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| The Centrally Planned Church and the Renaissance | |
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| Alberti's Programme of the Ideal Church | |
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| Centralized Churches in Later Architectural Theory | |
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| Building Practice: S. Maria delle Carceri | |
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| Bramante and Palladio | |
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| The Religious Symbolism of Centrally Planned Churches | |
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| Alberti's Approach to Antiquity in Architecture | |
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| The Column in Alberti's Theory and Practice | |
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| S. Francesco at Rimini | |
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| S. Maria Novella | |
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| S. Sebastiano and S. Andrea at Mantua | |
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| The Change in Alberti's Interpretation of Classical Architecture | |
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| Principles of Palladio's Architecture | |
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| The Architect as 'uomo universale': Palladio, Trissino and Barbaro | |
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| Palladio's Geometry: The Villas | |
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| Palladio and Classical Architecture: Palaces and Public Buildings | |
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| The Genesis of an Idea: Palladio's Church Facades | |
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| Palladio's Optical and Psychological Concepts: Il Redentore | |
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| The Problem of Harmonic Proportion in Architecture | |
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| Francesco Giorgi's Platonic Programme for S. Francesco della Vigna | |
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| The Mean Proportionals and Architecture | |
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| Alberti's 'Generation' of Ratios | |
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| Musical Consonances and the Visual Arts | |
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| Palladio's 'fugal' System of Proportion | |
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| Palladio's Ratios and the Development of Sixteenth-Century Musical Theory | |
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| The Break-away from the Laws of Harmonic Proportion in Architecture | |
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| Francesco Giorgi's Memorandum for S. Francesco della Vigna | |
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| The Problem of the Commensurability of Ratios in the Renaissance | |
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| Bibliographical Notes on the Theory of Proportion | |
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| Proportion in Art and Architecture: an amalgamation of previously unpublished lectures by Professor Wittkower | |
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| The Need for Order | |
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| Origins of Western Proportional Systems | |
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| Geometry and Mediaeval Proportions | |
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| Renaissance Proportions and Commensurability | |
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| Post-Renaissance Proportioning--Dilemmas and Possibilities | |
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| Index | |