On Record Rock, Pop and the Written Word

ISBN-10: 0415053064

ISBN-13: 9780415053068

Edition: 1990

Authors: Simon Frith, Andrew Goodwin

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Book details

List price: $39.95
Copyright year: 1990
Publisher: Routledge
Publication date: 8/31/2000
Binding: Paperback
Pages: 512
Size: 6.00" wide x 9.00" long x 1.00" tall
Weight: 1.672
Language: English

Listening to Popular Music
The Dialogue of Courtship in Popular Song
The Young Audience
From Subcultural to Cultural Studies
The Golden Age
Style as Homology and Signifying Practice
Settling Accounts with Subcultures: A Feminist Critique
Defending Ski-Jumpers: A Critique of Theories of Youth Subcultures
Characterizing Rock Music Culture: The Case of Heavy Metal
Is There Rock After Punk?
The Organization of the Music Business
Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems
Cycles in Symbol Production: The Case of Popular Music
Patterns of Change
The Creative Process
The Production of Success: An Antimusicology of the Pop Song
From Craft to Art: The Case of Sound Mixers and Popular Music
The Realities of Practice
How Women Become Musicians
Sample and Hold: Pop Music in the Digital Age of Reproduction
Musicology and Semiotics
Start Making Sense! Musicology Wrestles with Rock
The Grain of the Voice
On Popular Music
Second Thoughts on a Rock Aesthetic: The Band
Jingle: Pepsi-Cola Hits the Spot
Listen to Me
Do-Talk and Don't-Talk: The Division of the Subject in Girl-Group Music
Music and Sexuality
Rock and Sexuality
Sexing Elvis
Teenage Dreams
In Defense of Disco
Reading the Stars
Rock Music, the Star System, and the Rise of Consumerism
Rocket to Russia
In Praise of Kate Bush
New Pop and Its Aftermath
Corrupting the Absolute
Last Words: The Fans Speak
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