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Selected Contents: 1900-29 | |
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Introduction Prose and Poetry | |
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'Triumph' | |
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'Jane's Career' | |
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'Those That Be in Bondage - a tale of Indian Indentures and Sunlit Western Waters' | |
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'My Native Land My Home', 'A Midnight Woman To The Bobby', 'In Bondage' and 'Flame-Heart' | |
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Tropica 'Nana' and 'Busha's Song' | |
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'O, Little Green Island Far Over the Sea' | |
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'The Fleet of the Empire' | |
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'Pocomania' 1930-49 Introduction Prose and Poetry | |
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'In Vain', 'If', 'Quashie Comes to London', 'Cinema Eyes', 'Nigger' | |
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'Holy', 'Oh! You Build a House' | |
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'Jamaica Oman', 'Bedtime Story', 'Proverbs' | |
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'Listen, The Wind' | |
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'Ancestor on the Auction Block' | |
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'Dan is the Man' Non-fictional Texts | |
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'Discovering Literature in Trinidad: the Nineteen Thirties' | |
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'Contradictory (W)omens? Gender Consciousness in the Poetry of Una Marson' | |
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'On Reading Louse Bennett Seriously' | |
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'The Cultural Revolution in Jamaica After 1938' | |
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'Where the Roots Lie' 1950-1965 Introduction Prose and Poetry | |
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'The University of Hunger', 'I Come From The Nigger Yard' | |
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'Waiting for Aunty to Cough' | |
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'The Day They Burnt the Books' | |
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'Carnival in Martinique' Non-Fictional Texts | |
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'The Occasion for Speaking' | |
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'New Wine in New Bottles: The Reception of West Indian Writing in Britain in the 1950s and Early 1960s' | |
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'The Outsider's Voice: White Creole Women Novelists in the Caribbean Literary Tradition' 1966-1979 Introduction Non-Fictional Texts | |
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We Must Learn to Sit Down and Discuss a Little Culture' | |
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The Muse of History' | |
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Afterthoughts' | |
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Jazz and the West Indian Novel I, II & III' | |
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I Am a Coolie' | |
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1980-1989 Introduction Prose and Poetry | |
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Columbus in Chains' | |
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Guyana Lovesong', | |
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For My Mother (May I Inherit Half Her Strength', I Am Becoming My Mother' | |
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Reggae fi Dadda' | |
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Black and White' | |
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A Letter to the Prime Minister' The 1990s Introduction Prose and Poetry: 1 | |
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Testament' | |
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A Modern Slave Song' | |
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Dis Poem' | |
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The Counting House' | |
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Mercy' Non-Fictional Texts | |
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The Antilles: Fragments of an Epic Memory' | |
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Beyond Miranda's Meanings: Un/silencing the "Demonic Ground" of Caliban's "Woman"' | |
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Writing Oral History' | |
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Challenges of the Struggle of Sovereignty' | |
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Can A Dub Poet Be a Woman' | |