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Counterpoint The Polyphonic Vocal Style of the Sixteenth Century

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ISBN-10: 048627036X

ISBN-13: 9780486270364

Edition: 1992 (Reprint)

Authors: Knud Jeppesen

List price: $17.95
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Description:

First paperback edition of classic introductory text by world-renowned musicologist and authority on Palestrina. Features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples. New foreword by Alfred Mann. Introduction.
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Book details

List price: $17.95
Copyright year: 1992
Publisher: Dover Publications, Incorporated
Publication date: 3/27/1992
Binding: Paperback
Pages: 320
Size: 6.13" wide x 9.25" long x 0.50" tall
Weight: 0.880
Language: English

Foreword
Introduction to the English Translation
Preface
Preliminaries
Outline History of Contrapuntal Theory
Counterpoint and Harmony Contrasted
The Ninth to the Fourteenth Centuries: The Beginnings of Contrapuntal Theory
The Fifteenth Century: Crystallization of Principles
The Sixteenth Century: The Style of Palestrina
The Seventeenth Century: Some Pedagogical Developments
The Eighteenth Century: The Style of Bach
The Nineteenth Century: Palestrina or Bach?
The "Palestrina Movement" after Fux
Technical Features
Notation
The Ecclesiastical Modes
Melody
Harmony
Contrapuntal Exercises
Introduction
Two-Part Counterpoint
First Species
Second Species
Third Species
Fourth Species
Fifth Species
Free Two-Part Counterpoint
Imitation
Three-Part Counterpoint
First Species
Second Species
Third Species
Fourth Species
Fifth Species
Imitation
Four-Part Counterpoint
First Species
Second Species
Third Species
Fourth Species
Fifth Species
Imitation
Counterpoint in More Than Four Parts
The Canon
The Motet
The Mass
Appendix: The Vocal Fugue
Appendix: Double, Triple, and Quadruple Counterpoint
Appendix: Summary of the Most Important Contrapuntal Laws and Rules
Melody
Consonant Combinations
Dissonant Combinations
Index