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Acknowledgments | |
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Prelude to the Second Edition | |
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Melody | |
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Introduction | |
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Tonality 1: The Major Mode | |
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Intervals and the Major Scale | |
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Tonality 2: The Minor Mode | |
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Tonality 3: Other Modes | |
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Melodic Elaboration 1 | |
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Melodic Structure: An Introduction | |
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The Musical Phrase | |
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Rhythm, Meter, Tempo | |
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Writing Simple Melodies | |
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Note-Against-Note Consonance | |
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Introduction | |
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Some Practical Considerations | |
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Two-Part Counterpoint | |
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Three-Part Counterpoint | |
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Four-Part Counterpoint | |
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Diatonic Dissonance | |
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Introduction | |
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Passing and Neighbor Motion: Two Parts | |
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Suspensions: Two Parts | |
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Diatonic Dissonance: Three Parts | |
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More on Diatonic Dissonance | |
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Writing a Simple Bicinium | |
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Basic Harmony | |
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Introduction | |
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More about Triads | |
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Chords in Motion | |
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Cadences | |
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Grouping the Chords | |
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A Few Chromatic Notes | |
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Harmonizing Simple Melodies | |
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Figured Bass | |
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Study of a Piece: Isaac's Innsbruck 2 | |
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Diatonic Chord Functions: A Summary | |
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A Look Ahead | |
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Extensions of Melody, Counterpoint, and Harmony | |
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Introduction | |
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Melodic Elaboration 2 | |
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Two-Part Counterpoint with Elaborated Melodies | |
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The Extension of Lines in Musical Space | |
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Continuous Variations 1 | |
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Continuous Variations 2 | |
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Extensions of Chords in Musical Time and Space | |
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Some Free-Form Pieces | |
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Binary form | |
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Introduction | |
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Motion away from the Tonic | |
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Modulation to a Cadence | |
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Binary Form | |
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More Modulations in Binary Pieces | |
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Melodic Design in Binary Form | |
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Allemande from Bach's French Suite No. 3 30 | |
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Further Studies in Harmony, Counterpoint, and form | |
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Introduction | |
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The Dominant 7th Chord | |
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6/4 Chords | |
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Diatonic 7th Chords | |
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Cadences 2 | |
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A Repertory of Basic Polyphonic Motions | |
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More Extensions of Tonic and Dominant Harmony | |
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Secondary Tonics and Dominants | |
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Another Look at Binary Form | |
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A Look Back | |
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Why Study Counterpoint? | |
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Music and the Rules | |
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Musicianship at the Keyboard | |
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Introductory Exercises for Sight Singing | |
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Studies in Melody Improvisation | |
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Music Anthology | |
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Et incarnatus est from the Mass Pange Lingua | |
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Innsbruck, I Now Must Leave Thee | |
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Chanson, Men All Are Such Great Lovers | |
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Chanson, Happy I Dare Not Be | |
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Bicinium, A Mighty Fortress Is Our God | |
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Allemande for four instruments | |
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Villanella, May She Rule in Every Season | |
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Benedictus from the Mass Repleatur os meum laude | |
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Veni Sancte Spiritus (excerpt) | |
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Blessing Before the Meal | |
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Benedictus | |
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Chanson, Good Day, My Heart | |
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Ballata, Love's Pursuit | |
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There Is a Rose | |
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Gaillarde | |
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Two Sarabandes | |
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Toccata from Fiori musicali | |
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Psalm 78 | |
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Organ Bicinium from Tabulatura Nova | |
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Sarabande for brass instruments | |
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Chaconne for organ (excerpt) | |
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Organ Toccata in E minor | |
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Trio Sonata Op. 4, No. 2, Preludio | |
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Duet from Come, Ye Sons of Art | |
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Prelude No. 3 from L'Art de toucher le clavecin | |
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La Lugubre for harpsichord | |
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Prelude in C from Partita for Clavier | |
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Prelude in E for organ from Ariadne musicale | |
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Sarabande and Double | |
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Gavotte and Variations for harpsichord | |
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Ode, To Doris | |
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Ode, To Sleep | |
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Ode, Plain Cooking | |
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Allemande from French Suite No. 3 | |
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Gigue from Violin Sonata No. 6 | |
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Air from Suite No. 3 for orchestra | |
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Prelude No. 1 from The Well-Tempered Clavier, Book I | |
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Passecaille from Suite No. 7 | |
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Courante from Suite No. 4 | |
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"See, the conquering hero comes" from Judas Maccabeus | |
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Three English recitatives | |
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Sonata in E | |
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Sonata in F, second movement | |
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Air from Orpheus | |
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Bourree from Dance Pieces | |
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Three Piano Pieces | |
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Piano Sonata in A, K.331, theme | |
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Three Contradanses for orchestra | |
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When Our Dear Child Can Find No Rest | |
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Three Waltzes and an Ecossaise | |
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Gentle Annie | |
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Grandfather's Clock | |
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How Darkly the Water FLows for voice and piano | |
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How Darkly the Water Flows for chorus | |
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Four Rumanian Dances for piano | |
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March from Renard | |
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A Swan from Six Chansons | |
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"Story of Our Town" from Our Town Suite | |
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Symphony for Strings, second movement (excerpt) | |
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Old Devil Moon from Finian's Rainbow | |
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I Feel Fine | |
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Two-part organum (excerpt) | |
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Conductus | |
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Conductus (opening section) | |
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Motet | |
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Ballata | |
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Magnificat (excerpt) | |
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Appendices | |
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Music Notation | |
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Continuo Music | |
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Cantus Firmi | |
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Glossary | |
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Worksheets | |
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Indices | |
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Subjects and Proper Names | |
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Music | |