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Preface to the Second Edition | |
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Preface to the First Edition | |
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Acknowledgments | |
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Textual Introduction | |
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Abbreviations | |
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The Poems | |
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from The Esdaile Notebook | |
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To the Emperors of Russia and Austria ... | |
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Sonnet: To a balloon, laden with Knowledge | |
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Zeinab and Kathema | |
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The Retrospect | |
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Queen Mab | |
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Alastor | |
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Stanzas.--April, 1814 | |
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Mutability ("We are as clouds") | |
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To Wordsworth | |
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Hymn to Intellectual Beauty | |
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Mont Blanc | |
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from Laon and Cythna (later The Revolt of Islam) | |
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Dedication | |
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Canto IX, stanzas xx-xxviii | |
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To Constantia | |
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Ozymandias | |
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Lines written among the Euganean Hills | |
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Julian and Maddalo | |
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Stanzas written in Dejection--December 1818, Near Naples | |
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The Two Spirits--An Allegory | |
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The Cenci | |
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Prometheus Unbound | |
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The Sensitive-Plant | |
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Ode to Heaven | |
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Ode to the West Wind | |
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The Cloud | |
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To a Sky-Lark | |
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Ode to Liberty | |
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The Mask of Anarchy | |
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[Sonnet:] England in 1819 | |
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Sonnet: To the Republic of Benevento | |
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Sonnet ("Lift not the painted veil") | |
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Sonnet ("Ye hasten to the grave!") | |
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Letter to Maria Gisborne | |
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Peter Bell the Third | |
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The Witch of Atlas | |
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Song of Apollo | |
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Song of Pan | |
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Epipsychidion | |
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Adonais | |
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Hellas | |
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Written on Hearing the News of the Death of Napoleon | |
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The Indian Girl's Song | |
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Song ("Rarely, rarely comest thou") | |
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The Flower That Smiles Today | |
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Memory | |
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To--("Music, when soft voices die") | |
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When Passion's Trance Is Overpast | |
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To Jane. The Invitation | |
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To Jane. The Recollection | |
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One Word Is Too Often Profaned | |
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The Serpent Is Shut Out from Paradise | |
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With a Guitar. To Jane. | |
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To Jane ("The keen stars were twinkling") | |
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Lines written in the Bay of Lerici | |
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The Triumph of Life | |
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The Prose | |
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On Love | |
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On Life | |
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A Defence of Poetry | |
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Criticism | |
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Shelley's Reputation Before 1960: A Sketch | |
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Foundations | |
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A Volcano's Voice in Shelley | |
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Urbanity and Apocalypse | |
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The Poetry of Skepticism | |
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Philosophy, Religion, and Ethics | |
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Shelley as Agrarian Reactionary | |
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General Studies | |
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Shelley and the End(s) of Ideology | |
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The Transgressive Double Standard: Shelleyan Utopianism and Feminist Social History | |
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Shelley's Lyric Art | |
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Percy Bysshe Shelley and Revolutionary Climatology | |
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Audiences and the Later Works | |
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Shelley Left and Right: The Rhetorics of the Early Textual Editions | |
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Studies of Individual Works | |
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Alastor | |
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"Frail Spells": Shelley and the Ironies of Exile | |
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[Mont Blanc] | |
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Shelley's Doubles: An Approach to Julian and Maddalo | |
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Transference Perverted: The Cenci as Shelley's Great Expose | |
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The Unascended Heaven: Negatives in Prometheus Unbound | |
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History's Lyre: The "West Wind" and the Poet's Work | |
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Poetic Form and Political Reform: The Mask of Anarchy and "England in 1819" | |
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Dispersoning Emily: Drafting as Plot in Epipsychidion | |
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[Adonais: Defending the Imagination] | |
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[Spectators Turned Actors: "The Triumph of Life"] | |
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Percy Bysshe Shelley: A Chronology | |
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Selected Bibliography | |
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Index of Titles and First Lines | |