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List of figure and examples | |
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Preface | |
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An overview of Schenkerian analysis | |
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An introduction to the concepts of Schenkerian analysis | |
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Schenkerian analysis: some key ideas | |
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An overview of the basics | |
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Music and elaboration | |
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Basic melodic elaborations | |
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Further elaborations | |
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Larger-scale structures | |
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Bass prolongations | |
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Elaborations of the bass | |
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Two-part contrapuntal structures | |
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Closure and the descending line | |
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Variants of the Urlinie | |
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The main prolongations of the Ursatz | |
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Compound melody and background prolongations | |
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Initial arpeggiations and initial ascents | |
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Motion from and to an inner voice | |
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Interruptions and neighbor notes | |
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Obligatory register | |
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Register transfer and coupling | |
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Mixture | |
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Some further prolongations of the Bassbrechung | |
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Substitution and cover tones | |
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Getting started on an analysis | |
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A four-stage method | |
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An introduction to the analytical process | |
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Stages one and two | |
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Harmonic analysis | |
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Stage three (middleground analysis) | |
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Stage four (background analysis) | |
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A final worked example | |
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Presenting a Schenkerian analysis | |
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Foreground graphs | |
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Middleground graphs | |
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Middleground summaries | |
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Schenkerian notation in practice | |
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Analysis in practice | |
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Schenkerian analysis and form | |
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Allegretto from Beethoven's Piano Sonata, Op. 14, No. 1 | |
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Chopin, Grande Valse Brilliante, Op. 18 | |
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Haydn, Divertimento in C major, Hob. XVI, No. 10 | |
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Playing with register | |
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Menuetto from Mozart's "Dissonance" Quartet | |
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Menuetto from Beethoven's Piano Sonata in F minor, Op. 2, No. 1 | |
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Parallelisms and dramatic structure | |
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Hidden repetition | |
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Beethoven, Piano Sonata in E major, Op. 14, No. 1 | |
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Beethoven, String Quartet in F minor, Op. 95 | |
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Beyond Schenker: The breakdown of tonal hierarchy | |
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Exercises | |
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Foreground analysis | |
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Middleground analysis | |
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Longer extracts | |
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Problematic extracts | |
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Schenker's analyses | |
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Glossary | |
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Notes | |
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Select bibliography | |
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Index | |