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List of figures | |
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List of contributors | |
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Acknowledgements | |
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Series preface | |
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Preface | |
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Wayward docents | |
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Encountering a Chinese horse: engaging with the thingness of things | |
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Objects and their Properties | |
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Introduction to Part I | |
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Museum objects | |
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The aesthetic of the antique | |
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On looking at a Tahitian god-house | |
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Making life beautiful: my experience of doing beadwork | |
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Knitting is … | |
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Malangan: objects, sacrifice and the production of memory | |
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Ere the substance fade: photography and hair jewellery | |
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Preparing and conserving | |
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Experiencing Objects | |
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Introduction to Part II | |
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The materiality of cultural construction | |
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The surface of objects and museum style | |
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Art and the brain | |
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The event of seeing: a phenomenological perspective on visual sense-making | |
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Senses and sensibility in Byzantium | |
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Disaffected | |
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The state of wonder | |
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Sensory exile in the field | |
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In the British Museum | |
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Contexts of Experiencing Objects | |
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Introduction to Part III | |
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Ideas versus things: the balancing act of interpreting historic house museums | |
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Towards an erotics of the museum | |
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For your eyes only? The magic touch of relics | |
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'Marvels of everyday vision': the anthropology of aesthetics and the cattle-keeping Nilotes | |
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Sense matters: aesthetic values of the Great Barrier Reef | |
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Observed decay: telling stories with mutable things | |
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Handmade textiles: global markets and authenticity | |
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Museum Balanga as a site of cultural hybridization | |
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Object/Person Distinctions | |
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Introduction to Part IV | |
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Objects, agency and museums: continuing dialogues between the Torres Strait and Cambridge | |
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Resonant materiality and violent remembering: archaeology, memory and bombing | |
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The intangibility of things | |
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'Things' as social agents | |
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Art as a mode of action: some problems with Gell's Art and Agency | |
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The Blind Man's Stick (BMS) hypothesis | |
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Making culture and weaving the world | |
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Index | |