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| Introduction | |
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| Celebration: 'So I shake with joy' | |
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| 'The Very Leaves of the Acacia-Tree Are London' | |
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| Fable of Fables | |
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| Dream Variation | |
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| Moved | |
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| from Song of Myself | |
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| from Scottish Scene | |
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| Steppe | |
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| Low-Anchored Cloud | |
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| from the Parliament of Fowls | |
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| The Garden | |
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| Sacrament | |
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| My Mississippi Spring | |
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| Spring in the Lowlands | |
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| For Robbie Moore | |
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| 'Most Beautiful of Things' | |
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| 'Repeat that, Repeat' | |
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| Pleasant Sounds | |
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| from the Task, Book I | |
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| from Epipsychidion | |
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| 'Leave Krete and Come to this Holy Temple' | |
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| from Poly-Olbion, the First Song | |
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| Mount Saint Helens/Loowit: An Indian Woman's Song | |
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| 'You Firmly Built Alps' | |
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| Composed Upon Westminster Bridge | |
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| from Teisa: A Descriptive Poem of the River Tees, Its Towns and Antiquities | |
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| A Paraphrase Upon the Tenth Epistle of the First Book of Horace | |
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| Inversnaid | |
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| from The Seasons, Winter | |
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| 'Year's End' | |
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| A Bright Day | |
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| Loss: 'Lament for all that is purple like dusk' | |
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| Binsey Poplars | |
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| The Song of the Wild Dove | |
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| Temps Perdu | |
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| Caption to a Landscape | |
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| Dispossessed | |
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| Biography for the Use of the Birds | |
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| October Journey | |
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| from the Cambridge Songs | |
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| Long Division: A Tribal History | |
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| The Tropics in New York | |
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| Enclosure | |
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| Pastoral I | |
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| from Pastoralls, the Fourth Eglogue | |
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| Study of History | |
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| Ephesos | |
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| Concerning the Flooding of Prague After Constant Rains | |
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| The Sea Eats the Land at Home | |
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| The Mountain Stream | |
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| 'Far Inland' | |
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| Loch Thom | |
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| Anger: 'A perpetual/sour October' | |
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| Ploughing the Roughlands | |
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| 'I Go from the Woods' | |
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| Alone in the Woods | |
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| Cutting a Track to Cardwell | |
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| The Trees are Down | |
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| To a Gentleman, on His Intending to Cut Down a Grove to Enlarge His Prospect | |
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| The Elm Decline | |
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| from An Essay on Man | |
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| The Mower Against Gardens | |
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| 'I Love the English Country Scene' | |
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| Sheltered Garden | |
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| from Padding It | |
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| from the Wonders of the Peake | |
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| Verses on Hearing that an Airy and Pleasant Situation, Near a Populous and Commercial Town, Was Surrounded with New Buildings | |
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| New Ecology | |
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| from Colebrook Dale | |
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| A Song of Glasgow Town | |
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| from Satire III | |
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| Sorrow Home | |
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| 'Honeysuckle was the Saddest Odor of All, I Think' | |
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| Autumn on the Land | |
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| Green Rock, Winthrop Bay | |
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| After I Came Back from Iceland | |
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| Celebration 1982 | |
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| Mikhael at Viksjon | |
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| Consolation: 'Moments of an azure hue' | |
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| Come Hither | |
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| After the Winter | |
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| The Lake Isle of Innisfree | |
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| Speak of the North | |
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| Plash Mill, Under the Moor | |
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| Early Spring | |
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| Tashkent Breaks into Blossom | |
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| 'Everything is Plundered ...' | |
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| Beyond Time | |
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| Delight in Nature | |
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| On the Grasshopper and Cricket | |
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| from Childe Harold's Pilgrimage | |
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| Heirloom | |
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| Kopis'taya | |
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| Granite Call | |
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| The Marl Pits | |
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| Stone Fish Lake | |
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| Trees be Company | |
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| 'Thrise Happie Hee, Who by some Shadie Grove' | |
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| from Paradise Lost, Book IV | |
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| A Summer's Wish | |
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| Autumn Burns Me | |
