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The Elements of Music | |
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Points of Entry | |
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Sound and Silence | |
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Dynamics and Instrumentation | |
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Rhythm | |
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Melody | |
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Organizing Music | |
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Harmony and Texture | |
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Form | |
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Style | |
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Seven Centuries of Music | |
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Musical Life, 1000-1700 | |
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Medieval, Renaissance, and Early Baroque Music | |
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The Middle Ages | |
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Chant | |
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Secular Song and Dance in France | |
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Keys to Medieval Music | |
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The Renaissance | |
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Josquin des Prez and Renaissance Polyphony | |
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Music in Elizabethan England | |
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Keys to Renaissance Music | |
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Early and Middle Baroque Opera | |
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Monteverdi and Early Opera | |
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Henry Purcell and Middle Baroque Opera | |
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Music in the Americas | |
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The Eighteenth Century | |
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Musical Life in the Eighteenth Century | |
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From Baroque to Classical | |
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Late Baroque Instrumental Music | |
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Sonata and Suite | |
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The Baroque Concerto | |
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Late Baroque Vocal Music | |
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Late Baroque Opera... and "Opera" in England | |
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Sacred Vocal Music: Cantata and Oratorio | |
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Keys to Baroque Style | |
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Music and Politics | |
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The Classical Style | |
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Classical Sonata and String Quartet | |
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The Classical Symphony | |
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Mozart and Opera | |
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The Classical Concerto | |
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Keys to Classical Styl | |
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The Nineteenth Century | |
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Musical Life in the Nineteenth Century | |
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The Romantic Era | |
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Beethoven | |
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Beethoven and the Piano Sonata | |
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Beethoven and the Symphony | |
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Vocal Music in the Nineteenth Century | |
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Schubert and the Art Song | |
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Spiritual Music: The Requiem | |
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Operetta and Op?ra Comique | |
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Opera and Music Drama | |
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Romantic Instrumental Music | |
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Early Romantic Piano Music | |
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The Romantic Orchestra and Program Music | |
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The Symphony and Concerto in the Romantic Era | |
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Music and Dance: The Waltz | |
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Nationalism | |
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Keys to Romantic Styl | |
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The Twentieth Century and Beyond | |
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Musical Life in the Twentieth Century and Beyond | |
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The Twentieth Century and Beyond | |
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"Isms": European Concert Music in the Early Twentieth Century | |
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Expressionism | |
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Impressionism and Beyond | |
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Primitivism | |
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American Classical and Classic Music in the Early Twentieth Century | |
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Charles Ives: Toward an American Art Music | |
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"Lift Ev'ry Voice": The African American Spiritual | |
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The Jazz Age | |
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The Broadway Musical and American Popular Song | |
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European Concert Music Between the Wars | |
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Serialism | |
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Stravinsky and Neoclassicism | |
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Art and the People: The Americas | |
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Art and the People: Eastern Europe | |
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Sound Frontiers | |
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The American Avant-Garde After 1945 | |
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The Avant-Garde in Europe | |
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From Vernacular to Art | |
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Jazz: America's Art Music | |
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Musical Theater After Show Boat | |
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Latin Dance Music | |
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The Rock Revolution | |
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Late Twentieth-Century Music for Concert and Film | |
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Uncommon Women | |
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Music and Film | |
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Minimalism | |
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Keys to Twentieth-Century Style Index | |
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LIST OF MUSIC | |
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Hildegard of Bingen, "Nunc aperuit nobis" Machaut, "Puis qu'en oubli" | |
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Anonymous, "La ultime estampie real" Anonymous, "L'homme arm?" tune | |
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Josquin, Kyrie, from Missa l'homme arm? sexti toni | |
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Luther, "Ein' feste Burg ist unser Gott" | |
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Luther/Walter, "Ein' feste Burg ist unser Gott" | |
