| |
| |
List of illustrations | |
| |
| |
Notes on contributors | |
| |
| |
Acknowledgements | |
| |
| |
General introduction | |
| |
| |
| |
Extracts from Camera Lucida | |
| |
| |
| |
| |
What has Occurred only Once: Barthes's Winter Garden/Boltanski's Archives of the Dead | |
| |
| |
| |
| |
Extracts from the Work of Art in the Age of Mechanical Reproduction | |
| |
| |
| |
| |
Benjamin and the Political Economy of the Photograph | |
| |
| |
| |
| |
Photography within the Humanities | |
| |
| |
| |
| |
In Our Image | |
| |
| |
| |
| |
Fire and Ice | |
| |
| |
| |
| |
Five Notes for a Phenomenology of the Photographic Image | |
| |
| |
| |
| |
What the Eye does not See | |
| |
| |
| |
| |
A New Instrument of Vision | |
| |
| |
| |
| |
Introduction to the Photographer's Eye | |
| |
| |
| |
| |
Seeing Photographically | |
| |
| |
| |
| |
Rhetoric of the Image | |
| |
| |
| |
| |
A Photograph | |
| |
| |
| |
| |
Looking at Photographs | |
| |
| |
| |
| |
Photography and Fetish | |
| |
| |
| |
| |
Winning the Game when the Rules have been Changed: Art Photography and Postmodernism | |
| |
| |
| |
| |
The Crisis of the Real: Photography and Postmodernism | |
| |
| |
| |
| |
Snapshooters of History: Passages on the Postmodern Argument | |
| |
| |
| |
| |
'The Shadow of the Object': Photography and Realism | |
| |
| |
| |
| |
Extracts from Introduction to the Photographic Image in Digital Culture | |
| |
| |
| |
| |
Photogenics | |
| |
| |
| |
| |
The Paradoxes of Digital Photography | |
| |
| |
| |
| |
Evidence, Truth and Order: Photographic Records and the Growth of the State | |
| |
| |
| |
| |
In, Around, and Afterthoughts (On Documentary Photography) | |
| |
| |
| |
| |
Access and Consent in Public Photography | |
| |
| |
| |
| |
Photographs of Agony | |
| |
| |
| |
| |
Photojournalism and the Tabloid Press | |
| |
| |
| |
| |
Cuba Made Me So | |
| |
| |
| |
| |
Re-reading Edward Weston: Feminism, Photography and Psychoanalysis | |
| |
| |
| |
| |
Cindy Sherman: Burning Down the House | |
| |
| |
| |
| |
Doubletake: The Diary of a Relationship with an Image | |
| |
| |
| |
| |
The Photograph as an Intersection of Gazes: The Example of National Geographic | |
| |
| |
| |
| |
The Vertigo of Displacement | |
| |
| |
| |
| |
In Our Glory: Photography and Black Life | |
| |
| |
| |
| |
Remembrance: The Child I Never Was | |
| |
| |
| |
| |
Photo-Therapy: Psychic Realism as a Healing Art? | |
| |
| |
| |
| |
Self Image: Personal is Political | |
| |
| |
| |
| |
The Museum's Old, the Library's New Subject | |
| |
| |
| |
| |
Words and Pictures: On Reviewing Photography | |
| |
| |
| |
| |
Art, Education, Photography | |
| |
| |
| |
| |
Reading an Archive: Photography between Labour and Capital | |
| |
| |
| |
Index | |