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| Anthology Repertoire | |
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| Series Editor's Preface | |
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| Author's Preface | |
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| A Sense of Possibility | |
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| Tangled Chaos and the Blank Page | |
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| Modern, Modernism, Modernity | |
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| Becoming a "Possibilist" | |
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| New Possibilities and Perspectives | |
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| For Further Reading | |
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| From the Turn of the Twentieth Century through World War I | |
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| Expanding Musical Worlds | |
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| New Inner and Outer Landscapes | |
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| Modernism, Modernity, and "Systems of Happiness and Balance" | |
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| Gustav Mahler and the Symphony as World | |
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| Alma Mahler and the New Woman | |
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| Debussy, Symbolism, Exoticism, and the Century of Aeroplanes | |
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| For Further Reading | |
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| Making New Musical Languages | |
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| Atonality, Post-Tonality, and the Emancipation of the Dissonance | |
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| Busoni's New Aesthetic of Music | |
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| Futurism and The Art of Noises | |
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| Strauss and Referential Tonality | |
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| Skryabin's New Harmonic Structures | |
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| Sehoenberg, Berg, and Webern | |
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| For Further Reading | |
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| Folk Sources, the Primitive, and the Search for Authenticity | |
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| Locating the Folk | |
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| Sibelius: Creating Finnishness | |
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| Ives's America | |
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| Primitivism and the Folk | |
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| Bart�k and the Search for a Mother Tongue | |
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| Stravinsky, Russianness, and the Folk Estranged | |
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| For Further Reading | |
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| The Interwar Years | |
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| New Music Taking Flight | |
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| Europe and America after the War | |
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| Radio, Recording, and Film | |
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| Music for Use | |
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| New Instruments, the Sounds of the City, and Machine Art | |
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| Jazz, Race, and the New Music | |
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| For Further Reading | |
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| Paris, Neoclassicism, and the Art of the Everyday | |
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| Neoclassicism | |
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| Musical High Life and Low Life | |
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| Music and Cultural Politics | |
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| Antiquity and Ritual | |
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| Eighteenth-Century Sources | |
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| Tonality Defamiliarized | |
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| The Art of the Everyday | |
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| Jazz and "The Primitive" | |
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| For Further Reading | |
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| The Search for Order and Balance | |
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| Cultural Politics of the Search for Order | |
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| The Twelve-Tone Method | |
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| New Approaches to Rhythm, Texture, and Form | |
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| New Tonalities | |
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| For Further Reading | |
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| Inventing Traditions | |
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| Villa-Lobos and Brasilidade | |
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| Vaughan Williams and "Englishness" | |
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| The Borders of American Music | |
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| Copland and the American Landscape | |
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| Still and the African-American Experience | |
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| McPhee's Imaginary Homeland in Bah | |
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| For Further Reading | |
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| World War II and Its Aftermath | |
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| Rebuilding amid the Ruins | |
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| Social Transformations | |
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| Britten's War Requiem | |
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| Musical Ramifications of the Cold War | |
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| Shostakovich's String Quartet No. 8 | |
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| For Further Reading | |
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| Trajectories of Order and Chance | |
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| Post-World War II Contexts | |
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| Twelve-Tone Composition after World War II | |
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| Integral Serialism | |
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| Chance, Indeterminacy, and the Blank Page | |
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| For Further Reading | |
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| Electronic Music from the Gold War to the Computer Age | |
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| Music, Science, and Technology in the Cold war | |
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| Manipulating Sound in the Studio | |
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| Musique Concr�te | |
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| Notating, Analyzing, and Listening to Electronic Music | |
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| Synthesizers | |
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| Computer Music | |
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| For Further Reading | |
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| From the 1960s to the Present | |
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| Texture, Timbre, Loops, and Layers | |
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| Origins of Texture Music | |
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| Ligeri's Sonorous Textures and Micropolyphony | |
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| Textual Approaches in the Music of Stockhausen and Boulez | |
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| Mathematical Models | |
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| Timbre and Extended Techniques | |
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| Composing with Layers | |
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| For Further Reading | |
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| Histories Recollected and Remade | |
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| The Past in the Present | |
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| Quotation, Protest, and Social Change | |
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| Postmodernism | |
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| Remaking Traditions | |
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| For Further Reading | |
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| Minimalism and Its Repercussions | |
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| Origins and Locales | |
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| Minimalist Art and Musical Processes | |
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| Minimalist Sources | |
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| Pathways of Postminimalism | |
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| For Further Reading | |
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| Border Crossings | |
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| Global Encounters | |
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| Music In-Between | |
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| Multimedia and Sound Art | |
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| Music, Science, and Technology | |
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| Artist and Audience | |
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| For Further Reading | |
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| Glossary | |
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| Endnotes | |
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| Credits | |
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| Index | |