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| Foreword | |
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| Introduction | |
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| Adopted Spaces | |
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| 100 Club, London, UK, 1942 | |
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| Birdland, New York, USA, 1949-1999 | |
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| Ryman Auditorium, Nashville, USA, Hart Freeland Roberts, 1994 | |
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| Adapted Spaces | |
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| HighLine Ballroom, New York, USA, Bluarch, 2007 | |
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| VIP, Saint-Nazaire, France, LIN, 2007 | |
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| O2 Arena, London, UK, Populous, 2007 | |
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| O2 Arena, Dublin, Populous, Ireland, 2008 | |
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| Knitting Factory, Brooklyn NY, USA, HeCho Inc., 2009 | |
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| Dedicated Spaces | |
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| Grand Ole Opry, Nashville, USA, Welton Becket Assoc., 1974 | |
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| The Cavern Club, Liverpool, UK, David Backhouse Architects, 1984 | |
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| Colosseum, Caesar's Palace, Las Vegas, USA, Sc�no Plus, 2003 | |
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| The Joint by Rogue, Las Vegas, USA, Sc�no Plus, 2007 | |
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| Liverpool Echo Arena, UK, Wilkinson Eyre, 2007 | |
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| Sun Valley Music Pavilion, Idaho, USA, FTL, 2008 | |
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| De Vorstin, Hilversum, Netherlands, Cie Arkitekten, 2010 | |
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| Mobile Spaces | |
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| Valhalla, Rudi Enos, 2000 | |
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| Rolling Stones Stage Set, 'A Bigger Bang', StuFish, 2005 | |
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| Martina McBride Stage Sets, Studio 10A 2006-10 | |
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| U2 360 Stage Set, Mark Fisher, StuFish, 2009-11 | |
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| Glastonbury Festival, Pilton, Somerset, UK, 1971-2010 | |