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Bach, Chorale, from "Ein' feste Burg ist unser Gott" | |
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Wilbye, "Adew, Sweet Amarillis" | |
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Morley, "O Mistresse Mine" (vocal) | |
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Morley, "O Mistresse Mine" (instrumental) | |
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Monteverdi, "Possente spirto," | |
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Orfeo Purcell, "Thy Hand, Belinda," | |
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Dido and Aeneas Purcell, "When I Am Laid in Earth," | |
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Dido and Aeneas Plains Indians War Dance | |
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Anonymous, Song for Odudua Anonymous, "Barbara Allen" | |
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Guinchard, "Boston Laddie" | |
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Corelli, Sonata in C major, 1st & 2nd movements | |
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Bach, Gigue, from Orchestral Suite No. 3 Vivaldi, Violin | |
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Concerto in E major ("Spring"), 1st movement | |
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Bach, Brandenburg Concerto No. 3, 1st movement | |
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Handel, "E pur cos?" and "Pianger?," | |
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Giulio Cesare in Egitto Gay/Pepusch, "I'm Bubbled," "Cease Your Funning," and "How Now, Madam Flirt?" | |
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The Beggar's Opera Bach, "Und wenn die Welt voll | |
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Teufel w?r," from Cantata No. 80, Ein' feste Burg ist unser | |
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Gott Handel, Hallelujah Chorus, from Messiah Anonymous, "God Save the King" | |
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Haydn, "Gott erhalte Franz den Kaiser" | |
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Billings, "Chester" Mozart, Sonata in F major, 1st movement | |
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Haydn, String Quartet in C major ("Bird"), 1st movement | |
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Haydn, Symphony No. 94 in G major, 1st movement | |
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Mozart, "L? ci darem la mano," | |
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Don Giovanni Mozart, "A cenar teco," | |
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Don Giovanni Mozart, Concerto in C minor, 1st movement | |
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Beethoven, Sonata No. C minor ("Path?tique"), 1st movement | |
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Beethoven, Symphony No. 5 in C minor, 1st-4th movements | |
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Schubert, Erlk?nig Schubert, Gretchen am Spinnrade | |
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Foster, "Jeanie with the Light Brown Hair" | |
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Foster, "De Camptown Races" The Duhks, "Camptown Races" | |
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Brahms, "Wie lieblich sind deine Wohnungen," from Ein deutsches | |
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Requiem Adams/Mason, "Nearer, My God, to Thee" | |
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Newton, "Amazing Grace" | |
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Gilbert/Sullivan, "I Am the Very Model of a Modern Major-General," | |
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The Pirates of Penzance Bizet, "L'amour est un oiseau rebelle," | |
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Carmen Verdi, "Dite alla giovine," | |
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La traviata Wagner, Act 1 conclusion | |
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Die Walk?re C. Schumann, Romance in G minor | |
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R. Schumann, "Aufschwung," from Fantasiest?cke | |
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Chopin, Etude in C minor ("Revolutionary") | |
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Chopin, Prelude No. 3 in G major | |
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Chopin, Prelude No. 4 in E minor | |
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Berlioz, "Songe d'une nuit de sabbat," | |
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Symphonie fantastique, 5th movement | |
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Brahms, Symphony No. 2 in D major, 3rd movement | |
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Tchaikovsky, Violin Concerto in D major, 3rd movement | |
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Strauss, The Emperor Waltz, excerpt | |
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Tchaikovsky, Waltz, from The Sleeping Beauty | |
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Dvor?k, Slavonic Dance in G minor Schoenberg, "Nacht," | |
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Pierrot lunaire Debussy, "Voiles," from Preludes | |
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Debussy, "Minstrels," from Preludes | |
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Stravinsky, "Introduction," "The Augurs of Spring," and "Mock Abduction," from The Rite of Spring Sousa, "The Stars and Stripes Forever" | |
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Joplin, "The Entertainer" Ives, "Putnam's Camp, Redding, Connecticut," from Three Places in New | |
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England Hayes, "Lord, I Can't Stay Away" Smith, "Empty Bed Blues" | |
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Armstrong, "Hotter Than That" | |
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Gershwin, Rhapsody in Blue | |
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Kern/Hammerstein, "Can't Help Lovin' Dat Man," | |
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Show Boat Webern, Concerto for Nine Instruments, 2nd movement Stravinsky, Symphony of Psalms, 1st movement | |
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Chavez, Sinfon?a India, excerpt Copland, Appalachian Spring, 1st & 2nd sections | |
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Bart?k, Music for Strings, Percussion, and Celesta, 2nd movement | |
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Prokofiev, "Peregrinus expectavi," from Alexander | |
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Nevsky Cage, Sonata V from Sonatas and Interludes | |
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Babbitt, Ensembles for Synthesizer, excerpt Penderecki, Tren (Threnody for the Victims of Hiroshima), excerpt | |
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Parker/Gillespie, "Salt Peanuts" Bernstein/Sondheim, "Cool," | |
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West Side Story Machito, "Carambola" | |
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Piazzolla, "Chiqu?" | |
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Berry, "Sweet Little 16" | |
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Wilson, "Surfin' U.S.A." | |
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Dylan, "Subterranean Homesick Blues" | |
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Tower, Fanfare for the Uncommon Woman | |
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Zwilich, Concerto Grosso 1985, 1st movement | |
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Williams, "Main Title/Rebel Blockade Runner," | |
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Star Wars Episode IV Tan, "Farewell," | |
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Crouching Tiger, Hidden Dragon | |
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Reich, Music for 18 Musicians | |
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Section IIIA P?rt | |
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Kyrie, from Berlin Mass | |