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Anthology Repertoire | |
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Series Editor's Preface | |
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Author's Preface | |
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Nineteenth-Century Music and Its Contexts | |
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Around 1815 | |
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The Final Decade of the Century | |
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From 1815 to the 1890s | |
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The "Tristan" Chord | |
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For Further Reading | |
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The Romantic Imagination | |
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The Reaction Against Classicism | |
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Romantic Longing | |
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Music in the Romantic Imagination | |
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The Religion of Art | |
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Fantasy Versus Reality | |
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Romantic Irony | |
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Romanticism and Nationalism | |
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For Further Reading | |
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Music and the Age of Metternich | |
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The Congress of Vienna | |
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Biedermeier Culture | |
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Ludwig van Beethoven | |
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Franz Schubert | |
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Virtuosity, Virtuosos | |
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For Further Reading | |
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The Opera Industry | |
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Italian Opera | |
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French Opera | |
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German Opera | |
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Russian Opera | |
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For Further Reading | |
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Making Music Matter: Criticism and Performance | |
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Music Journalism | |
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Civic Engagement: The Case of Felix Mendelssohn | |
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Fanny Mendelssohn Hensel and the Musical Salon | |
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Clara Wieck Schumann and the Keyboard | |
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For Further Reading | |
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Making Music Speak: Program Music and the Character Piece | |
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Absolute and Program Music | |
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Romantic Piano Music: The Character Piece | |
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Robert Schumann and the Lied | |
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For Further Reading | |
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Beyond Romanticism | |
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The Revolutions of 1848 | |
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Anti-Romanticism and Pessimism | |
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Idealism Versus Materialism | |
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Realism | |
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Historicism | |
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Nationalism | |
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For Further Reading | |
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Richard Wagner and Wagnerism | |
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Wagner's Early Life and Career | |
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Wagner's Theories of Operatic Reform | |
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The Wagnerian Artwork of the Future | |
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Wagner's Mature Operas | |
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Wagner's Nationalism and Anti-Semitism | |
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Wagnerism | |
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For Further Reading | |
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Verdi, Operetta, and Popular Appeal | |
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Giuseppe Verdi | |
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Operetta | |
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French Opera | |
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For Further Reading | |
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Concert Culture and the "Great" Symphony | |
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Concert Culture | |
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The Great Symphony in the Later Nineteenth Century | |
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Johannes Brahms and Anton Bruckner in Vienna | |
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Concert Culture in France | |
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Russian Concert Culture arid Tchaikovsky's Sixth (Path�tique) Symphony | |
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For Further Reading | |
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Musical Life and Identity in the United States | |
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Federal Boston | |
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Spanish Colonial America | |
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New Orleans and Louis Moreau Gottschalk | |
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Stephen Foster and American Popular Song | |
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America at the Opera | |
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Classical Music in the Cities | |
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For Further Reading | |
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The Fin de Si�cle and the Emergence of Modernism | |
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Connections and Contradictions | |
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Strauss, Mahler, and the Modern World | |
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Italian Verismo in Opera | |
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Color and Sonority: Claude Debussy | |
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For Further Reading | |
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The Sound of Nineteenth-Century Music | |
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Pianos | |
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Chopin at the Keyboard | |
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The Romantic Tenor | |
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Orchestras in the Nineteenth Century | |
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Instrumental Color: The Case of the Brass | |
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Three Works, Three Recordings | |
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For Further Reading | |
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Glossary | |
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Endnotes | |
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Credits | |
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Index | |