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Musicians Guide Aural Skills - Sight Singing, Rhythm Reading and Keyboard Skills 2e Volume 1

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ISBN-10: 0393930947

ISBN-13: 9780393930948

Edition: 2nd 2011

Authors: Jane Piper Clendinning, Elizabeth West Marvin, Joe Phillips, Paul Murphy, Marvin Clendinning

List price: $47.99
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Description:

The Musician#xE2;#xAC;"s Guide to Aural Skills integrates all critical aural skills in a single teaching and learning program coordinated (chapter by chapter) with a companion text in theory and analysis. The two volumes, organized by skill type, contain a wide range of exercises and a diverse repertoire of real music#xE2;#xAC;#x1D;classical, popular song, film and TV themes, folk songs. There is absolutely no need for supplementary materials, and students are involved in creative music-making from the very beginning. Volume 1 covers sight-singing, rhythm-reading, improvisation, and keyboard skills, corresponding to blocks of chapters in The Musician#xE2;#xAC;"s Guide to Theory and…    
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Book details

List price: $47.99
Edition: 2nd
Copyright year: 2011
Publisher: W. W. Norton & Company Limited
Publication date: 10/4/2011
Binding: Comb Bound 
Pages: 480
Size: 9.30" wide x 11.00" long x 1.10" tall
Weight: 2.398
Language: English

Jane Piper Clendinning is professor of music theory at the Florida State University College of Music. She has published articles reflecting her interests in the history of theory, theory and analysis of twentieth-century music, computer pitch recognition, and computer applications in music. She teaches courses in eighteenth-century counterpoint, music since World War II, popular and world music analysis, music theory pedagogy, and accelerated undergraduate music theory. She has served as the chair of the Advanced Placement Music Theory Test Development Committee and as an AP reader, and is a regular consultant at AP Workshops and Summer Institutes.

Elizabeth West Marvin is professor of music theory and former dean of academic affairs at the Eastman School of Music. She has published in the areas of music cognition, music theory pedagogy, theory and analysis of atonal music, contour theory, history of theory, and analysis and performance. She teaches courses in music theory pedagogy, music cognition, and analytical techniques for performers. Her articles and reviews appear in numerous journals, including Music Perception, Music Theory Spectrum, Journal of Music Theory, and Theory and Practice. She is past president of the Society for Music Theory and is currently a member of the Advanced Placement Music Theory Test Development…