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| Within the Circuit of this Plodding Life | |
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| The Soaking | |
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| Digging | |
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| Planting Bamboos | |
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| 'Lounge in the Shade of the Luxuriant Laurel's' | |
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| Contemplation: 'How can you realise the wideness of the world?' | |
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| The Rose | |
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| Coast Range | |
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| Having Climbed to the Topmost Peak of the Incense-Burner Mountain | |
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| Above the Oxbow | |
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| Lesson VI, Lesson X | |
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| Dry River | |
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| So which is the Truth? | |
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| Inner | |
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| Oh Earth, wait for Me | |
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| "'Nature" is what We See' | |
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| Epir Rhema | |
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| Connections | |
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| A Nocturnal Reverie | |
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| Wild Peaches | |
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| Sunart | |
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| Hamatreya | |
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| From the Sound of the Wind that is Blowing | |
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| At Stoke | |
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| Advice | |
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| The Reedbeds of the Hackensack | |
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| Pieces of Unprofitable Land | |
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| Pause | |
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| Geography 2 | |
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| On Sight | |
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| The Black Finger | |
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| Rural Reflections | |
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| Lachesis Lapponica | |
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| Two Campers in Cloud Country | |
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| This Solitude of Cataracts | |
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| Observation: 'Sensitive to the millionth of a flicker' | |
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| The Waters of Lung-T'ou | |
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| Signs and Signals | |
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| The Gum Forest, from Four Gaelic Poems | |
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| 'Blazing in Gold' | |
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| Ibadan | |
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| Morning Sea | |
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| Land-Schap Between Two Hills | |
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| Concrete Poem 240663 | |
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| The Bight | |
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| Whale at Twilight | |
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| Night and Morning | |
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| The Night in Isla Negra | |
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| from March '79 | |
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| What Frank, Martha and I know about the Desert | |
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| Riddles | |
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| 'The Day Breaks' | |
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| Robles, M'Hija, Robles! | |
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| Driving Toward the Lac Qui Parle River | |
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| The Trail is not a Trail | |
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| Roadside | |
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| The Road at Frosses | |
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| 'As Imper Ceptibly as Grief' | |
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| The Nomads | |
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| Nocturne | |
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| The Sky | |
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| Disquiet: 'Something warns me everywhere' | |
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| The Power Source | |
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| Neighbours | |
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| Permafrost | |
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| 'Distance Collapsed in Rubble' | |
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| Augury | |
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| St John River | |
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| A Dream of Water | |
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| What the Pool Said, on Midsummer's Day | |
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| The River God | |
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| Rising Damp | |
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| The Reason Why I am Afraid Even Though I am a Fisherman | |
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| The River | |
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| The Fear | |
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| Winter Woods | |
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| Walking in Autumn | |
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| Out of Time | |
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| 'There's A Certain Slant of Light' | |
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| Over Heard Over S. E. Asia | |
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| Open Spaces | |
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| Twilight View | |
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| From in Parenthesis | |
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| The Field | |
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| We Are Entitled to Love Autumn | |
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| Today's Meditation | |
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| One of These Days | |
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| The Recital of Lost Cities | |
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| Domus Caedet Arborem | |
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| From the City of Dreadful Night | |
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| Men in the City | |
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| A Holiday | |
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| 'Never Forget' | |
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| By the Cam | |
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| from The Poor of the Borough, Letter XXII, Peter Grimes | |
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| Night-Time in Mid-Fall | |
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| from Paradise Lost, Book II | |
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| from the Seasons, Summer | |
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| The Dry Season | |
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| Summer Storm (Circa 1916), and God's Grace | |
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| Jeremiah 4, 23-28 | |
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| And When Summer Comes to an End ... | |
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| Biographical Notes | |
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| Acknowledgements | |
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| Index of Poets | |
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| Index of First Lines | |