelude, Op. 74, No. 5 | |
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French Music at the Time of World War I: Ravel and Satie | |
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Ravel, Le Tombeau De Couperin, "Rigaudon." Satie, Sarabande No. 2 | |
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Music in Paris After World War I: Stravinsky and the Six | |
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Stravinsky, Octet, 1st mvt | |
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Milhaud, Saudades De Brazil, "Botofago." | |
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Vienna in the Aftermath of War: Twelve-Tone Methods | |
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Schoenberg, String Quartet No. 4, 1st mvt | |
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Webern, Symphony, 2nd mvt | |
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Musical Theater in Germany in the 1920s: Berg and Weill | |
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Berg, Wozzeck, Act 3, Sc. 2 Weill, The Threepenny Opera, "Ballad of Mack the Knife." | |
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B?la Bart?k and Hungarian Folk Music | |
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Bart?k, Eight Hungarian Folk Songs, "Fekete f?d." Bart?k, Concerto for Orchestra, 1st mvt | |
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Early Jazz | |
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Joplin, "Maple Leaf Rag." | |
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Paul Hindemith and Music in Nazi Germany | |
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Hindemith, Mathis Der Maler, Sc. 6, Entrance 3 | |
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Music in Soviet Russia: Prokofiev and Shostakovich | |
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Prokofiev, Piano Sonata No. 7, 3rd mvt | |
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Shostakovich, Piano Concerto No. 1, 1st mvt | |
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Self-Reliance in American Music: Ives, Seeger, Nancarrow | |
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Ives, "Feldeinsamkeit." Ives, "Charlie Rutlage." Ives, The Unanswered Question | |
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Seeger, String Quartet, 2nd mvt | |
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American Composers Return from Europe: Copland and Barber | |
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Copland, Piano Variations | |
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Copland, Appalacian Spring, "Variations on a Shaker Hymn." Barber, Hermit Songs, "Sea-Snatch." | |
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Tin Pan Alley and the Broadway Musical | |
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Gershwin, "The Man I Love." Rodgers and Hammerstein, Oklahoma! "I Cain't Say No." Bernstein, West Side Story, "Cool." | |
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Contemporary Music | |
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Reflections on War: Britten, Penderecki, and Others | |
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Britten, War Requiem, Agnus Dei | |
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Penderecki, Threnody for the Victims of Hiroshima | |
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Twelve-Tone Music and Serialism After World War II | |
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Babbitt, Composition for Piano No | |
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Stravinsky, Agon, Bransle Double | |
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Boulez, Le Marteau Sans Ma?tre, "L'artisanat furieux." | |
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Alternatives to Serialism: Chance, Electronics, Textures | |
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Cage, Music Of Changes, | |
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Var?se, Po?Me ?Lectronique | |
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Messiaen, "Mode de valeurs et d'intensit?s." | |
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Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations | |
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Berio, Circles, "Stinging Gold Swarms." Crumb, Ancient Voices of Children, "?De donde vienes?" Carter, String Quartet No. 2, Introduction and 1st mvt | |
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Reich, Clapping Music | |
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Returning to the Known: Music of the Recent Past | |
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Ligeti, Hungarian Rock | |
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Adams, Nixon In China, "News." Tower, Fanfare for the Uncommon Woman | |
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P?rt, Berlin Mass, Credo. | |