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| * New to the Third Edition | |
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| ** Significantly revised for the Third Edition | |
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| Looking at Movies | |
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| Looking at Movies | |
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| What Is a Movie? | |
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| Ways of Looking at Movies | |
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| Principles of Film Form | |
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| Film Form | |
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| Form and Content | |
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| Form and Expectations | |
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| Patterns | |
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| Fundamentals of Film Form | |
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| Realism and Antirealism | |
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| Cinematic Language | |
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| Types of Movies | |
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| The Idea of Narrative | |
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| Types of Movies | |
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| Hybrid Movies | |
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| Genre | |
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| Six Major American Genres | |
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| Evolution and Transformation of Genre | |
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| What about Animation? | |
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| Elements of Narrative | |
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| What Is Narrative? | |
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| The Screenwriter | |
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| Elements of Narrative | |
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| Looking at Narrative: John Ford's Stagecoach | |
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| Mise-en-Sc�ne | |
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| What Is Mise-en-Sc�ne? | |
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| Design | |
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| Composition | |
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| Looking at Mise-en-Sc�ne | |
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| Tim Burton's Sleepy Hollow | |
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| Sam Mendes's American Beauty | |
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| Michael Almereyda's Hamlet | |
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| Cinematography | |
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| What Is Cinematography? | |
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| The Director of Photography | |
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| Cinematographic Properties of the Shot | |
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| Framing of the Shot | |
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| Speed and Length of the Shot | |
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| Special Effects | |
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| Acting | |
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| What Is Acting? | |
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| The Evolution of Screen Acting | |
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| Technology and Acting | |
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| Casting Actors | |
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| Aspects of Performance | |
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| How Filmmaking Affects Acting | |
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| Looking at Acting | |
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| Barbara Stanwyck in King Vidor's Stella Dallas | |
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| Hilary Swank in Clint Eastwood's Million Dollar Baby | |
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| Editing | |
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| What Is Editing? | |
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| The Film Editor | |
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| Major Approaches to Editing: Continuity and Discontinuity | |
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| Looking at Editing | |
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| Fernando Meirelles and K�tia Lund's City of God | |
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| Sound | |
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| What Is Sound? | |
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| Sound Production | |
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| Describing Film Sound | |
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| Sources of Film Sound | |
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| Types of Film Sound | |
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| Functions of Film Sound | |
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| Sound in Orson Welles's Citizen Kane | |
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| Film History | |
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| What Is Film History? | |
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| Basic Approaches to Studying Film History | |
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| A Short Overview of Film History to 1947 | |
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| 1947-Present: New Cinemas in Great Britain, Europe, and Asia | |
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| 1965-1995: The New American Cinema | |
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| Filmmaking Technologies and Production Systems | |
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| The Whole Equation | |
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| Film, Video, and Digital Technologies: An Overview | |
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| How a Movie Is Made | |
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| The Studio System | |
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| The Independent System | |
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| Financing in the Industry | |
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| Marketing and Distribution | |
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| Production in Hollywood Today | |