| |
| |
Preface and acknowledgments | |
| |
| |
| |
Media culture and the triumph of the spectacle | |
| |
| |
Guy Deboard and the society of the spectacle | |
| |
| |
The infotainment society and technocapitalism | |
| |
| |
From media culture to media spectacle | |
| |
| |
Signs of the times | |
| |
| |
Cultural studies as diagnostic critique | |
| |
| |
| |
Commodity spectacle: McDonald's as global culture | |
| |
| |
McDonald's and McDonaldization | |
| |
| |
Theorizing McDonald's: a multiperspectivist approach | |
| |
| |
McDonald's between the global and the local | |
| |
| |
McDonald's between the modern and the postmodern | |
| |
| |
Criticizing/resisting the McDonald's spectacle | |
| |
| |
The case against McDonald's | |
| |
| |
Evaluating McDonaldization | |
| |
| |
The personal and the political | |
| |
| |
| |
The sports spectacle, Michael Jordan, and Nike | |
| |
| |
The sports spectacle | |
| |
| |
The spectacle of Michael Jordan | |
| |
| |
Michael Jordan and the sports/race spectacle | |
| |
| |
Michael Jordan, Nike, and the commodity spectacle | |
| |
| |
Third coming, sex scandals, and the contradictions of the spectacle | |
| |
| |
Contradictions of Michael Jordan | |
| |
| |
Reading Jordan critically | |
| |
| |
| |
Megaspectacle: the O. J. Simpson murder trial | |
| |
| |
Murder and media spectacle in Brentwood | |
| |
| |
Spectacle culture and the social construction of reality | |
| |
| |
The verdict and the aftermath | |
| |
| |
The Simpson spectacle, identity politics, and postmodernization | |
| |
| |
Identity and identity politics | |
| |
| |
The Simpson effect: contradictions of a megaspectacle | |
| |
| |
| |
TV spectacle: aliens, conspiracies, and biotechnology in The X-Files | |
| |
| |
Conspiracy, paranoia, and postmodern aesthetics in The X-Files | |
| |
| |
Series television as social critique: "Trust no one" | |
| |
| |
The postmodern sublime, or "Is the truth out there"? | |
| |
| |
Postmodern deconstruction: "I want to believe" but ... | |
| |
| |
Nothing important happened today ... except that everything changed | |
| |
| |
Representing the unrepresentable | |
| |
| |
| |
Presidential Politics, the Movie | |
| |
| |
JFK, the Movie | |
| |
| |
LBJ and Nixon: bad movies | |
| |
| |
Ford and Carter: indifferent presidencies and poor spectacle | |
| |
| |
Ronald Reagan, the acting president | |
| |
| |
Bush I, mixed spectacle, failed presidency | |
| |
| |
The Clinton spectacle | |
| |
| |
Bush II, Grand Theft 2000, and Terror War | |
| |
| |
Conclusion: democratic politics and spectacle culture in the new millennium | |
| |
| |
References | |
| |
| |
Index | |