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Acknowledgements | |
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General Introduction | |
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The Dawn of Cinema: Advocates and Detractors | |
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Introduction | |
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from The Religious Possibilities of the Motion Picture (1910) | |
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from The Problem of Capital Formation in the Indian Cinema (1917) | |
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from If Christ Went to the Movies (1920) | |
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from The Devil's Camera (1920) | |
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from Encyclical Letter Vigilanti Cura (1936) | |
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The Birth of Film Theory: Realism, Formalism, and Religious Vision | |
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Introduction | |
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from On Certain Characteristics of Photogenie (1924) | |
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from Sorcery and Cinema (1927) | |
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from Le Journal D'un Cure de Campagne and the Stylistics of Robert Bresson (1951) | |
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from Metaphors on Vision (1963) | |
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Global Perspectives: Filmmakers and Critics | |
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Introduction | |
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African and Middle-Eastern Perspectives | |
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Introduction | |
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from In a Harsh Light (2000) | |
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from In Dialogue with Kiarostami (1998) | |
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from Once Upon a Filmmaker: Conversation with Mohsen Makhmalbaf (2001) | |
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from Religious Remediations: Pentecostal Views in Ghanaian Video-Movies (2005) | |
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from Towards an Understanding of the Popularity of West African Video Film (2004) | |
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from Notes from the Palestinian Diaspora: An Interview with Elia Suleiman (2003) | |
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from The Power of Female Solidarity: An Interview with Ousmane Sembene (2004) | |
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from I Make Films About the Big Problems of Our continent: An Interview with Cheick Oumar Sissoko (2000) | |
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Asian and Anstralasian Perspectives | |
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Introduction | |
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from Filming the Gods: Religion and Indian Cinema (2006) | |
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from Revelation and Doubt in Sant Tukaram and Devi (2000) | |
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from An Interview with Im Kwon-Taek (2002) | |
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from Suicide Off the Edge of Explicability: Awe in Ozu and Kore'eda (2002) | |
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from Jai Santoshi Maa Revisited: On Seeing a Hindu "Mythological" Film (2003) | |
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from I Want My Films to Explode with Life (2004) | |
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from Transcendental Style on Film (1972) | |
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from Shukyo Asobi and Miyazaki Hayao's Anime (2007) | |
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from Under Weir and Theroux: An Interview with Peter Weir (1986) | |
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European Perspectives | |
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Introduction | |
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from The Masterpiece: The Gospel According to St Matthew (1997) [1964] | |
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from Introduction to the Seventh Seal (1968) [1957] | |
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from Filming the Story of a Spy for God: An Interview with Costa-Gavras (2003) | |
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from Godard in His Fifth Period (1985) | |
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from Introduction to Decalogue: The Ten Commandments (1991) [1988] | |
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from A Century of Films: Day of Wrath (2001) | |
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from Sculpting in Time (1989) | |
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from Trier on Von Trier (2003) | |
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South and North American Perspectives | |
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Introduction | |
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from Woody Allen on Woody Allen (1994) | |
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from Basic: An Interview with 21 Grams Screenwriter Guillermo Arriaga (2003) | |
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from The Rolling Stone Interview (1992) | |
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from Dialogue Between Bell Hooks and Julie Dash (1992) | |
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from Inner Views: Filmmakers in Conversation (1992) | |
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from Of Myth and Men: Excerpts of a Conversation Between Bill Moyers and George Lucas (1999) | |
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from On Reappreciating Kazantzakis (2005) | |
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from Screening Schillebeeckx (2006) | |
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from Sentimental Journey as National Allegory: An Interview with Walter Salles (1998) | |
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from Steven's Choice (2000) | |
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from Mouse Morality: The Rhetoric of Disney Animated Film (2002) | |
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from Projecting Blackness: African-American Religion in the Hollywood Imagination (2004) | |
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Theological and Biblical Approaches to Analyzing Film | |
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Introduction | |
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Theological Dialogues | |
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from Catching Light: Looking for God in the Movies (2004) | |
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from Faith in Film (2005) | |
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from Reel Spirituality: Theology and Film in Dialogue (2000) | |
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from Cinema and Sentiment (2004) | |
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from Contemporary Theories Regarding the Interpretation of Religious Film (1997) | |
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from Alien Sex: The Body and Desire in Cinema and Theology (2004) | |
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Viewing and Writing on the Passion of the Christ (2005) | |
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from Celluloid Saints: Images of Sanctity in Film (2002) | |
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Biblical Connections | |
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from Cinema Divinite: Religion, Theology and the Bible in Film (2005) | |
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from St Paul at the Movies: The Apostle's Dialogue with American Culture (1993) | |
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from Plotted, Shot, and Painted: Cultural Representations of Biblical Women (1996) | |
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from The New Testament in Fiction and Film: On Reversing the Hermeneutical Flow (1993) | |
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from Scripture on the Silver Screen (2003) | |
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from How Hysterical: Identification and Resistance in the Bible and Film (2003) | |
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Recent Reflections on the Relation between Religion and Film | |
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Introduction | |
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from Religion in Film (1982) | |
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from Imagining Nothing and Imagining Otherness in Buddhist Film (1999) | |
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from Devotional Cinema (2003) | |
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from Film as Religion: Myths, Morals and Rituals (2003) | |
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from Screening the Sacred: Religion, Myth, and Ideology in Popular American Film (1995) | |
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from The Footprints of Film: After Images of Religion in American Space and Time (2006) | |
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from Religion and Film (2007) | |
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Bibliography | |
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Webography | |
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Index | |