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| Introduction : disability studies in commotion with performance studies | |
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| Taxonomies : disability & deaf performances in the process of self-definition | |
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| Delivering disability, willing speech | |
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| Dares to stares : disabled women performance artists & the dynamics of staring | |
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| Performing deaf identity : toward a continuum of deaf performance | |
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| Aesthetic distance & the fiction of disability | |
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| Disability/deaf aesthetics, audiences, & the public sphere | |
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| Shifting Apollo's frame : challenging the body aesthetic in theater dance | |
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| The national theatre of the deaf : artistic freedom and cultural responsibility in the use of American sign language | |
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| Shifting strengths : the cyborg theater of Cathy Weis | |
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| Theater without a hero : the making of P. H. *reaks : the hidden history of people with disabilities | |
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| Rehabilitating the medical model | |
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| Performing disability, problematizing cure | |
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| Bodies, hysteria, pain : staging the invisible | |
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| Performance as therapy : Spalding Gray's autopathographic monologues | |
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| The facilitation of learning-disabled arts : a cultural perspective | |
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| Beyond therapy : "performance" work with people who have profound & multiple disabilities | |
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| Dementia and the performance of self | |
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| Performing disability in daily life | |
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| Looking blind : a revelation of culture's eye | |
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| Men in motion : disability and the performance of masculinity | |
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| Disrupting a disembodied status quo : invisible theater as subversive pedagogy | |
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| The tyranny of neutral : disability and actor training | |
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| Reading disability in dramatic literature | |
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| Unfixing disability in Lord Byron's The Deformed Transformed | |
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| On Medea, bad mother of the Greek drama (disability, character, genopolitics) | |
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| Disability's invisibility in Joan Schenkar's Signs of Life and Heather McDonald's An Almost Holy Picture | |
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